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  Gimme Indie Rock - 500 Essential...

  Andrew Earles

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  The ultimate guide to one of the most revered periods and movements in American rock history.The 1980s are one of the most ridiculed and parodied epochs in popular music€ ” what with all the skinny lapels, synthesizers, spandex, and Aqua Net. However, music fans in the know recognize that beneath the glossy veneer broiled a revolutionary movement of self-directed, anti-corporate, punk-influenced bands that created a nationwide network from the ground up, thanks to independently recorded releases, photocopied fanzines, and self-financed tours.In Gimme Indie Rock, music journalist Andrew Earles describes 500 essential indie-rock albums released by 308 bands and artists from coast to coast in markets large and small. From giants of the movement (Black Flag, the Minutemen, Mission of Burma, Fugazi, Superchunk, Melvins, Dead Kennedys, Minor Threat, Hüsker Dü, the Replacements, Sonic Youth, Mudhoney, Dinosaur Jr., Big Black, the Pixies), to more obscure bands which nonetheless made their own impacts (Jesus Lizard, Cows, Low, Mercury Rev, Polvo, Squirrel Bait, Karp, Bongwater, Naked Raygun, Sun City Girls, and many others) and scores of artists who still await their proper due (Fly Ashtray, Dumptruck, Truly, Man-Sized Action, Steel Pole Bathtub, godheadSilo, Sorry, Team Dresch, Further, Grifters, World of Pooh, Trumans Water, Malignus Youth, Eggs, and many more), Earles provides an exhaustive album guide to the era. Earles also features those bands that cut their teeth on the indie circuit but graduated to a greater degree of mainstream recognition in the late 1980s and early 1990s (acts like R.E.M., Soul Asylum, Urge Overkill, Hole, Smashing Pumpkins, and Nirvana), making Gimme Indie Rock is the definitive manual for the best of American indie music made between 1981 and 1996.

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  African Art and Agency in the...

  Sidney Littlefield Kasfir, Till...

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  “Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles 
   
  The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. 
   
  Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira 
   
  “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida 
   
  “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review

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  Life on the Rocks - A Portrait...

  Bruce L. Smith

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  National Outdoor Book Award Winner: A photo-filled study of the elegant, elusive American mountain goat in its rugged natural habitat.   Confined to the remote, rugged mountains of the western United States and Canada, the American mountain goat is one of the least familiar species of hoofed mammals in North America. These extraordinary mountaineers are seldom seen, and their lives and fortunes may be the least understood among the continent’s large mammals. Life on the Rocks offers an intimate portrayal of this remarkable animal through the lens of field biologist and photographer Bruce Smith.   Color photographs and accounts of Smith’s personal experiences living in Montana’s Selway-Bitterroot Wilderness Area accompany descriptions of the American mountain goat’s natural history. Smith explores their treacherous habitat, which spans the perilous cliffs and crags of the Rocky, Cascade, and Coast mountain ranges. The physical and behavioral adaptations of these alpine athletes enable them to survive a host of dangers, including six-month-long winters, scarce food sources, thunderous avalanches, social strife, and predators like wolves, bears, lions, wolverines, and eagles. Smith also details the challenges these animals face as their territory is threatened by expanding motorized access, industrial activities, and a warming climate.   “The noble mountain goat is exquisitely adapted to place. As this fine book makes clear, though, people are changing those places, and fast. Here's one more face of creation asking implicitly that we back off some.” ―Bill McKibben, environmentalist and New York Times–bestselling author of Falter

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  The Philosophy of Science...

  Steven M. Sanders

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  Thought-provoking essays on movies from Metropolis to The Matrix.   The science fiction genre, through films such as Blade Runner, Invasion of the Body Snatchers, and The Terminator, not only entertains us but makes us think—about the implications of new technologies, the parameters and possibilities of space and time, and, in the age of artificial intelligence and robotics, the meaning of humanity itself.  The Philosophy of Science Fiction Film explores the storylines, conflicts, and themes of fifteen science fiction film classics. Editor Steven M. Sanders and a group of outstanding scholars in philosophy, film studies, and other fields raise science fiction film criticism to a new level by penetrating the surfaces of the films to expose the underlying philosophical arguments, ethical perspectives, and metaphysical views.

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  The Colosseum

  Mary Beard, Keith Hopkins

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  Byron and Hitler were equally entranced by Rome's most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said "Hail Caesar, those about to die . . ." and we know of not one single Christian martyr who met his finish here.Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument-as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?

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  Peter Paul Rubens

  Maria Varshavskaya, Xenia Yegorova

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  Universally celebrated for his rosy and concupiscent nudes, Peter Paul Rubens (1577-1640) was an artist whose first concern was sensuality in all its forms. This Baroque master devoted himself to a lifelong celebration of the joys and wonders of the physical realm. He felt that the human body was as lovely and natural as the many natural landscapes he painted as a young man. In a lushly illustrated text, María Varshavskaya and Xenia Yegorova explore the master at work, bringing a unique focus to Ruben’s life and work

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