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  Kin

  Karl Knights

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  Karl Knights' Kin meet inside hospitals and grow up in waiting rooms and hospital cafeterias where 'nobody stares'. These are poems of survival in the face of disability and years of austerity; they are memorials to those who did not make it, powerful and sharply observed.

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  Pullman

  JoAnne McFarland

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  Pullman examines themes of labor and love, using as its backdrop the history of the treatment of the Pullman car porters of the late 19th century. The poems and art pieces in this collection both reflect on and interact with cultural and historical sources, from the slave narratives of Harriet Jacobs to the creative output of the poet and artist' s late father, a musician and songwriter for Aretha Franklin. With urgency, and without apology, Pullman underscores the relationships between the events of our American past and of our present.

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  Poems From The Chinese - A...

  Arthur Waley

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  These are called ''' Poems from the Chinese"" and we have Mr. Waley's assurance that there are in existence Oriental originals. But if it be so (and, of course it is) then we have here a literary miracle. It is a platitude that translation of poetry is either bad verse or bad translation. But Mr. Waley, translating not merely from one language into another, but almost from one planet into another, has produced a body of living poetry, in which there is every reason to believe he re-creates, without distorting, the Chinese poets. This is an unparalleled feat. But as we are, with about six exceptions in the whole of Great Britain, incapable of comparing the English and the Chinese, we must address ourselves to these poems as though they had been written by an Englishman of the twentieth century, and judge them on that basis. It is a severe test to apply to translations, but Mr. Waley emerges from it serenely victorious. Indeed, serenity is the keynote of all this work—the serenity of assured mastery in a difficult medium but still more of outlook. The beauty with which these poems are. inlaid is fundamentally a wise beauty and the wisdom is as much in the shape of Mr. Waley's mind as in that of China. There is no need to hurry here. Wisdom goes at an even pace, and has time between her penetrations of the stars to observe the smallest things of life. Her leisurely glance sweeps over them with patient gold, and they settle, almost without a sigh, into decoration and into pattern. We have lost {and the Chinese have lost) the secret of their enamels of the great periods. But Mr. Waley has private access to them, and his poems, varnished with just that cool and even certainty of paint and texture, achieve one filial translation— the translation of colour into speech. -- Humbert Wolfe.

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  O Captain! My Captain!

  Walt Whitman

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  In honor of President’s Day, LibriVox brings you thirteen versions of O Captain! My Captain! by Walt Whitman.  This classic poem was written by Whitman following the assassination of Abraham Lincoln.  It appears in Leaves of Grass, Whitman’s masterpiece of a poetry collection and is considered by many to be one of his greatest poems.  This was the LibriVox Weekly Poetry Project for the week of February 19th, 2006.(Summary by Annie Coleman)

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  Born in the USA - Exploring...

  Emma Lazarus, Alan Seeger,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in one of the most famous cities in the World: New York. Within its five boroughs are a small universe of wonder and magic, a kaleidoscope of almost everything the planet has to offer.  In past times New York was a gateway to a new land and a new future whatever the misery and tragedy of your former life.  Of course, this golden vision was not attained by everyone.  But our local poets, including such luminaries as Emma Lazarus, Herman Melville, Edith Wharton, Alice Duer Miller, and Alan Seeger bring vision and truth to this unrivalled city and its hallowed status in the world of verse

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  The Poetry of Amelia Opie -...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th of November 1769 in Norwich, England. 
  After the death of her mother the teenage Amelia became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street in London's West End. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ was enthusiastically received.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published ‘Adeline Mowbray’ in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807, and she paused from writing for a few years before resuming.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd of December 1853 in Norwich.  She was 84.

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