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  The Blue Moccasins

  D H Lawrence

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  'The Blue Moccasins' has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting; the stage of an amateur dramatic society where all the passions and delusions come to a head.

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  Doctor Faustus

  Thomas Mann

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  Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul--and the ability to love his fellow man.  
   
  Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius--both national and individual--and the terrible responsibilities of the truly great artist. 
   
  John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece." --The New Yorker 
   
  "Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods." --The New Republic

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  A Christmas Carol

  Charles Dickens

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  Step into the timeless world of A Christmas Carol, a masterpiece of redemption and transformation that has captivated readers for generations. This enchanting story follows the journey of Ebenezer Scrooge, a miserly and cold-hearted man who values wealth above all else. On one fateful Christmas Eve, Scrooge is visited by three spirits—the Ghosts of Christmas Past, Present, and Yet to Come—who reveal the profound impact of his actions on himself and others. 
  Through vivid storytelling and memorable characters, you’ll experience the joy, warmth, and spirit of the holiday season. Witness Scrooge's remarkable transformation as he learns the true meaning of generosity, compassion, and love. This audiobook is not just a tale about Christmas; it’s a story of hope and second chances that resonates with the human spirit. 
  Perfect for listeners of all ages, A Christmas Carol is a journey into self-reflection and a celebration of the magic that kindness can bring to the world. Let the rich narration and the heartwarming lessons of this classic bring a touch of holiday spirit to your ears and your heart.

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  Christmas Tree A (Unabridged)

  Charles Dickens

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  Charles John Huffam Dickens (7 February 1812 - 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
  I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree. The tree was planted in the middle of a great round table, and towered high above their heads. It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects. There were rosy-cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French-polished tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad-faced little men, much more agreeable in appearance than many real men-and no wonder, for their heads took off, and showed them to be full of sugar-plums; there were fiddles and drums; there were tambourines, books, work-boxes, paint-boxes, sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown-up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming-tops, needle-cases, pen-wipers, smelling-bottles, conversation-cards, bouquet-holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, "There was everything, and more."

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  Edgar Allan Poe - Six of the...

  Edgar Allan Poe

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  Six has always been a number we group things around – Six of the best, six of one half a dozen of another, six feet under, six pack, six degrees of separation and a sixth sense are but a few of the ways we use this number. 
   
  Such is its popularity that we thought it is also a very good way of challenging and investigating an author’s work to give width, brevity, humour and depth across six of their very best. 
   
  In this series we gather together authors whose short stories both rivet the attention and inspire the imagination to visit their gems in a series of six, to roam across an author’s legacy in a few short hours and gain a greater understanding of their writing and, of course, to be lavishly entertained by their ideas, their narrative and their way with words. 
   
  These stories can be surprising and sometimes at a tangent to what we expected, but each is fully formed and a marvellous adventure into the world and words of a literary master. 
   
   1 - Six of the Best - Edgar Allan Poe - An Introduction 
  2 - Edgar Allan Poe - An Introduction 
  3 - The Fall of the House of Usher - Part 1 by Edgar Allan Poe 
  4 - The Fall of the House of Usher - Part 2 by Edgar Allan Poe 
  5 - The Pit and the Pendulum by Edgar Allan Poe 
  6 - The Tell Tale Heart by Edgar Allan Poe 
  7 - The Premature Burial by Edgar Allan Poe 
  8 - The Masque of the Red Death by Edgar Allan Poe 
  9 - The Murders in the Rue Morgue - Part 1 by Edgar Allan Poe 
  10 - The Murders in the Rue Morgue - Part 2 by Edgar Allan Poe

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  The Picture of Dorian Gray

  Oscar Wilde

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  "It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place."    "I don't think I will send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere."    Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion."    "I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it."    Lord Henry stretched his long legs out on the divan and shook with laughter.  "Yes, I knew you would laugh; but it is quite true, all the same."    "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression, and all that.    But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him."

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