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  Woman Caught Unaware (NHB Modern...

  Annie Fox

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  A university professor is caught in a storm when an image of her in a changing room is shared online. Exploring how images of women are represented in art and social media, Annie Fox's Woman Caught Unaware is a searing examination of the culture of body-shaming.
  A monologue play, Woman Caught Unaware was a finalist in the inaugural Heretic Voices competition, presenting the best new writing in monologue form, and celebrating unique voices with exceptional stories to tell. It was first performed at the Arcola Theatre, London, in 2018.
  The play is also available in the volume, Heretic Voices: Three Award-winning Monologues.
  'Three exceptional plays… powerful, emotional, rage-filled works that rail against injustice but contain tenderness, humour and passion… it's a pleasure to witness this simple, powerful storytelling' - LondonTheatre1
  'A whole theatrical season condensed into an evening' - Exeunt Magazine
  'Inspiring… a poetic assembly indeed' - A Younger Theatre

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  As You Like It

  William Shakespeare

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  “All the world's a stage, 
  And all the men and women merely players; 
  They have their exits and their entrances; 
  And one man in his time plays many parts, 
  His acts being seven ages.” 
  As You Like It follows the lives of men and women who have been banished from their home after ruler, Duke Senior, was usurped by his younger brother. Duke Senior’s companions begin living in the forest outside of the duchy, where they encounter a man named Orlando, who has been secretly in love with the Duke’s daughter Rosalind. 
  Orlando journeys to win Rosalind’s heart, while not knowing where Rosalind actually is in the aftermath of the usurpation. Rosalind, her best friend (who is also the daughter of the Duke’s younger brother), and the court’s jester have also resigned to the forest, but are fully disguised to keep their identities hidden. They encounter interesting characters of all sorts, such as a melancholy man named Jacques, a shepherdess who accidentally falls in love with Rosalind’s male disguise, and many more. 
  Obviously, this play is centered on a cast that keeps secrets, subtly deceives one another, dons disguises of all sorts, and above all else desires to find true love in the forest. This play is well known for the cast of entertaining characters, as well as being the origin of some of Shakespeare’s most well-known passages.

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  In the Name of Security

  Peter Goodchild

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  The Trial of Alger Hiss, The Trial of Julius and Ethel Rosenberg, The Case of J. Robert Oppenheimer. At the height of the cold War, American democracy was challenged by the anti-Communist atmosphere of the McCarthy era. In the Name of Security re-opens three famous spy cases that rocked America between 1948 and 1954: Alger Hiss, Julius & Ethel Rosenberg, and J. Robert Oppenheimer. Each hour-long program combines dramatic re-enactments based on original trial transcripts, archival material, new evidence, the latest assessments of American historians and scientists, and the commentaries of relatives and friends of the accused.An L.A. Theatre Works full-cast performance featuring John de Lancie, William Frankfather, Arthur Hanket, Ella Joyce, Richard Hoyt Miller, David Hyde Pierce, Amy Pietz, Tom Virtue and Alan Wilder,

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  Scandaltown (NHB Modern Plays)

  Mike Bartlett

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  When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...
  Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.
  Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.
  '[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent
  'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian
  'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard
  'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

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  Drunk Enough to Say I Love You?...

  Caryl Churchill

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  A man falls in love with America and leaves his wife and children for fifty years of love and adventure with Sam.
  'startling... Having dealt in the past with the politics of sex, Churchill puts the sexuality of politics centre stage' - Guardian
  'radiates quiet fury... Churchill's focus and target is America's broader foreign policies and Britain's supposed complicity in them... her play is a phenomenon: a very topical manifestation of mistrust, anxiety and, yes, anger' - The Times
  'a smoulderingly droll and deadly allegorical conceit... wickedly witty' - Independent
  'No other writer can achieve what Churchill now does, which is to convey a universe of feeling in a minimal, stripped back artistry. Though completely dissimilar to Beckett and Pinter, she is surely now in their class' - Whatsonstage.com

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  The Importance of Being Earnest

  Oscar Wilde

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  The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. 
  The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work.

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