Maison d'édition: The Poetry Business
Karl Knights' Kin meet inside hospitals and grow up in waiting rooms and hospital cafeterias where 'nobody stares'. These are poems of survival in the face of disability and years of austerity; they are memorials to those who did not make it, powerful and sharply observed.
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.Voir livre
'The smaller you are, the quicker your heart beats. But it doesn't matter what size your heart is, we all only get an average of about two billion beats over our lifetime. It's just a pump at the end of the day, right?' Seventeen-year-old Asha is a rebel, inspired by historical revolutionaries and unafraid of pointing out the hypocrisy around her – but less sure how to actually dismantle it. Her younger sister, Bettina, wide-eyed and naive, is just trying to get through the school day without having her pocket money nicked. With essays to write, homework to do, and bus journeys home, the two sisters meet every afternoon, outside the school gates, to tackle the injustice of the world. Sonali Bhattacharyya's play Two Billion Beats is an insightful, heartfelt coming-of-age story and a blazing account of inner-city, British-Asian teenage life. It was originally presented in the Inside/Outside season, livestreamed from the Orange Tree Theatre, Richmond, before receiving a production there in this full-length version in 2022, directed by Nimmo Ismail.Voir livre
Winner of the Singapore Literature Prize (Poetry 2020) What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.Voir livre
N Stanworth has done 2 Books Three small stories for 3 to 4 year-olds and this book is There are 3 stories based on the New Testament St Luke & St John This is N Stanworth's second bookVoir livre
Kentucky Wonder is a compilation of 70 poems written and read by Ronald Franklin Saia about love, family experiences, and the wonders of God. Some poems will bring tears, some poems will make you laugh, and some will draw you closer to our Lord. Most of all, this audio-book will bring you joy! Ronald Franklin Saia was born a grandson to an Italian from Sutera, Sicily. Growing up in rural Kentucky gave Ronald a deep feeling in his soul for the outdoors. He hunted, trapped, rode his buckskin mare Old Beauty, slept under the stars, and cooked super over an open camp fire. He is a real American partriot. While Ronald worked his way through college, he lived at home with his precious mother, Mary, and father, Victor. What a blessing it was for God to have chosen them for his parents. For a time, he worked in Venezuela where he met his wife, Barb. He has traveled in South and Central America, and Europe. Ronald's inspirational poetry is straight from his heart and represents a true appreciation for creation and God's works along with life's experiences and personal observations. ©2014 Roanld Franklin Saia (P)2014 Ronald Franklin SaiaVoir livre
Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years of education. However, Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilizations. In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married another woman in 1881. Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson. Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves. Unsuited to domestic life she ruptured her life and moved to California with Katherine. She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged, and that Katherine establish a relationship with her father. After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900. After his death she moved back to California, where Katherine now lived. In this volume we bring her extensive poetry writings to the fore. Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected. Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism. She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’ Charlotte Perkins Gilman took her own life on the 17th August 1935, aged 75, in Pasadena, California.Voir livre
