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  Ave Maria - A dramatic monologue...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  Hello Hello

  Karen Hines

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  In the vast, unnamed metropolis of Hello … Hello, art and commerce have finally and completely conjoined; stylish cafés serve up zebra mussels and the air is thick with a gentle rain of sparrows plummeting down from the mirrored office towers. Everywhere, people are falling for an edgy new fashion accessory: a shiny ball filled with poison that hangs from a delicate chain.
     
  In this oddly peaceful world, Cassandra, a salesgirlat a clothing store called the Abyss, meets a charismatic ad man named Ben in the graveyard where she is mourning her lover, the last true artist on earth. They find themselves helplessly attracted to one another. Ben walks Cassandra home and invites her out to dinner, which leads to sex, marriage and a house in Semi-Residentia. Then comes baby. All one and a half inches of her.
     
  Hello … Hello, nominated for several Dora awards, including Best Play and Best Musical, is a tragic, comedic and curiously erotic attack on western society’s predilection for escapist consumerism and entertainment. If the boy-meets-girl musical is the shiny happy ball, then the content of the play, and its characters, are the poison held within.
     
  ‘[Hines is] one of the most original artists in the city.’
     
  – Toronto Life

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  Poetry of the senses

  Lawrence Winkler

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  My love of poetry was always unrequited. As with all young boys, my English teachers forced me to memorize and recite unintelligible Shakespearean sonnets and turn bad blood into worse ink. For the next half-century, I never gave it a chance. 
  But at the age of 71, poetry came in search of me.  
  The theme of ‘senses’ made sense. As a physician and winemaker, I would try to turn exquisite impressions into exquisite expressions, solvents for the soul dipped in dyes of the heart.  
  There are 17 poems in this sense-ational collection, each with a different form, climbing higher on the sensory evolutionary ladder from the cranial nerves to the prefrontal cortex and beyond.  
  Writing them was like dropping a rose petal into an elevator shaft and waiting for the echo.  
  Read these short, jagged-edged lines as imaginary gardens of joy and pain and wonder, with a dash of dictionary.

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  Dying To End It

  Joey Sanchez

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  When Frank’s wife of many years is killed in a car accident and he is left badly injured, he quickly grows tired of life. No longer wishing to be a burden on his daughters who are missing out on their own lives by having to care for him, he hatches a plan. 
  Heading off out onto the mean streets of New York, the city he grew up in, Frank decides that he will find a way to end his life there without resorting to the sin of taking it himself. 
  However, his plans are thrown into confusion when he bumps into an old friend, Carlo. In years gone by Frank had helped Carlo, who was part of the Mafia, with fraudulent insurance claims but had turned his back on a life of crime, leading to Carlo being demoted by his bosses. 
  Now, the two old friends catch up on past times as Frank’s plans for his final hours slowly draw closer. But Carlo has a dark secret that he has kept from Frank. The resentment he had been carrying after being betrayed by his friend had been allowed to fester and boil to the surface, and now he is about to reveal the full shocking truth of his actions to him. 
  How will Frank react? Will he still be able to find a way to end his life on his terms? Or is that nagging feeling at the back of his mind about to show him something terrifying?

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  Ivy Tiller: Vicar's Daughter...

  Bea Roberts

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  Entrenched in her picturesque Devonshire village, Ivy Tiller is preparing to wage a war.
  Her target: the invasive grey squirrel. Her goal: to oust the invaders and restore the native red squirrels as the 'rightful' inhabitants. Galvanised by her important mission, Ivy's determination swells to uncomfortable heights.
  Bea Roberts' blackly comic play Ivy Tiller: Vicar's Daughter, Squirrel Killer challenges our assumptions about who belongs and who thrives, and exposes the dark side of the rural idyll. It was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in October 2022.

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  Complete Works of Homer The (75...

  Homer

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  "The Complete Works of Homer" is a meticulously curated anthology that brings together the iconic masterpieces of ancient Greek literature – "The Iliad," "The Odyssey," and "The Homeric Hymns" – accompanied by captivating illustrations. Homer's epic narratives are renowned for their profound impact on Western literature and culture.In "The Iliad," readers are transported to the Trojan War, witnessing the clash of heroes and gods in a tale of honor, glory, and tragedy. Through vivid imagery and powerful storytelling, Homer explores the complexities of human emotions and the consequences of pride and vengeance."The Odyssey" takes readers on a remarkable journey with Odysseus as he attempts to return home after the fall of Troy. Filled with adventure, mythic creatures, and tests of endurance, this epic chronicles Odysseus's perseverance, resourcefulness, and his yearning for reunion with his family."The Homeric Hymns" celebrate the deities of ancient Greek mythology in a series of poetic hymns. These hymns provide insight into the religious practices of the time, while also showcasing Homer's lyrical prowess and his ability to capture the essence of divinity.Accompanied by evocative illustrations, "The Complete Works of Homer" offers readers a visual and literary journey through the ancient Mediterranean world. Homer's eloquence and storytelling prowess are beautifully complemented by the artwork, enhancing the reader's immersion into these timeless tales of heroism, love, and the divine.This collection stands as a testament to Homer's enduring influence on literature and serves as an essential addition to the libraries of both seasoned enthusiasts and newcomers eager to explore the rich tapestry of ancient Greek storytelling.The Iliad The OdysseyThe Homeric Hymns

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