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  More American

  Sharon Hashimoto

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  Sharon Hashimoto reconstructs a collective memory, conjuring the voices of grandparents, children, soldiers, and " those left to tell." In moving detail, these poems convey the realities of assimilation, service, and internment as experienced by Japanese Americans during, and in the decades following, the Second World War. In this stunning collection, Hashimoto reckons with the limitations of language, and by extension, notions of citizenship. She deftly sounds the dissonances in the language of loyalty and allegiance.

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  Youth

  Joseph Conrad

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  Youth, although written over a century ago, is just as relevant to hummans today and I believe for all time. Here Conrad  addresses the dimming of our mortal light, that subtle relization  in all of us that we are no longer as vital as we once were.  That mark in time when we acknowledge to ourselves that we are aging, Growing old, dieing.

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  Songs for My Father

  Katherine Lazaruk

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  Songs for My Father is a raw and honest collection of free verse poetry about the author’s relationship with her father. It chronicles how his anger and abuse left her emotionally trapped for many years, and how she found her way back into herself through her art.Katherine Lazaruk takes the reader through her early childhood experiences, drawing connections between how family, music, and learning shaped the writer and artist within her. It is a poignant window into the things that so often go unspoken, the elephants in the rooms of our families. Readers who have experienced what it means to be the outsider or scapegoat in their family of origin will be uplifted by this vision of how to break cycles of abuse and reclaim themselves through therapeutic and artistic journeys.Songs for My Father is at times dark, at times uplifting, and always deeply human.

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  On Hearing That Constantinople...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  The Unlikely Event of Flying:...

  Julie O'Gorman

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  Poetry Ireland Introductions / Céadlínte 2025 offers poets in the early stages of their careers the opportunity to showcase their work through workshops, an e-publication and performance. This year's poets were selected by adjudicators Jessica Traynor and Aifric Mac Aodha in partnership with Poetry Ireland, the national poetry organisation. For the anthology, each poet has provided a pair of poems and a short, personal prose piece exploring topics from music and travel to more personal reflections, establishing a dynamic collection of work.

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  The Poetry of Radclyffe Hall -...

  Radclyffe Hall

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  Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant.  Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany.  With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. 
  In Germany, Hall met Mabel Batten and fell in love despite the twenty-three year age difference. Batten gave Hall the nickname ‘John’ by which she was henceforward known in every circumstance throughout her life except in her work as an author. 
  In 1915, Hall met and, in 1917 moved in with sculptor Una Troubridge, with whom she would remain for the rest of her life. 
  Hall wrote poetry all throughout her twenties and thirties. She had published Dedicated to Arthur Sullivan as early as 1894, and five further volumes of collected works were released before she stopped writing poetry and published her first novel, The Forge, in 1924. 
  That same year also saw publication of The Unlit Lamp, the first work for which Hall was known as simply Radclyffe Hall. 
  The Well of Loneliness, the most important novel of Hall’s career, was published in 1928 to immediate sensation and controversy. It is Hall’s most direct artistic expression of her own personal sexual orientation. 
  After the controversy of The Well of Loneliness, Hall would publish only two more novels and a collection of short stories. 
  After years spent travelling in Italy and France and a series of long lasting affairs with other women (of which Troubridge was apparently aware), Hall retired with Troubridge to Rye, in East Sussex. Here, suffering from tuberculosis, she also underwent eye surgery and thereafter had difficulty reading and writing. 
  On October 7, 1943, Radclyffe Hall died from colon cancer at the age of sixty-three. She is buried in Highgate Cemetery in London. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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