Maison d'édition: Interactive Media
The Rubaiyat of Omar Khayyam is one of the best known examples of Persian poetry. Although commercially unsuccessful at first, FitzGerald's work was popularised from 1861 onward by Whitley Stokes, and the work came to be greatly admired by the Pre-Raphaelites in England.
Perhaps Edgar Allen Poe's most famous poem, the "Raven" is a macabre exploration of a man, his memories of Lenore, and the black bird that interrupts his studies on a dark December night, with tap-tap-tapping at his chamber door. (Summary by Hugh)Voir livre
LibriVox’s Short Poetry Collection 047: a collection of 20 public-domain poems.Voir livre
A young divorcee named Keiko moves from Hiroshima to America to start a new life with her ambitious husband. But when he takes a mistress and leaves her, Keiko takes drastic and irreversible actions to preserve her dignity and that of her children.An L.A. Theatre Works full-cast recording featuring: Shuko Akune, Jusak Bernhard, Takayo Fischer, Robert Ito, Peter Jacobs, Robin Goodrin Nordli, Yuji Okumoto, Randy Tanizawa and Shari Tanizawa.Directed by Peggy Shannon and recorded before a live audience.Voir livre
Prayer is a strange thing. Simple yet profound. How does it work? We don’t know. But God hears and loves us to talk to Him and to sit in His presence. Even in the darkness of night, when all the world seems to rest but you, there is a cry from the heart to a listening and understanding Father. GASP! is a fervent and arresting response to a fast-changing world, the joy of creation and connection, and the goodness found in people. The poems ask pertinent and hard questions about life, relationships, suffering and inequality. Some of these questions are answered, while others remain mysterious, complex and concerning...Voir livre
A poetic masterclass from a writer at the height of his craft Kenneth Sherman’s work has always displayed a vibrant lyricism, so it’s no surprise that his powerful new collection contains a number of poems with musical motifs. In such pieces as “Clarinet,” “Transistor Sister,” and the book’s titular poem, Sherman ponders our human transience while searching for “a voice to stand time’s test.” Sherman also confronts health concerns in a language that is Shaker-plain. The book concludes with the sombre, compassionate, and truly remarkable seven-part “Kingdom,” a meditation on the plight of the dispossessed. In a Globe and Mail review of The Well: New and Selected Poems, Fraser Sutherland notes, “Sherman always seems to be listening to the voice of Canadian soil and landscape at the same time as he is attentive to the great European metaphysical theme of the soul in conflict with the world and time.” So it is with Jogging with the Great Ray Charles. Sherman has also included three brilliant translations of Yiddish poets that appeared in the Malahat Review’s “At Home in Translation” issue.Voir livre
From the ruins of poetry, fiction and philosophy comes Touch To Affliction, a meditation on the notion of homeland, on patrie and the inhumanity that arises from it. This is a text obsessed with ruins: the ruins of genre, of language, of the city, of the body. The history of the twentieth century is a history of barbarism, and Stephens walks, like a flâneur, through its midst, experiencing through her own body the crumbled buildings, the dessicated cities, the eviscerated language and humanity of our time, calling out in passing to those before her who have contemplated atrocity: Martin Buber, Henryk Gorecki, Simone Weil. In the end, it considers what we are left with – indeed, what is left of us – as both participants in and heirs to the twentieth century. Insistently political but never polemical, Touch To Affliction, at the interstices of thought and theunnameable, is at once lament, accusation and elegy. Praise for Paper City: ‘Understanding is almost antithetical to the project Stephens seems to have assigned herself, that of unraveling or radically altering our sense of logic, of language, of narrative, of body, of desire, of words on paper. She wants the book to burn in our hands and, indeed, it does.’ – NewPagesVoir livre
