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  suddenly we

  Evie Shockley

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  Finalist for the 2024 National Book Award for PoetryIn her new poetry collection, Evie Shockley mobilizes visual art, sound, and multilayered language to chart routes towards openings for the collective dreaming of a more capacious "we." How do we navigate between the urgency of our own becoming and the imperative insight that whoever we are, we are in relation to each other? Beginning with the visionary art of Black women like Alison Saar and Alma Thomas, Shockley's poems draw and forge a widening constellation of connections that help make visible the interdependence of everyone and everything on Earth.perchedi am black, comely,a girl on the cusp of desire.my dangling toes take the restthe rest of my body refuses. spine upright,my pose proposes anticipation. i poisein copper-colored tension, intent onmanifesting my soul in the discouraging world.under the rough eyes of others, i stiffen.if i must be hard, it will be as a tree, alivewith change. inside me, a love of beauty riseslike sap, sprouts from my scalpand stretches forth. i send out my song, an ariablue and feathered, and grow toward it,choirs bare, but soon to bud. i amblack and becoming.         —after Alison Saar's Blue Bird

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  Cornered by the Dark - Poems

  Harold J. Recinos

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  "Cornered by the Dark is a triumph." 
  
  —Junot Díaz, author of The Brief Wondrous Life of Oscar Wao
  
  W. H. Auden, Jorge Luis Borges, Howard Thurman, Julia Equivel, Thomas Merton, Langston Hughes, Pedro Pietri and Miguel Piñero, in their work make a connection between poetry, social criticism and the meaning of life together—that is a part of Harold Recinos' literary labor. His work creates a fusion between the personal and the public in verse that is searching, expansive, and walking hurt streets. Cornered by the Dark is a work about truth-telling and witness-bearing to the marginal men, women, and children who tell their story about a culture of indifference and callousness while finding courage and compassion to hope in everyday life. 
  
  Cornered by the Dark is published under Paraclete Press's Iron Pen imprint. In the book of Job, a suffering man pours out his anguish to his Maker. From the depths of his pain, he reveals a trust in God's goodness that is stronger than his despair, giving humanity some of the most beautiful and poetic verses of all time. Paraclete's Iron Pen imprint is inspired by this spirit of unvarnished honesty and tenacious hope.

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  Our Long-Expected Gift - A Jesse...

  Julie Owen Meyer

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  Our Long-Expected Gift is a Christmas devotional inspired by the Jesse Tree tradition. Each of the 25 days in December unfolds a beloved story from the Old Testament, retold in lyrical poem form. Every story gently points forward to the birth of Jesus, reminding us that His arrival was not an afterthought, but part of God’s perfect plan from the very beginning. 
  This devotional invites families and individuals alike to trace the golden thread of God’s promises through Scripture, from creation to the manger, and to see how every promise finds its fulfillment in Christ. With beauty, hope, and wonder woven into every page, Our Long-Expected Gift celebrates our God who will stop at nothing to show His love for us.

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  The Well of the Saints - A...

  J.M. Sygne

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  A blind couple regains their sight only to realize they hate the look of one another. Hilarity and pigheadedness ensues. 
  Come join me on a three act romp through the Irish countryside where we begin to learn that ugliness and beauty aren't as topical as one might believe, and that the people who have their sight are oftentimes the ones who are the most oblivious.

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  Intruder

  Jerrold Yam

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  At home with loneliness and passing encounters, can we be familiar with another or even ourselves? Does love outweigh the uncertainty of its memory? In his third and latest collection, award-winning poet Jerrold Yam ushers us into a traveller's world through sensitive and enquiring eyes, navigating a landscape of flitting figures, thoughts and emotions. 
   
   
  Informed by expansive travel across Asia and Europe, Yam's poetry is as varied as his journey, exploring geysers, horse riding and Picasso, while building on his preoccupations with family, sensuality and displacement. His poems make fresh the contradictions of young adulthood, its heady mix of determined restlessness, bold insecurities, desire for intimacy and fear of commitment. In his unflinchingly honest treatment of these themes, Yam exhibits new range and complexity as he describes a shifting terrain, where moving on is as difficult as letting go. 
   
   
  Above all, Intruder is an attempt to make sense of the impermanent structures that hold up one's life. Home, like love, may be a fiction that we must resist claiming for our own. After all, can we--and should we--be more than intruders? 
   
  "Jerrold Yam writes with an old voice and the youthful abandon of a poet out of his safe shell; a strong conviction of his depthless solitude yet weak in the presence of love and desire. His poems are lamentable etudes of one-word titles so vocal of absence and longing they are heartrending to those in the thick throes of love's discovery, loss and reconciliation." 
  -Grace Chia, author of Cordelia and womango

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  The Eclogues and Georgics

  Virgil

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  Though it is for the sparkling epic, Aeneid, that the Roman poet Virgil is best known, it was these two poems, The Eclogues and Georgics, which first established his reputation.  Cast in the tradition of pastoral poetry, The Eclogues were written between 41 BCE and 37 BCE when Virgil (Publius Vergilius Maro, to give him his full name) was in his thirties. The Eclogues (the word means ‘Selections’ in Greek) contain 10 poems, a combination of dialogues and monologues. They drew on the ‘bucolic’ (rural) style of the ancient Greek poet Theocritus (c 300BCE-c 260 BCE), but Virgil weaves many references to contemporary Roman events. Though The Eclogues have perhaps existed in the shadow of Georgics, they have been highly regarded and studied by academics and poets down the centuries. They are presented here in the 20th century translation by the British poet R. C. Trevelyan, and read in multi-voice format as they were originally written, with clearly delineated characters bringing the content to life with verve and temperament. 
  Though also pastoral in nature, Georgics is very different in style. Published in 29 BCE, the main subject is agriculture (the title reflects the Greek word ‘georgika’, agricultural things), and vigorously promotes traditional means of farming. Again, Virgil weaves into his verse cultural and political themes. Cast in four Books, the dynamic expression draws on numerous Classical, mythical and contemporary references, while explaining the best methods for ploughing, animal husbandry, observing weather patterns, the life of bees and the like. Increasingly, the rise and fall of man’s endeavours can be reflected in the vicissitudes of agricultural life. The 20th century translation of Georgics used on this recording is by the highly respected translator of Latin poetry, Smith Palmer Bovie. It is read by Jamie Parker. Closer study of both works while listening is possible through the complete texts that come with the recording. 
   
  PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

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