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  Southern Fried Shakespeare - A...

  Robert James

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  Welcome y'all! This project was created for those who think they don't like Shakespeare. It is a completely unsanctioned and unconventional interpretation of some of the works of William Shakespeare. If you are a purist be forewarned! I have always been fascinated with the written works of Shakespeare since I was a child trying to decipher the giant volume of his works I discovered in my father's library. I knew it was important historically but the language had me often running to a dictionary in those pre-Google days. Understanding a live performance was an equally challenging task as the British accents combined with the lambic pentameter rhythm left me struggling to understand the meaning. But once you figure what he's saying you realized these timeless stories of dysfunctional families and political intrigue are just as relevant today as 400 years ago. Every actor in training experiences the works of William Shakespeare to some degree. While memorizing lines I would try various characters and accents. For Richard III's famous opening monologue I settled on a genteel aristocrat from the Southern United States. I shared with my instructor and after some initial eye rolls he had to admit it was easier to understand. Eventually I created a one man show around the idea and wrote original songs that I believe express the emotion and underlying intentions of the pieces. And of course what's a variety show without an MC or two. In this case two squabbling siblings Auntie Bella and her twin brother Beauregard to bring a small respite to the drama. During the COVID pandemic I decided to record an audio version of the show. I hope you enjoy my family of misfits as much as I did creating them. But hey, to thine own taste be true. Cousin Willy must have had a sense of humor to write some of this stuff!

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  The Theogony

  Hesiod

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  The Theogony "the genealogy or birth of the gods" is a poem by Hesiod (8th – 7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. It is written in the Epic dialect of Ancient Greek and contains 1022 lines. 
  Hesiod's Theogony is a large-scale synthesis of a vast variety of local Greek traditions concerning the gods, organized as a narrative that tells how they came to be and how they established permanent control over the cosmos. It is the first known Greek mythical cosmogony. The initial state of the universe is chaos, a dark indefinite void considered a divine primordial condition from which everything else appeared. Theogonies are a part of Greek mythology which embodies the desire to articulate reality as a whole; this universalizing impulse was fundamental for the first later projects of speculative theorizing.
  Hesiod appropriates to himself the authority usually reserved to sacred kingship. The poet declares that it is he, where we might have expected some king instead, upon whom the Muses have bestowed the two gifts of a scepter and an authoritative voice (Hesiod, Theogony 30–3), which are the visible signs of kingship. It is not that this gesture is meant to make Hesiod a king. Rather, the point is that the authority of kingship now belongs to the poetic voice, the voice that is declaiming the Theogony.

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  The Sparkling Skies Above - Read...

  Rachel Lawson

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  A lovely poems of the night by Rachel Lawson.

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  The Poetry of Birds

  Samuel Carr

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  A beautifully illustrated collection of famous poems written about birds to read and cherish as a source of comfort and joy.
  Poets have long looked to birds for inspiration and this anthology of 65 poems is an ode to the myriad of way that these creatures bring us joy and solace. The poets here represented are amongst the greatest who have ever lived, and their joint celebration of a common theme has resulted in an enchanting book.
  Amongst the poets whose work is included are Blake, Shakespeare and Wordsworth; Tennyson, Keats and Shelley; twentieth-century writers, amongst them Yeats, Laurie Lee and Ted Hughes; and such American poets as Thoreau, Emily Dickinson, Robert Frost and Theodore Roethke.
  Each poem is illustrated by iconic artworks by JJ Audubon, creating a beautiful book to cherish for years to come. 

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  The Ballad Of The White Horse -...

  Gilbert Keith Chesterton

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  "The Last Great Epic Poem in the English Language"- Dale Ahlquist"The ending is absurd. The brilliant smash and glitter of the words and phrases (when they come off, and are not mere loud colours) cannot disguise the fact that G. K. C. knew nothing whatever about the 'North', heathen or Christian."- JRR TolkienThe tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun. Chesterton says "This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. That is the use of tradition: it telescopes history."Named after the chalk horses carved into English hills (and partly set at Uffington), it begins with an exhortation to true Christianity in the face of despair and defeat, and ends with a prediction of more barbarian invasions. It focuses on the nature of faith in times of despair, and on the true strength of local kings in the face of empires."... you and all the kind of ChristAre ignorant and brave,And you have wars you hardly winAnd souls you hardly save...."In some far century, sad and slow,I have a vision, and I knowThe heathen shall return...."They shall come mild as monkish clerks,With many a scroll and pen;And backward shall ye turn and gaze,Desiring one of Alfred's days,When pagans still were men."

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  Paradise Lost

  John Milton

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  Paradise Lost is an epic poem written by the Puritan English poet John Milton between 1658 and 1663, and published in 1667. This is a period of English history which encompasses the end of Oliver Cromwell's Commonwealth and the restoration of the monarchy in 1660.
  Perhaps reflecting some of his country's turmoil during Milton's life, Paradise Lost deals with revolution in Heaven by Satan and his followers against God, their defeat and banishment to Hell, and their subsequent plotting of revenge, leading ultimately to Satan beguiling Eve in Paradise to taste the fruit of the Tree of Knowledge against the explicit command of God. Milton's vivid and poetic description of these events is both dramatic and compelling. The work gained swift acceptance and has always remained a popular and important part of English literature.
  Originally published in ten books, a second edition was published in 1674 arranged into twelve books, the form in which it appears here.

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