Other books that might interest you

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  A Rhyme A Dozen ― Spring - 12...

  Claude McKay, William Morris,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Spring - An Introduction 
  2 - Ode on the Spring by Thomas Gray 
  3 - Sonnet VIII - To Spring by Charlotte Smith 
  4 - Spring by Gerard Manley Hopkins 
  5 - I Have a Bird in Spring by Emily Dickinson 
  6 - Spring by Alfred Lord Tennyson 
  7 - Prairie Spring by Willa Cather 
  8 - In Springtime by Rudyard Kipling 
  9 - Spring in New Hampshire by Claude McKay 
  10 - Spring's Bedfellow by William Morris 
  11 - Spring Showers by James Thomson 
  12 - Spring Rain by Sara Teasdale 
  13 - These, I, Singing in Spring by Walt Whitman

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  Helen

  Maureen Lennon

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  'I didn't expect it so soon, that's all. It made it seem so final, all our lives, those decisions all irreversible, immortalised in a slideshow to a Coldplay track.'
  Helen is forty when she loses her husband. Her daughter Becca is fifteen when her dad dies. Now it's just the two of them... what do they do next?
  Unfolding through snapshots of a relationship over forty years, Helen explores the threads which bind mother and daughter together, how they damage each other, and how they come to each other's rescue.
  A play for two actors – about love, grief, and getting ashes stuck to your trouser leg – Helen by Maureen Lennon was shortlisted for the 2020 Theatre503 International Playwriting Award. It was first produced at Theatre503, London, in 2023, in a co-production with Terrain, a company dedicated to promoting Northern artists and the stories they tell.

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  Time For My Generation To DIE

  E.D. Evans

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  Imagine finding a dusty, water-stained journal in an abandoned subway station before realizing it was written 20 years in the future. No robot maids or air cars, just capital L, “Life,” through X-ray specs, and don’t hold the band-aid ripping or bemused outrage. There are a thousand novels herein. (Buddy Woodward) Time for My Generation to DIE from poet and balladeer E.D. Evans takes no prisoners. Evans uses her sparkling, prickly verse to pluck out mournful, bleak, and violent tableaus. Each of her poems—Ballad or not—Is deserving of a hard-strummed guitar and some harmonica across the bridge. This is distilled country and southwestern, sans redemption, sans chaser.(Sean McCollum) Here we will find necessary truths—Honest evidence of a transformative journey, amusing and disturbing, disarming with a hip, wry wit of personal insight. A reminder of poetry as event, where you will find your lips mouthing the vowels. A nod, and a wink never too far behind, Evans’ artistry holds your hand through the odyssey and the rhyme.(Henry Long) Pssssst! Hey, You, Yes… YOUR Generation (whichever that may be). Are you looking for:Saccharin love sonnets? Maudlin two-line musings? Droning co-opted hip hop lyrics? - You won't find that here. Do you desire:Trite overbaked sentiment? Foolish masturbatory banter? Inscrutable word salad? - You won't find that here. What you WILL find here is an epitaph, of sorts, laced with:Dark humor, Snide observations, Stark realism, Morbid landscapes, Gamblers and junkies & Punks and thugs. An epitaph for MY forgotten generation - Generation Jones - who:Relish obscure banalities, Prefer pencil on paper, Revel in audacious irony and Eschews ‘the good old days’. It’s no longer time for any of these things.It’s simply:… Time for my Generation to Die. E.D. Evans is a lifelong poet. Having spent time in both London and New York during Punk’s original heyday in the late ‘70s and early ‘80s...

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  The Unfriend - (West End edition)

  Steven Moffat

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  'We're dying of manners. We're under siege from personal embarrassment. This is not sane. This is not rational. That woman is a monster!'
  While on holiday, Peter and Debbie befriend Elsa: a lusty, Trump-loving widow from Denver, USA. She's less than woke but kind of wonderful. They agree to stay in touch – because no one ever really does, do they?
  When Elsa invites herself to stay a few months later, they decide to look her up online. Too late, they learn the truth about Elsa Jean Krakowski. Deadly danger has just boarded a flight to London! But how do you protect all that you love from mortal peril without seeming, well, a bit impolite? Because guess who's coming... to murder!
  Steven Moffat's play The Unfriend takes a hilarious and satirical look at middle-class England's disastrous instinct always to appear nice. It was first performed at the Minerva Theatre, Chichester, in 2022, before transferring to London's West End – first to the Criterion Theatre, then to Wyndham's – in 2023.
  Steven Moffat is an award-winning writer whose internationally successful television shows include Doctor Who, Sherlock and Dracula – the latter two co-written with actor and writer Mark Gatiss, who made his stage directorial debut with The Unfriend.

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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  Chattering at School: Nature...

  Edward Forde Hickey

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  "Chattering at School" is a series of animal poems that invites the reader to learn and marvel at all the wonders of the natural world. The poems include fun narratives on the surface, while containing learning and teaching moments as the poems unfold. The book has lovely illustrations and is full of moral lessons. 
  The introduction to Chattering at School: Nature poems for children explains that these poems were written by a schoolboy aged 11 to 18 (1951-58) during his annual summer holiday visits to his grandmother on her small farm in Ireland. She had been his carer and guardian from the time of the German Blitz of London where he was born, and lived with her until the war ended in 1945. He then returned to his unknown parents, who had been unable to visit him in Ireland from the UK during the war. 
  Over 60 years later, the author of these poems - Edward Forde Hickey - discovered them (his own schoolboy attempts at writing poetry) lying in the attic and felt they were worth recording publicly.

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