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  Lorenzo

  Ben Targét

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  When Ben Targét was nominated for Best Newcomer at the 2012 Edinburgh Comedy Awards, he was set on the path to becoming a critically acclaimed, multi-award-winning performance artist.
  Eight years later, amidst a global pandemic, he gave it all up to become the live-in carer for his uncle: an irascible octogenarian prankster called Lorenzo Wong.
  LORENZO is their story, a show that confronts the messiness of ageing and dying through the medium of storytelling, servitude to the audience and live carpentry, a combination not seen on the world stage since Nazareth circa 30AD.
  This book is the full script of that life-affirming show, with illustrations by Targét himself. It was directed by Adam Brace, and was premiered at Summerhall, Edinburgh, during the 2023 Edinburgh Festival Fringe, where it was awarded a Fringe First. It subsequently transferred to Soho Theatre, London.

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  Casual Conversation

  Renia White, Aracelis Girmay

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  A Blessing the Boats Selection with a Foreword by Aracelis Girmay, Renia White’s debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy. 
  
  
   
  Renia White’s debut poetry collection strikes up a conversation, considering what’s being said, what isn’t, and where it all come from. From her vantage point of Black womanhood, White probes the norms and mores of everyday interactions. In observations, insights, and snippets of speech, these poems look to the unspoken thoughts behind our banter, questioning the authority of not only the rule of law but also of our small talk itself—the concepts we have accepted and integrated without pause.
  
   
  Casual Conversation imagines a new way of knowing, a way that encourages us to think through how we structure and stratify ourselves, inviting something strange and other to spill out. White challenges us to question whether there is anything casual about this life, even as she invites us to consider other logics and to think alongside each other. This book gives space to hold what we fear out of formality: consequence, embarrassment, anger. It plays, it tarries, it disrupts. It pulls apart what seems sound in an effort to see: what did we make here? How’s it going? 
   
  Read by the author.

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  The Seagull

  Anton Chekhov

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  Love triangles and unfulfilled dreams abound at a Russian country estate in this nineteenth-century dark comedy. Drama is unfolding on a stage at the country estate of ailing ex-civil servant Pyotr Sorin. His nephew Konstantin Treplev is producing his new play in Sorin’s garden with aspiring actress Nina. In the audience are Konstantin’s mother, successful actress Irina Arkadina, and her lover, famous writer Boris Trigorin. Konstantin is hoping to impress, but his mother seems unsympathetic. Meanwhile, everyone’s unfulfilled hopes and desires begin to fester, resulting in disaster . . .  First premiered in 1896, The Seagull continues to be performed on stages around the world. It has been adapted numerous times for theater, musicals, opera, ballet, and film, including a 2018 production starring Annette Bening and Saoirse Ronan.

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  The Poetry of James Russell...

  James Russell Lowell

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  James Russell Lowell was born on 22nd February 1819 in Cambridge, Massachusetts. 
   
  Lowell graduated from Harvard in 1838, and thence on to earn a law degree from Harvard Law School.  
   
  His literary life began in 1841 with his first published collection of poetry.  Three years later he married Maria White and they had several children although, sadly, only one was to survive childhood. 
   
  A consuming issue at the time was the abolition of slavery.  Lowell was a staunch supporter even going so far as to move to Philadelphia to edit an abolitionist newspaper.  His poems were fully in support of Emancipation and the ending of this terrible abomination.  His later views were milder and came in for some criticism.  
   
  His publication in 1848 of the long poem ‘A Fable for Critics’, satirising the poets and critics of the then current poetry scene caused an uproar.  That same year came ‘The Biglow Papers’, which increased his fame and his finances.  His use of the Yankee accent in his character’s dialogue was an inspiration for many. 
   
  Maria died in 1853 and Lowell decided to travel to Europe for some time before returning to Harvard to take up a professorship of languages.   In 1857 he re-married and also took on the editorship of that key periodical ‘The Atlantic Monthly’ whilst continuing to teach at Harvard. 
   
  Lowell wrote and published poetry and essay collections throughout his literary career and is acknowledged as one of the ‘Fireside Poets’, a group of New England poets that rivalled the popularity of British poets.  Their work was not controversial and suitable for whole families to enjoy hence their name and appeal.  Whilst Lowell’s own work does not now attract the same praise as his then contemporaries, he was their equal. 
   
  Towards the end of his life Lowell was appointed as ambassador to the Kingdom of Spain and later to the Court of St. James's.  
   
  His last years were a return home to his estate in Cambridge, Massachusetts.  By the summer of 1891 doctors had diagnosed cancer in his kidneys, liver and lungs.  There was nothing that they could do except prescribe opium for the pain. 
   
  James Russell Lowell died on the 12th of August 1891 on the Cambridge estate where he was also born.  He was 72. 
   
  01 - The Poetry of James Russell Lowell - An Introduction 
  02 - Columbus by James Russell Lowell 
  03 - George Washington by James Russell Lowell 
  04 - Abraham Lincoln by James Russell Lowell 
  05 - To H W L on His Birthday 27th February 1867 by James Russell Lowell 
  06 - To Charles Eliot Norton - Agro Dolce by James Russell Lowell 
  07 - Winter Evening Hymn To My Fire by James Russell Lowell 
  08 - The First Snowfall by James Russell Lowell 
  09 - Midnight by James Russell Lowell 
  10 - On A Portrait of Dante by Giotto by James Russell Lowell 
  11 - A Contrast by James Russell Lowell 
  12 - Above and Below by James Russell Lowell 
  13 - Of the Dawn of Freedom by James Russell Lowell 
  14 - On Board the 76 by James Russell Lowell 
  15 - Trial by James Russell Lowell 
  16 - Ode to France, February 1848 by James Russell Lowell 
  17 - Slaves by James Russell Lowell 
  18 - An Incident in a Railroad Car by Jamers Russell Lowell 
  19 - Threnodia by James Russell Lowell 
  20 - A Requiem by James Russell Lowell 
  21 - On the Death of a Friends Child by James Russell Lowell

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  The African Queen - Adapted from...

  Mr Punch

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  Mr Punch Presents: THE AFRICAN QUEEN. Set in 1915 on the treacherous rivers of war-torn Africa. Humphrey Bogart plays the gin sodden river trader, Charlie Allnut, who reluctantly agrees to help the prim missionary Rose Sayer, played in this radio version by Greer Garson, to travel down river on a hazardous journey and destroy a German gun boat. Humphrey Bogart won the 1951 Oscar for Best Actor, and again plays the uncouth captain of the tramp steamer in this special radio production.   
   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast. 
   
  Also available as part of the Hollywood Playhouse BOX SET, a collection of 14 Oscar winning ear-movies, adapted from the original screenplays & performed for the radio by many of the original film stars in front of a live studio audience. 
   
   
  These radio dramas were….to become as popular as the movies themselves.  
  Hollywood Movie Memories 
   
  This is an excellent audio product that will appeal to the majority of audiobook listeners.  
  Talking Business 
   
  A lovely series to add to any film, audio or crime lovers’ collection.  
  Audio World

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  Accessioning

  Charlotte Wetton

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  Through poems about fossilised fruit seeds and the sofa where Emily Brontë died, Wetton questions how we curate the lives of those living and dead in a pamphlet about looking, processing, and memorialising. Whether considering preserved wedding-cakes, a non-existent art exhibition or a human scream, these poems speak to the impossibility of containment and question our ability to map and categorise.
  This is a pamphlet of poems about the stories that we tell ourselves, the memories that we construct, and the ways that we value and devalue people, animals and objects alike.

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