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  Stan Brakhage the realm buster

  Esther Leslie, Marco Lori

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  Stan Brakhage's body of work counts as one of the most important within post-war avant-garde cinema, and yet it has rarely been given the attention it deserves. Over the years, though, diverse and original reflections have developed, distancing his figure little by little from critical categories. This collection of newly commissioned essays, plus some important reprinted work, queries some of the consensus on Brakhage's films. In particular, many of these essays revolve around the controversial issues of representation and perception.This project sets out from the assumption that Brakhage's art is articulated primarily through opposing tensions, which donate his figure and films an extraordinary depth, even as they evince fleetingness, elusivity and paradoxicality. This collection aims not only to clarify aspects of Brakhage's art, but also to show how his work is involved in a constant mediation between antinomies and opposites. At the same time, his art presents a multifaceted object endlessly posing new questions to the viewer, for which no point of entry or perspective is preferred in respect to the others. Acknowledging this, this volume hopes that the experience of his films will be revitalised.Featuring topics as diverse as the technical and semantic ambiguity of blacks, the fissures in mimetic representation of the 'it' within the 'itself' of an image, the film-maker as practical psychologist through cognitive theories, the critique of ocularcentrism by mingling sight with other senses such as touch, films that can actually philosophise in a Wittgensteinian way, political guilt and collusion in aesthetic forms, a disjunctive, reflexive, and phenomenological temporality realising Deleuze's image-time, and the echoes of Ezra Pound and pneumophantasmology in the quest of art as spiritual revelation; this book addresses not only scholars, but also is a thorough and thought-provoking introduction for the uninitiated. Contributors include: Nicky Hamlyn, Peter Mudie, Paul Taberham, Gareth Evans, Rebecca A. Sheehan, Christina Chalmers, Stephen Mooney and Marco Lori.

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  Harmonica Harmony - A...

  Elijah Young

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  For anyone who is keen to learn more about the harmonica, "Harmonica Harmony: A Step-by-Step Guide to Playing the Harmonica" is an extensive and approachable resource. This book presents a methodical approach to harmonica mastery, suitable for both novice and expert musicians. Beginning with fundamental skills like basic note creation and breath control, it leads readers through activities that are both understandable and useful. 
  Additional complex techniques like bending, trills, and warbles are introduced later in the book and are crucial for giving your playing additional depth and expressiveness. A steady and smooth learning process is ensured by the way each chapter builds upon the previous one. The learning process is enhanced by historical insights into the harmonica's development and its use in many musical genres, which offer inspiration and perspective. 
  In "Harmonica Harmony," readers are inspired to hone their own compositional skills and sense of style. Along with teaching you technical abilities, the book helps you develop a better understanding of the cultural significance and versatility of the harmonica. "Harmonica Harmony" is an essential manual for harmonica aficionados of all stripes, as it enables you to explore and master this cherished instrument regardless of your musical preferences, be they blues, folk, jazz, or something else entirely.

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  Romanticism

  Léon Rosenthal

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  Romanticism was a reaction against the Neoclassicism that invaded the 19th century, and marked a veritable intellectual rupture. Found in the writings of Victor Hugo and Lord Byron, amongst others, its ideas are expressed in painting by Eugène Delacroix, Caspar David Friedrich and William Blake. In sculpture, François Rude indicated the direction this new artistic freedom would take, endowing his work with a movement and expression never previously seen.
  By retracing the different stages of its evolution, this book offers a study of the different aspects of the Romantic movement. Thanks to a thorough and in-depth analysis, the reader can understand in its entirety this movement which revolutionised the era.

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  Jules Pascin: Art and intrigue

  Alexandre Dupouy

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  Jules Mordecai Pincas (1885–1930) was a Bulgarian artist who settled down in Paris in 1905, after a detour via Munich. There he started painting signing Pascin, and soon became part of the École de Montparnasse and its cosmopolitan blend of outstanding names. 
  His canvases are as turbulent as his lifestyle, and he still stands out as a bad boy. Pascin hang himself on June 2nd, 1930, despite the first fruits of success his work had collected. This book aims at taking a more comprehensive approach on his work and style than critics usually do.

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  The Mick Ronson Story - Turn and...

  Garry Burnett, Rupert Creed

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  This book explores Mick Ronson's life and career with his family, friends, fellow musicians and fans.
  For devotees of David Bowie, and Mick Ronson – the Spider from Hull – who lit up the fabulous Ziggy Stardust shows with his dazzling guitar playing and powerful stage presence. This is Mick Ronson's story. And it begins in his home-town of Hull.
  Based on the successful show Turn and Face the Strange. With unique material and exclusive interviews with fellow musicians, friends and family (to include Maggie Ronson, his sister, and Nick Ronson, his son) and those who knew him.
  A new leading biography of guitarist, songwriter, arranger, producer and musician Mick Ronson. Most famous for his critical contribution to David Bowie's spectacular live band, studio albums including Hunky Dory, The Rise and Fall of Ziggy Stardust and the Spiders from Mars and Aladdin Sane. Mick also helped produce Lou Reed's Transformer, released five solo studio albums, performing in bands with Ian Hunter, Van Morrison and Bob Dylan as well as working with many other musicians.
  This is an authentic story of a boy from a council estate from Hull who achieved international rock god status. Set in a time of seismic social change, with colliding cultures of personal and community identity, image and fashion, gender roles and sexual freedom.

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  Letters to Gwen John

  Celia Paul

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  Celia Paul's Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John (1876–1939), who has long been a tutelary spirit for Paul. John spent much of her life in France, making art on her own terms and, like Paul, painting mostly women. John's reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John's life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public's reception of their work. 
   
   
   
  Letters to Gwen John is at once an intimate correspondence, an illuminating portrait of two painters, and a writer/artist's daybook, describing Paul's first exhibitions in America, her search for new forms, her husband's diagnosis of cancer, and the onset of the global pandemic. Paul, who first revealed her talents as a writer with her memoir, Self-Portrait, enters with courage and resolve into new unguarded territory—the artist at present—and the work required to make art out of the turbulence of life. 
   
   
   
  Contains mature themes.

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