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  The Settlement

  Jock Serong

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  In The Settlement, Jock Serong reimagines in urgent, compelling prose the ill-fated exploits of George Augustus Robinson at the settlement of Wybalenna—a venture whose blinkered, self-interested cruelty might stand for the colonial enterprise itself. 
   
  On the windswept point of an island at the edge of van Diemen’s Land, the Commandant huddles with a small force of white men and women. 
   
  He has gathered together, under varying degrees of coercion and duress, the last of the Tasmanians, or so he believes. His purpose is to save them—from a number of things, but most pressingly from the murderous intent of the pastoral settlers on their country. 
   
  The orphans Whelk and Pipi, fighting for their survival against the malevolent old man they know as the Catechist, watch as almost everything about this situation proves resistant to the Commandant’s will. The wind, the spread of disease, the strange black dog that floats in on the prow of a wrecked ship… 
   
  But above all the Chief, the leader of the exiles, before whom the Commandant performs a perverse, intimate dance of violence and betrayal. 
   
  ‘An extraordinarily vivid imagining of one of the most significant encounters in Australian history.’ AMANDA LOHREY 
   
  ‘Grips from the first page. It’s unsentimental, truthful and profound – all in a milieu effortlessly imagined.’ DON WATSON

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  Lunatics - Last Men on the Moon

  Brian d'Eon

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  Wernher von Braun, reluctant Nazi, personal friend of President Lyndon Johnson, and master builder of the Saturn V rocket, is on the verge of seeing his lifelong dream fulfilled as he joins to the crew of Apollo XX on mankind’s last visit to the Moon. All his life has been a struggle to get to this moment: surviving Allied bombing, uncomfortable accommodations with the SS, anti-German sentiment in post-war America, and the march of time itself—is he finally just too old to join the astronaut corps? On the moon, von Braun will reach the pinnacle of his professional life but there he also desperately hopes to exorcise demons from his past. 
  Landing men on the moon? Why bother? And, precariously, inside the bowels of Copernicus crater? Crazy? Impossible? And the men and women dedicated to this exploit? What to call them but Lunatics. 
  Two other voices play large roles in telling von Braun’s story: Mission Commander, Alan Bean, the only artist among the corps who hopes to capture the true essence of what it means to step on the moon. What it really looks like, feels like. Because if he doesn’t do it, who ever will? 
    
  The final voice belongs to fellow astronaut, Deke Slayton, a no-nonsense test pilot interested in neither science nor art. His mantra during the mission will be “don’t screw up”.

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  The Things We'll Never Have

  Hilary Hauck

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  Winner of the Historical Fiction Company's “Highly Recommended” award of excellence, The Things We’ll Never Have is part mystery, part psychological drama set in 1960s Italy about family, friendship, and the lies that bind us. 
  The brightest things in Everleigh’s otherwise dull days in 1964 London are colors, fashion she’s not brave enough to wear, and the idea of the enchanted life she’ll inherit when she marries Gualtiero. But her dreams are crushed when her beloved mysteriously vanishes before the wedding. Everleigh travels to Italy, convinced he’s returned to his hometown, but when she tracks down the man everyone knows as Gualtiero, she has never seen him before. The question is no longer where her fiancé is, but who he is.  
  Determined to uncover the truth, Everleigh teams up with two unlikely friends. Soon, she unlocks a shocking truth about Gualtiero that propels the three women on a collision course that will shatter everything they thought they knew about family—and themselves. 
  “An arresting and unpredictable tale of family.” Kirkus Reviews

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  Legends of the Iron Age: Book...

  Margot Langley

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  This content is an independent and unofficial summary created for informational and educational purposes only. It is not affiliated with, authorized, approved, licensed, or endorsed by the original author or publisher. All rights to the original work belong to its respective copyright holders. This summary is not intended to substitute the original book, but to offer a concise overview and interpretation of its main ideas. 
   
  Forged in fire and bound by honor, Legends of the Iron Age brings to life an era where warriors rose, kingdoms clashed, and destinies were shaped by sword and spirit. Through battles fought and alliances tested, timeless stories emerge from the mists of history, weaving a vivid tapestry of courage, ambition, and survival. Rich in atmosphere and raw emotion, this unforgettable journey captures the fierce spirit and enduring legacy of a world carved in iron.

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  Chasing Eleanor

  Kerry Chaput

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  Newly orphaned Magnolia Parker must protect her sick little brothers, but when the authorities send the boys to an unknown orphan asylum, Magnolia calls on her unwavering grit to bring them home. She's lost everything but still has a secret weapon—a promise from Eleanor Roosevelt, the most famous woman in America. Setting out on a cross country quest, she befriends two unlikely travelers: Hop, a migrant worker with a big heart, and Red, a young girl traumatized into silence. Hunger and dust storms aren't the only dangers this found family faces on the rails. After an assault, they're forced to outrun the police, all while trying to track down the First Lady. But time is running out and Magnolia's chance to reunite her siblings depends on one thing—finding Eleanor. 
   
   
   
  Award-winning historical author Kerry Chaput is back with a touching story of loss and survival set in America's Great Depression. With vivid details and unforgettable characters, Chasing Eleanor takes listeners on an adventure of the heart, where a young woman finds hope in the most unlikely places. A touching tribute to the great Eleanor Roosevelt, this adventure-filled story will entertain and inspire all ages.

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  The Windfall - A tale about the...

  Vicente Blasco Ibáñez

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  Vicente Blasco Ibáñez was born in Valencia, Spain on 29th January 1867.  
   
  At university, he studied law and graduated in 1888 but never felt the urgency to practice - he was more interested in politics, journalism, literature and women.   
   
  Politically he was a militant Republican partisan and, in his youth, founded a newspaper, El Pueblo (The People). The newspaper was taken to court many times and he made many enemies. In one incident he was shot and almost killed. In 1896, Ibáñez was arrested and sentenced to a few months in prison. 
   
  Despite this colourful background he found time to write novels. His first published work was ‘La Araña Negra’ (The Black Spider) in 1892, a work that he later repudiated although at the time it was a useful vehicle for him to express his anti-clerical views. 
   
  In 1894, he published ‘Arroz y Tartana’ (Airs and Graces), about a late 19th Century widow in Valencia trying to keep up appearances in order to marry her daughters well.   
   
  Ibáñez’s next sequence of books studied rural life in the farmlands of Valencia and failed to gain much of an audience.   
   
  His writing now took on a new direction with its now familiar sensational and melodramatic themes in 1908 with ‘Sangre y Arena’ (Blood and Sand), which follows the career of Juan Gallardo from his poor beginnings as a child in Seville, to his rise to becoming a famous matador in Madrid 
   
  However, his greatest success was ‘Los Cuatro Jinetes del Apocalipsis (The Four Horsemen of the Apocalypse) in 1916, which tells a tangled tale of the French and German sons-in-law of an Argentinian land-owner who find themselves fighting on opposite sides in the First World War.  It was a literary and commercial sensation and became the best-selling book of 1919.  It also propelled Rudolph Valentino to stardom in the 1921 film. 
   
  Ironically his fame in the English-speaking world has come not as a novelist but as the stories behind some of Hollywood’s greatest silent movies. 
   
  Vicente Blasco Ibáñez died in Menton, France on January 28th, 1928, the day before his 61st birthday.

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