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  Muckross Abbey and Other Stories

  Sabina Murray

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  "I binge-read this book, savoring the gothic creepiness at the heart of each tale. Packed with compelling, nuanced lives and the deaths that haunt them, each story is a séance—an invitation for unsettled spirits to let their presence be known, 'desperate for someone to supply the narrative.' Murray supplies it with great style and an uncanny knowingness, leaving room for our imagination to fill in the suggestive spaces with our own dark dread." —MONA AWAD, author of All's Well 
   
   
   
  Sabina Murray has long been celebrated for her mastery of the gothic. Now in Muckross Abbey and Other Stories, she returns to the genre, bringing listeners to haunted sites from a West Australian convent school to the moors of England to the shores of Cape Cod in ten strange tales that are layered, meta, and unforgettable. 
   
     
   
  From a twisted recasting of Daphne du Maurier's Rebecca, to an actor who dies for his art only to haunt his mother's house, to the titular "Muckross Abbey," an Irish chieftain burial site cursed by the specter of a flesh-eating groom—in this collection Murray gives us painters, writers, historians, and nuns all confronting the otherworldly in fantastically creepy ways. With notes of Wharton and James, Stoker and Shelley, now drawn into the present, these macabre stories are sure to captivate and chill.

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  A Successful Rehearsal - From...

  Anthony Hope

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  Sir Anthony Hope Hawkins was born on 9th February 1863 in Clapton, London.  
  He was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford.  Hope trained as a lawyer and barrister and was called to the Bar by the Middle Temple in 1887. Despite what was thought to be a promising legal career he had literary ambitions and wrote in his spare time. 
  His early works appeared in various periodicals of the day but for his first book ‘A Man of Mark’ (1890), with no publisher interested, he published with his own resources.  
  More novels and short stories followed, including the mildly successful ‘Mr Witt's Widow’ in 1892. Hope even found time to run as the Liberal candidate for Wycombe in the election that same year but was unsuccessful. 
  His first major literary success came with ‘The Dolly Dialogues’, a collection of previously published magazine pieces followed very quickly by his instant classic, ‘The Prisoner of Zenda’. He now gave up the vestiges of his legal career to pursue writing full-time. 
  Despite never again reaching the same pinnacle of success he was popular and wrote prolifically across novels, plays and of course, short stories though his writing output rapidly diminished after the war. 
  In 1918 he was knighted for his contribution to propaganda efforts during World War I.  
  His short stories are delicate, mannered and often surprising with their wit, humour and interplay of characters who say one thing and usually mean another.  He was very definitely a writer of escapist rather than serious fare but they are no less enjoyable for that. 
  Anthony Hope died of throat cancer on 8th July 1933 at his country home, Heath Farm at Walton-on-the-Hill in Surrey. He was 70.

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  I'm with Cupid

  Dawn Blair

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  Cupid hates his curse, yet he pulls another feather from his wings. It turns to an arrow in his fingers as his bow comes to his hand. Notching the arrow, Cupid takes aim and fires.  
  It might as well have been targeted at his own heart.  
  People don’t know what it takes to be Cupid. This tough job leads to heartbreak every time. 
  On occasion, Cupid has been known to miss. Sometimes they get away, at least temporarily. Each one leaves him. Always. But for a special, life-changing moment, they can all say they found their true love.  
  He waits for the one who will boldly stand up and claim, “I’m with Cupid.” 
  Will this arrow be the one to bring an end to his curse? 
  Join in this short story urban fantasy about love getting another shot as Cupid claims a love only to lose it again.

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  Her Turn - From their pens to...

  D H Lawrence

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  David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. 
  He was educated at Beauvale Board School and became the first local boy to receive a scholarship to attend Nottingham High School. After 3 years he became a junior clerk in Haywood’s surgical appliances factory. He was also attempting a literary career which, in the short term, led to a teacher training position in Eastwood and later a teaching qualification from University College, Nottingham.  
  Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.  
  Wanting to write full-time he now began work on what would become ‘Sons and Lovers.   
  In 1912 he met the older and married mother-of-three Frieda Weekley. They eloped to Germany and here Lawrence could see for himself the growing tensions with France.  So keen was his interest that he was arrested and accused of being a British spy.  
  In early 1914 Frieda obtained her divorce and they returned to Britain to be married just days before the outbreak of war. Owing to her German parentage, and his own public dislike of militarism and violence, the couple were treated with contempt and suspicion throughout the war years.  
  Despite this he continued to write but his reputation in England was so tarnished and, mirrored by his own disdain for the country, he and Frieda left England in November 1919, first for Europe and then America via Ceylon and Australia. 
  They bought a ranch in Taos, New Mexico and visited Mexico several times. The third visit in March 1925 caused a near fatal attack of malaria. To convalesce they moved to Florence. Here he continued work on ‘Lady Chatterley’s Lover’ which for many years would cause controversy. A renewed interest in oil painting resulted in an exhibition in 1929 which was raided by the police and several works were confiscated.  
  D H Lawrence died of complications arising from a bout of tuberculosis on the 2nd of March 1930 in Vence, France.  He was 44.

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  Uncomfortable Bed An - From...

  Guy de Maupassant

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  Henri René Albert Guy de Maupassant was born on August 5th, 1850 near Dieppe in France.  
  Maupassant’s early life was badly torn when at age 11 (his younger brother Hervé was then five) his mother, Laure, a headstrong and independent-minded woman, risked social disgrace in order to obtain a legal separation from her husband. 
  After the separation, Laure kept custody of her two boys. With the father now forcibly absent, Laure became the most influential and important figure in the young boy's life.   
  Maupassant’s education was such that he rebelled against religion and other societal norms but a developing friendship with Gustave Flaubert began to turn his mind towards creativity and writing. 
  After graduation he volunteered for the Franco-Prussian war. With its end he moved to Paris to work as a clerk in the Navy Department.  Gustave Flaubert now took him under his wing.  Acting as a literary guardian to him, he guided the eager Maupassant to debuts in journalism and literature.  For Maupassant these were exciting times and the awakening of his creative talents and ambitions. 
  In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’) which met with a success that was both instant and overwhelming.  Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.  
  This decade from 1880 to 1891 was to be the most pivotal of his career.  With an audience now made available by the success of ‘Boule de Suif’ Maupassant organised himself to work methodically and relentlessly to produce between two and four volumes of work a year.  The melding of his talents and business sense and the continual hunger of sources for his works made him wealthy. 
  In his later years he developed a desire for solitude, an obsession for self-preservation, and a fear of death as well as a paranoia of persecution caused by the syphilis he had contracted in his youth.  
  On January 2nd, 1892, Maupassant tried to commit suicide by cutting his throat.  Unsuccessful he was committed to the private asylum of Esprit Blanche at Passy, in Paris.  It was here on July 6th, 1893 that Henri René Albert Guy de Maupassant died at the age of only 42.

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  Gods in Exile - Heine pulls at...

  Heinrich Heine

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  Christian Johann Heinrich Heine was born in Düsseldorf, Germany on 13th December 1797 to assimilated Jewish parents. 
   
  Heine studied law at the universities of Bonn, Göttingen, and Berlin but his greater commitment was to studying poetry and literature.   
   
  He converted to Protestantism in order to obtain work as there were draconian anti-Jewish laws in force at the time.   
   
  He was part of the German Romantic movement but also responsible in part for ushering in the post-Romantic crisis and the presumed failure of art as unable to overcome or explain the growing traumas of modernity.  However, his literary reputation was cemented in the second half of the 1820’s with his poetry collection ‘The Book of Songs’ together with his collection of ‘Pictures of Travel’ stories that blended fact and fiction together into commercial and critical successes. 
   
  After the July 1830 Revolution in France, he went to live in Paris, where he remained until his death.  
   
  Here he wrote much in the way of essays discussing the political and cultural scene in France together with volumes of social criticism on Germany. 
   
  By 1835, his works had been banned by the German government.  His lifelong subsidised lifestyle ended in 1844 when his uncle died leaving him nothing.  He turned once more to lyric poetry and created perhaps his finest poetical works.  A trip to Germany resulted in the long satirical poem ‘Germany. A Winter's Tale’. His second volume of poetry, ‘New Poems’ in 1844, included poems that had originally appeared in Karl Marx’s newspaper ‘Forward’ and continued the satirical style he now preferred.   
   
  In May 1848, Heine, in poor health, fell and was paralyzed and confined to his bed.  He called it his ‘mattress-grave’ and only death would remove him from it.  He was also experiencing eye problems and suffering from chronic lead poisoning. 
   
  Heinrich Heine died on 17th February 1856.  He was 58.   
   
  ‘Gods in Exile’ is perhaps a prophetic piece on his own life.  The old gods are overthrown by the new novelty of Christianity.  What will be their role now?  Is there life after for them?

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