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  Short Poetry Collection 043

  Various

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  LibriVox’s Short Poetry Collection 043: a collection of 20 public-domain poems.

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  Thresh & Hold

  Marlanda Dekine

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  A New York Times New-in-Poetry feature 
  Marlanda Dekine’s debut collection is a holy, radical unlearning and reclamation of self. What does it mean to be a Gullah-Geechee descendant from a rural place where a third of the nation’s founding wealth was harvested by trafficked West and Central Africans? Dekine’s poems travel across age and time, signaling that both the past and future exist in the present. Through erasure and persona, Dekine reimagines intergenerational traumas and calls institutions from the Works Progress Administration narratives to modern-day museums to task. 
  Beyond gospel music, fear, and the stories of generations past, Thresh & Hold offers magic, healing, and innovative pathways to manifest intimacy. Dekine remembers, remakes, and brings forth their many selves, traveling far in order to deeply connect to a spiritual home within and all around them, calling: “I am listening to Spirit. I am not dying today.”  
  Marlanda Dekine is the winner of the 2021 New Southern Voices Poetry Prize, judged by Gabrielle Calvocoressi.

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  Promises of Gold

  José Olivarez

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  "Listeners are privy to Olivarez framing each poem with rays of insight, to interspersed live recordings and selections recorded only for the audio....Olivarez gifts listeners gems of healing in this poetic affirmation of community and love." - Booklist"A portion of the audiobook is performed in front of a live audience, which is such a smart choice for a collection of poetry. The audience’s reactions lend a sense of community you can only get from a live reading, and Olivarez feeds off this energy."- BookPage"José Olivarez's narration of his poetry collection offers listeners a connection with his love circle."- AudioFile"Seemingly tailor-made for audio, this powerful book is a must-purchase. Olivarez’s invitation to share moments of his history, culture, love, and joy is wholly affecting."- Library Journal This program is read by the author, featuring elements of the live event recording, with commentary from the author about why he wrote the poems.A groundbreaking collection of poems addressing how every kind of love—self, brotherly, romantic, familial, cultural—is birthed, shaped, and complicated by the invisible forces of gender, capitalism, religion, migration, and so on.Love is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: “How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love—but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along—cheering for us and reminding us that love is abundant.” Written in English and combined with a Spanish translation by poet David Ruano, “Promises of Gold explores many forms of love and how “a promise made isn’t always a promise kept,” as Olivarez grapples with the contradictions of the American Dream laying bare the ways in which “love is complicated by forces larger than our hearts.”He writes, “For those of us who are hyphenated Americans, where do we belong? Promises of Gold attempts to reckon with colonial legacy and the reality of what those promises have borne out for Mexican descendants. I wrote this audiobook to imagine and document an ongoing practice of healing—healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.”Whether listeners enter this collection in English or Spanish, these extraordinary poems are sure to become beloved for their illuminations of life—and love.A Macmillan Audio production from Henry Holt & Company.

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  The Bright Afters

  Sadie McCarney

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  When a gay teenager is mercilessly stabbed in a high school bathroom in West Nowhere, Nova Scotia, the surrounding community is sent into a tailspin. While Colton fights for his life in a hospital room at West Nowhere General, everyone from a school janitor to the boy’s abusive stepfather overflows with emotion in the form of verse monologues, unburdening themselves of their feelings. 
  		 
  The Bright Afters is a poetic container for the pain endured by the town and surrounding area — and sometimes, their confessions. The voices we hear from include the sympathetic (a favorite teacher) and the arresting (the kid who stabbed Colton). As Colton recovers, his powder keg sister Christine and his escapist best friend, Annie, have the most to lose from the act that almost killed him — and the most to gain from coming to a new understanding about the senseless violence. 
  		 
  Told from a variety of perspectives, The Bright Afters seeks to interrogate collective and individual trauma, queer belonging, and the ways in which a place sculpts the people it produces. Its individual poems take their names from Broadway shows, containing all of the community’s fraught hope for a positive “big finish” to the story.

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  Shanghai Dolls

  Amy Ng

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  'Stick a woman in fatigues, put a wrench in her hand, an axe, a machine gun – they're just props, unless she can live her life freely – take lovers, have abortions, make art not babies!'
  Two penniless actresses meet at auditions for a production of Ibsen's A Doll's House in Shanghai – and they quickly become inseparable.
  As political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China's first female theatre director. The other, the architect of the Cultural Revolution.
  Amy Ng's play Shanghai Dolls tells the untold true story of two of the most influential women in Chinese history – Madame Mao and Sun Weishi – and how the personal truly is political. It opened at Kiln Theatre, London, in 2025, in association with Paines Plough, directed by Katie Posner.

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  Yellow Rain - Poems

  Mai Der Vang

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  In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. 
   
   
   
  Integrating archival research and declassified documents, Vang calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

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