Other books that might interest you

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  Dear Dante - Poems

  Angela Alaimo O'Donnell

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  An imagined conversation with Dante Alighieri written in response to the 700th anniversary of Dante's death by fellow Catholic poet, lover and master of the sonnet, Angela Alaimo O'Donnell.
  
   
  
  
  In the summer of 2021, Angela Alaimo O'Donnell honored the 700th anniversary of Dante's death, by embarking on a three-month pilgrimage through the 100 cantos of The Divine Comedy, reading one canto per day. This new collection, Dear Dante, is her response to Dante's epic poem: 39 poems (13 for each of the 3 canticles), plus an additional 3 to serve as prologue and epilogue, all written in the poetic forms Dante loved best: the sonnet and the form he invented, terza rima.
  
  
   
  
  
  In O'Donnell's words: "Dear Dante is a species of accompaniment, an act of homage, and a long love letter to Dante. It might also be read as a series of meditations that attest to how dear Dante is to us. The Commedia is our inheritance, a gift granted to readers by our brother poet 700 years ago. These poems are an admittedly small expression of gratitude for that grand and graced gift. Grazie Mille, Maestro."
  
  
   

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  Lady

  Laurie Bolger

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  Lady, the first full collection of poems by Laurie Bolger, arrives 'all giddy with endorphins' and explores the many roles girls and women are asked to play and the dressing-up outfits they try on for size – whether housewife or hen, sister or mum, landlady, exercise instructor or best friend forever. Bolger's poems turn her bold, funny and wise words on boys, body image and the pressure to make yourself fit into a pigeon-hole, when all you really want to do is soar away on your own wings.
  Here, these gritty and effervescent poems look to the things that sustain us when navigating an imperfect world obsessed with perfection. Whether dancing in the kitchen, crying in the bath or eating crisps, these poems are equal parts delicious, joyous, and bittersweet. A celebration of the resilience of working-class women and the solidarity and love found in friendship and family, Bolger's poems dare to dream and be wild – and invite us all to join her.

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  Everything Not Saved

  Carys D. Coburn

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  Ex-lovers argue about when they were happiest, police officers rewrite history, and Rasputin dances like no one's watching. Oh, and also the Queen is there.
  We're going to feed the present to the past. It's a kind of ritual. A kind of sacrifice. Memory always is.
  Everything Not Saved by Carys D. Coburn with MALAPROP Theatre was first staged at the 2017 Dublin Fringe Festival, where it won the Georganne Aldrich Heller Award for a standout Irish artist or company that demonstrates innovation and connects with audiences. It was subsequently staged at the 2018 Edinburgh Festival Fringe.

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  Icarus and Aria

  Kirk Wood Bromley

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  In early 2019, when playwright Kirk Wood Bromley was diagnosed with cancer, his fans and collaborators came together to fund and record three of his plays, one of which was Icarus and Aria, an "upgraded Romeo and Juliet" that was originally performed under the dramatory of Aaron Beall at the first NY International Fringe Festival in 1997. This full cast performance was directed by Joshua Spafford and recorded by Kevin Blackler. 
  By riffing off its source, Icarus and Aria is thrillingly situated in the present. Icarus Alzaro is a rookie football star just signed to a high profile contract with the Arizona Aztechs. Jimmy Jones, the Aztechs owner, has a daughter named Aria. The two meet at a party to celebrate Icarus's joining the team, fall in love, and run away to the Superstition Mountains. By morning, their disappearance is a media storm. The two young lovers are eventually brought down by the inexorable forces that surround them. The play includes a cast of characters ranging from Dina, Aria's smart-mouthed best friend, and Primalo, Icarus's brother and head of El Imaginero, a crime ring linked to drug-dealing and a spate of murders, to the Channel One News Team, Aria's spunky stepmom Cindy, her trigger-happy brother Jimmy Junior, Medicine Woman, officers Barcaiolo and Junkfood, and more. Full cast info is at inversetheater.org 
  The world's foremost living verse playwright, Bromley has been compared to Shakespeare and Stoppard, is a member of New Dramatists, and was declared "the verse play champion" by Michael Feingold (Village Voice) in 2005. Bromley and Inverse have won numerous awards, including Best Downtown Theater Company (NY Press 2001), The Berrilla Kerr Foundation Playwriting Award (2001), Best Music/Lyrics (NY Int’l Fringe Festival 2002), Excellence in Playwriting (NY Int’l Fringe Festival 2003), the first Caffe Cino Award (NY Innovative Theater Awards 2005), and Outstanding Solo Show (NY Int’l Fringe Festival 2009). 

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  Sorry You're Not a Winner (NHB...

  Samuel Bailey

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  Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?
  Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind – what's the point?
  This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.
  'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

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  Mother Daughter Augur

  Mary Simmons

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  Mary Simmons’s debut is a world unto itself: a dark storybook realm, lush and full of eerie possibility, a place outside of time where women move in different forms and pass on warnings and wisdom. In the spirit of a Victorian naturalist’s collection, this book brings together found elements from nature, folklore, mythology, ballet, and oral tradition, crafting a strange, kaleidoscopic beauty and complicating inherited definitions of femininity. As these poems blur dichotomies—maiden and witch, mother and daughter, friend and lover—they reach for a new vision of womanhood beyond the bounds of roles and expectations, one that is mystical, ethereal, a little dangerous, and inherently queer. In the process, they tap into deep currents of yearning, grapple with corporeality, raise larger questions about love and what lasts, and find meaning in the uncanny and the macabre. In these pages are insects and omens, wolves and birds and weird apparitions, Odile and Ophelia, even a seventeenth-century professional poisoner. Original, atmospheric, and immersive, this is a work like no other: a tour through an enchanted forest, a darkness that’s illuminating.

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