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  A Journey of Little Profit -...

  John Buchan

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  The Scottish novelist John Buchan enjoyed a remarkable career as politician, historian and Governor General. He was born John Buchan on 26th August 1875 and later added 1st Baron Tweedsmuir PC GCMG GCVO CH to his name.  
  Buchan studied at Hutchesons’ Grammar School, Glasgow and at seventeen won a scholarship to the University of Glasgow to study classics. There he began to write poetry. In 1895 he transferred to Oxford to continue his study of Classics and in 1896 ‘Sir Quixote of the Moors’ was published followed by the non-fiction ‘Scholar-Gipsies’. His prolific literary output now hardly faltered. 
  He graduated in 1900 and became the private secretary to Alfred Milner, the High Commissioner for Southern Africa and other colonies. Buchan found the same inspiration in the African landscape as he had in the Scottish Borders, and would later set many works here. Returning to London he became a partner in a publishing house, and garnered an editorial role at The Spectator. He also completed his law studies. He was called to the bar in 1901 but never practiced.  
  On 15th July 1907 Buchan married Susan Charlotte Grosvenor, the cousin of the Duke of Westminster. In 1910 he wrote ‘Prester John’, the first of a series set in South Africa.  
  In 1911 Buchan entered politics as a Unionist candidate in the Scottish Borders advocating the support of free trade, women’s suffrage, national insurance, and reducing the power of the House of Lords.  
  The Great War saw Buchan writing for the War Propaganda Bureau and as Times correspondent in France. In 1915, he published ‘The Thirty-Nine Steps’, his most famous book and a follow-up Richard Hannay novel, ‘Greenmantle’, in 1916.  
  In 1916 Buchan enlisted in the Intelligence Corps which included writing speeches for Sir Douglas Haig. By 1917 he was Director of Information under Lord Beaverbrook. Buchan called it “the toughest job he ever took on”. He somehow found time to assist in a history of the war magazine. This was later published in 24 volumes: Nelson’s History of the War. 
  After the war his writing focused on historical studies. In 1927 Buchan became the Unionist Party Member of Parliament for the Combined Scottish Universities. In a speech to Parliament he said “I believe every Scotsman should be a Scottish nationalist. If it could be proved that a Scottish parliament were desirable… Scotsmen should support it.”  
  Over the next decade he continued to distinguish himself politically and in literature.  On the 1st June 1935 he became 1st Baron Tweedsmuir of Elsfield in the County of Oxford.  
  He was now also given the position of Governor General in Canada and resolved to travel all over Canada to gain a better insight of the country. Having crossed both length and breadth he saw the cultural shift between areas and their common ground and helped bring about a clear national Canadian identity. 
  On the 6th February 1940 he collapsed from a stroke and sustained a very serious head injury in falling. Two rounds of surgery to stabilise his condition were unsuccessful and Buchan died on the 11th February. After a state funeral in Ottawa his ashes were returned to his estate in Oxfordshire.

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  Slouching Towards Bethlehem -...

  Joan Didion

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  This program is read by actor and singer-songwriter Maya Hawke, star of Netflix's Stranger Things."Narrating in a voice as clear and sustaining as a cool glass of water, Hawke’s unflashy approach allows the words to reveal their magic."—The Orange County Register"Didion’s timeless essays shine with Hawke at the helm. This audiobook will bring new listeners to this classic and is highly recommended for libraries everywhere.”—Library Journal (Starred Review)“Maya Hawke performs this classic collection superbly...Hawke gets Didion's measured pace and thoughtful tone just right as she conveys the much admired author's idiosyncratic, elegant language.”—AudioFile (Earphones Award Winner)Celebrated, iconic, and indispensable, Joan Didion’s first work of nonfiction, Slouching Towards Bethlehem, is considered a watershed moment in American writing. First published in 1968, the collection was critically praised as one of the “best prose written in this country.”More than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion’s focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco’s Haight-Ashbury, the heart of the counterculture. As Joyce Carol Oates remarked: “[Didion] has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control.”A Macmillan Audio production from Farrar, Straus and Giroux.

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  Journey Beyond the Beginning: An...

  Evan Hartwell

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  Journey Beyond the Beginning: An Immersive Experience 
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  Bob Fosse: The Life and Legacy...

  Editors Charles River

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  “The time to sing is when your emotional level is just too high to speak anymore, and the time to dance is when your emotions are just too strong to only sing about how you feel.” – Bob Fosse 
  	By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in Oh What a Beautiful Morning and Out of My Dreams.  
  	In terms of original choreography, it was the age of Jerome Robbins that marked the first real departure from traditional dance on stage and in film. Robbins, born in 1918, became a five-time Tony winner and twice winner of an Academy Award. It was into this environment, featuring his West Side Story, Fiddler on the Roof, The King and I, and countless other productions, that an intriguing new choreographer made his entry riding the advent of American jazz. Only 10 years Robbin’s junior, Robert Louis Fosse, better known as Bob Fosse, followed his colleague’s example by mixing daring new jazz forms with virtually every traditional and popular genre to produce previously unseen modes of dance expression on Broadway and in film. 
  In the 1960s, Fosse emerged as one of the leading dancers, actors, choreographers, directors, screenwriters and film directors on Broadway and in Hollywood. He became famous for conquering several fields on the musical stage and film simultaneously in a way that no one has before or since. It is said that “only Busby Berkeley compares” to Fosse despite the fact that Berkeley was never a dancer, and that Fosse enjoyed eight Broadway hits to Berkeley’s one.

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  You can't be here i have a girl...

  IJEOMA GRACE AGU

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  When the pain, shock and betrayal of a loved one left me reeling and unable to speak, I resorted to penning down my unfiltered thoughts in the moment. With conflicts running riot within me, I asked questions and searched desperately for answers but found none. I came face to face with how difficult it was to honour one's own boundaries. Time did its thing as I slowly journaled my way into finding my voice again. 
  A memoir of unfiltered thoughts in the moments of betrayal and hurt.

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  American Flygirl

  Susan Tate Ankeny

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  In 1932, Hazel Ying Lee, a nineteen-year-old American daughter of Chinese immigrants, sat in on a friend's flight lesson. It changed her life. In less than a year, a girl with a wicked sense of humor, a newfound love of flying, and a tough can-do attitude earned her pilot's license and headed for China to help against invading Japanese forces. In time, Hazel would become the first Asian American to fly with the Women Airforce Service Pilots. As thrilling as it may have been, it wasn't easy. 
   
   
   
  In America, Hazel felt the oppression and discrimination of the Chinese Exclusion Act. In China's field of male-dominated aviation she was dismissed for being a woman, and for being an American. But in service to her country, Hazel refused to be limited by gender, race, and impossible dreams. Frustrated but undeterred, she forged ahead and gave her all for the cause, achieving more in her short remarkable life than even she imagined possible. 
   
   
   
  American Flygirl is the untold account of a spirted fighter and an indomitable hidden figure in American history. She broke every common belief about women. She challenged every social restriction to endure and to succeed. And against seemingly insurmountable obstacles, Hazel Ying Lee reached for the skies and made her mark as a universal and unsung hero whose time has come.

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