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  African Maritime Powers -...

  Rolf Hedger

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  This book contains the following five titles: 
  - Axum Empire  
  - Carthaginian Empire  
  - Empire of Ife  
  - Mali Empire  
  - Zulu Kingdom  
  Enjoy this elaborate combination of books about African empires and history.

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  Gentlemen of the Shade - My Own...

  Jen Sookfong Lee

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  Gus Van Sant’s film and the ’90s cult of the alternative
   
  Gus Van Sant’s 1991 indie darling My Own Private Idaho perplexed and provoked, inspiring a new ethos for a new decade: being different was better than being good. Gentlemen of the Shade examines how the film was a coming-of-age for a generation of young people who would embrace the alternative and bring their outsider perspectives to sustainability, technology, gender constructs, and social responsibility.
   
  My Own Private Idaho — fragmented and saturated with colour and dirt and a painfully beautiful masculinity — also crept into popular media, and its influence can still be traced. R.E.M. Portlandia. Hipsterism. James Franco. Referencing the often-funny and sometimes-tragic cultural touchstones of the past 26 years, Gentlemen of the Shade sets the film as social bellwether for the many outsiders who were looking to join the right, or any, revolution.

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  Memento - The Ultimate Trivia...

  Film Trivia Metaverse

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  MEMENTO 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY CHRISTOPHER NOLAN 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Memento is a psychological thriller directed by Christopher Nolan that follows Leonard Shelby, a man suffering from anterograde amnesia, which prevents him from forming new memories. Unable to remember anything beyond a few minutes, Leonard embarks on a quest to find the person responsible for the attack that killed his wife. Using Polaroid photographs and tattoos as his only means of retaining information, Leonard struggles to piece together the truth. The film explores themes of memory, perception, and self-deception, with its nonlinear narrative structure reflecting the fragmented and unreliable nature of Leonard's memory. 
    
  TRIVIA SAMPLES: 
    
  “Jennifer Todd, impressed by Carrie-Anne Moss's performance in "The Matrix," suggested her for the role of Natalie. Despite competition for the role, Christopher Nolan cast Moss, believing she added depth to the character.” 
    
  “The idea for the film’s subject matter emerged when Christopher Nolan and his brother Jonathan took a road trip. By the time they reached Los Angeles, the entire screenplay had been discussed between them.” 
    
  “Although the opening sequence is played backward, all sound effects are normal, except for Teddy’s scream, which is reversed.” 
    
  “Guy Pearce improvised many of the voiceovers for Leonard’s character.”

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  Portrait of a Woman - Art...

  Bridget Quinn

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  Summer in Paris, 1783. The Louvre steps, too hot and no breeze, the air electric with the heady anticipation of a coming storm: the year's Royal Salon. Men and women of every estate are united under art: to love it, to despise it, to gossip endlessly about it. 
   
   
   
  Exhibiting at the Royal Salon was not for the faint of heart, and it was never intended for women. 
   
   
   
  Enter Adélaïde Labille-Guiard . . . 
   
   
   
  Born in Paris in 1749, Adélaïde Labille-Guiard rose from shopkeeper's daughter to an official portraitist of the royal court—only to have her achievements reduced to ash by the French Revolution. While she defied societal barriers to become a member of the exclusive Académie Royale, she left behind few writings, and her legacy was long overshadowed by celebrated portraitist and memoirist Élisabeth Vigée-Lebrun. 
   
   
   
  But Adélaïde Labille-Guiard's story lives on. In this engaging biography, Bridget Quinn applies her insightful interpretation of art history to Labille-Guiard's life. Quinn expertly blends close analyses of paintings with broader context about the era and inserts delicately fictionalized interpersonal scenes that fill the gaps in the historical record.

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  Remission

  Kirk Wood Bromley

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  This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay." Written by playwright Kirk Wood Bromley ("Shakespeare on mushrooms" - LA Weekly), produced by NYC's Inverse Theater (“Best Downtown Theater Company" - NYPress 2001), scored by John Gideon, and originally performed by Berkey himself in the NYC Fringe Festival in 2009 (winning "Outstanding Solo Show"), Remission tells the story of Berkey’s journey into and out of schizophrenia in dramatic verse that one reviewer termed "a terrifying, violent freefall into insanity" (JustShowsToGoYou). 
  With his symptoms beginning at age six, Berkey experienced a spectrum of challenges, including berating voices and haunting visions, paranoia and catatonia, and addiction to sex, heroin, and alcohol. Then, at the age of 51, homeless and deranged, while walking along a freeway on Long Island, he saw a vision – a giant golden cube suspended in the sky from which emanated 3000 winged humanoid figures beckoning him to join them in the World Self. Awaking from the splendor, he walked home, flushed his medications, and has been symptom-free ever since. 
  And while this journey is central to Remission's narrative, the play is more than a retelling. With each line, the play "stretches, exercises, jolts, and exalts the audience" (NYTheater) by immersing it in an experience of actually having schizophrenia, creating a "one-of-a-kind, undiluted and unforgettable trip into the crazy." (JustShowsToGoYou).

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  Shadows of Love Shadows of...

  William T. Vollmann

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  In this landmark collection, William T. Vollmann offers a kaleidoscopic retrospective of the visual artwork he has produced over four decades, with new commentary from Vollmann on his process, inspiration, and the many intersections with his writing. 
   
   
   
  The celebrated author of over twenty-five books (among them the National Book Award–winning novel Europe Central; the seven-volume Rising Up and Rising Down, based on Vollmann's career as a war correspondent; and the two-volume climate change investigation Carbon Ideologies), Vollmann's equally ambitious and prolific career as a photographer, printmaker, and painter reflects the artist’s deep interest in people existing on the margins, a profound empathy for his subjects, and the humility and generosity to meet them on their terms. 
   
   
   
  In Shadows of Love, Shadows of Loneliness, a series of essays  commissioned especially for this book lays out Vollmann's views on what photographs can and should say, how he chooses what to represent (beauty, suffering, compassion, love, desire, ideology), thoughts on photographic consensuality, and any number of technical descriptions. Particularly useful for Vollmann fans and scholars are the cross-references between these artistic and photographic projects and his books.

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