Weitere Bücher, die Sie mögen werden

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  Fables for the Frivolous

  Guy Wetmore Carryl

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  Come and experience this delightfully humorous collection of satirical fables that playfully subvert traditional moral lessons, entitled "Fables for the Frivolous" by Guy Wetmore Carryl. Each fable presents a witty and whimsical tale featuring talking animals, mythical creatures, and foolish humans, all navigating absurd situations with clever wordplay and unexpected twists. If you or your child (but especially you) need a collection of stories that poke fun at human foibles and societal conventions while offering a lighthearted perspective on life's absurdities, then this is the book for you!

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  The Price

  Arthur Miller

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  Arthur Miller's deeply moving drama reunites two long estranged middle-aged brothers. Nostalgia and recrimination erupt as they sell off an attic full of furniture, their last link to a family and a world that no longer exist. This 1968 classic is a wrenching saga of plaintive gestures and missed opportunities. A BBC Co-production. 
   
  An L.A. Theatre Works full-cast performance featuring Richard Dreyfuss, Amy Irving and Harris Yulin.

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  The Carrying - Poems

  Ada Limón

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  WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD 
  FINALIST FOR THE PEN/JEAN STEIN BOOK AWARD 
  From U.S. Poet Laureate Ada Limón comes The Carrying—her most powerful collection yet. 
  Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.” 
  In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

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  Agamemnon

  Aeschylus

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  "Agamemnon" is the first of the three linked tragedies which make up "The Oresteia" trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work.
  "Agamemnon" describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

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  Holy Sparks - Poems

  Diana Woodcock

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  Holy Sparks is a collection of poems grounded in a belief in the kinship between the cosmos and its Creator. Biophilic imagery is used throughout the poems to suggest that reverence for the earth is a natural consequence of reverence for God. The language of poetry is used to interconnect the human, natural and sacred, and to express humanity's moral and ethical responsibility to our nonhuman kin. These poems question what it means for humans to live in right relationship with earth's lifesystems, and they suggest that our very identity is tied to our reverence for the natural world. They offer a space of confession, reparation and praise of what remains. Holy Sparks is a call to partake of Earth's wisdom so that we might participate in the Creator's ongoing work.

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  Disorderly Magic and Other...

  Richard Cabut

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  Disorderly Magic and Other Disturbances is a pop meditation on a number of themes: speed, delirium and distance, disillusion, urbanity, various manifestations of the idea of the wilderness and the wasteland, madness, dissolution, memory, mourning, forgetting, hauntology, hauntings, rapid transits, the non-existent, and conjuring the future. The work mixes magic, culture, mystery, memoir, history, melodrama - it is an invocation, an evocation, with dreamlike freedom of movement between past and present, from personal to universal.

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