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  The Night Before - Beautiful...

  Edward Arlington Robinson

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  Edwin Arlington Robinson was born on the 22nd December 1869 in Tide in Lincoln County, Maine.  
  His childhood was described by him as ‘stark and unhappy’.  His name was drawn out of a hat from a fellow vacationer from Arlington Massachusetts when fellow holiday makers decided that his parents had waited long enough at 6 months to name him.  It was a name he despised and reflects the station to which his parents had placed him; their great hope at his birth were that he was a girl to complement their two sons. 
  His pessimistic mood carried him to adulthood and a doomed encounter with Emma Loehen Shepherd who constantly encouraged his poetry.  Edwin was thought too young to be her companion and so his elder, middle brother, Herman was assigned to her.  It was a great blow to Edwin and during their marriage on February 12th, 1890, he stayed home and wrote ‘Cortege’ 
  In the fall of 1891 Edwin entered Harvard, taking classes in English, French and Shakespeare.  He felt at ease with the Ivy League and made great efforts to be published in one of the Harvard literary journals.  Indeed, the Harvard Advocate published ‘Ballade of a Ship’ but then his career appeared to stall.  His father died and although he returned to Harvard for a second year it was to be his last but also the start of some life-long friendships. 
  In 1893 he returned to Gardiner Maine as the man of the household.  Herman by this time had become an alcoholic, having suffered business failures, and was now to become estranged from Emma. 
  Edwin began farming whilst he wrote and quickly developed a close relationship with Emma who had now moved back to Gardiner after Herman’s death with her children. 
  Although he proposed twice, he was rejected and in consequence moved to New York to start afresh. 
  But it was a salutary experience. Although surrounded by artists he had little money and life was difficult. 
  In 1896 he published his own book, ‘The Torrent and the Night Before’, paying 100 dollars for 500 copies.  Edwin wanted it to be a surprise for his Mother, but days before its arrival she died of diphtheria. 
  His second volume, ‘The Children of the Night’, had a wider circulation.  At the behest of President Roosevelt, whose son was an avid admirer, he was given a job in 1905 at the New York Customs Office although it appears his real job was “to help American letters”. 
  Either way his success began to widen and his influence proper.  During the 1920s he won the Pulitzer Prize for Poetry on three separate occasions. In 1922 for ‘Collected Poems’ again in 1925 for ‘The Man Who Died Twice’ and finally in 1928 for ‘Tristram’. 
  During the last twenty years of his life he became a regular summer resident at the MacDowell Colony in New Hampshire, where he became the object of fascination by several women.  But he never married. 
  Edwin Arlington Robinson died of cancer on the 6th April 1935 in the New York Hospital in New York. He was 65.

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  From From - Poems

  Monica Youn

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  LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY 
   
   
   
  "Where are you from . . . ? No—where are you from from?" It's a question every Asian American gets asked as part of an incessant chorus saying you'll never belong here, you're a perpetual foreigner, you'll always be seen as an alien, an object, or a threat. 
   
   
   
  Monica Youn's From From brilliantly evokes the conflicted consciousness of deracination. If you have no core of "authenticity," no experience of your so-called homeland, how do you piece together an Asian American identity out of Westerners' ideas about Asians? Your sense of yourself is part stereotype, part aspiration, part guilt. In this dazzling collection, one sequence deconstructs the sounds and letters of the word "deracinations" to create a sonic landscape of micro- and macroaggressions, assimilation, and self-doubt. A kaleidoscopic personal essay explores the racial positioning of Asian Americans and the epidemic of anti-Asian hate. Several poems titled "Study of Two Figures" anatomize and dissect the Asian other: Midas the striving, nouveau-riche father; Dr. Seuss and the imaginary daughter Chrysanthemum-Pearl he invented while authoring his anti-Japanese propaganda campaign; Pasiphaë, mother of the minotaur, and Sado, the eighteenth-century Korean prince, both condemned to containers allegorical and actual.

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  Knock-knock

  Owen Lewis

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  Knock-knock! Who’s there? 
  Ultimately for all, it will be age. At first, it seems like a bad joke—needing a cane, memory loss, more care, forgetting even one’s own name. In Knock-knock, Lewis creates the persona of an older physician who should’ve known what’s in store. Sometimes the reality is grim, but there’s humor, love, and even romance in his inventive and poetic story-telling. “Lost-and-found / is not a planned / destination.” Yet we all eventually find ourselves there.

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  Saint Thomas and the Forbidden...

  James Matthew Wilson

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  In James Matthew Wilson’s fourth full-length collection of poems, the writer joins the great saint and theologian Thomas Aquinas to pause before “the thought of earthly sorrows” and to pray for “such a world that had so much to say.”  These poems stand in wonder before the tumult and beauty of created things and the capacity of the soul to rise above it. We move from encounters with the world as revelation, mystery, and promise, to great scenes of sin and fracture such as the bombing of Dresden, the execution of the Roman philosopher Cicero, and scandals in the Church. The volume begins with the prospects for an unborn child soon to enter our stormy world and concludes with a “Farewell” to the place, home, and setting of many of these poems. Saint Thomas and the Forbidden Birds is a story and pilgrimage through the troubles of our age and beyond them to the reason for our hope, “for all things turn about the love of God.”

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  Top 10 Poets The - Elizabethan -...

  William Shakespeare, John Donne,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore the poets and the poetry of the Elizabethan Age.  Long revered and admired this verse illuminated both this gilded age and the talents in the centuries that followed.

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  Chapters by Tim Key

  Tim Key

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  The audiobook of Tim Key's least ambitious project to date. A slim book of the crap he’s been churning out over the past eighteen months.  
  Poems about men getting stuck in webs, poems about the ancient city of Canterbury, poems about canoodling with a rose.  
  A prolific sod, he’s selected ninety of his trademark vignettes and packed them off to Emily Juniper for her to fling onto pages and shape into a book.  
  Discussions ensued about what, if anything, the point of it all was, and a healthy debate as to whether it should be broken up into chapters and, if so, why. All of these discussions are documented in the leftover space around the poems. The result is a splurge of words which very occasionally shine a light on modern times.  
  It is the third book Tim and Emily have generated together. 
  Chapters by Tim Key. 
  Read by Tim Key with Katy Wix as Emily Juniper. 
  Produced, recorded and edited by Naomi Parnell. 
  Executive producer is Ben Williams.  
  Music courtesy of Epidemic Sound. 
  Original book published by Utter & Press, copyright Tim Key, 2023. 
  This recording is copyrighted by Plosive Limited, 2023.

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