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  James IV: Queen of the Fight

  Rona Munro

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  'You're a wonder. You're a window into a wide world.'
  Scotland, 1504, seen fresh through the eyes of new arrivals Ellen and Anne, two Moorish women who were expected to take their place at a royal court… but not this one.
  Both women now have to fight to find and keep a place in the dazzling, dangerous world of the Scottish court of James IV. It's a world where war is never far away, words of love and promises of peace are not what they seem, and where poets might turn out to be more dangerous than any assassin.
  Rona Munro continues her journey through an uncharted period of Scottish history with James IV: Queen of the Fight, which was first presented in 2022 by Raw Material and Capital Theatres in association with National Theatre of Scotland, and directed by Laurie Sansom.
  It follows the spectacular success of Munro's plays about James I, II and III, which were first performed by National Theatre of Scotland, transferred to the National Theatre, London, and were named Best New Play at the Evening Standard Awards.

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  Catastrophic Molting

  Amy Shimshon-Santo

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  CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”

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  The Corridor - science fiction...

  Amr Mounir

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  When he decided to visit his friend in his quiet town, he did not expect to find everything had mysteriously changed. The streets, the faces, and even time itself… as if the place was no longer the same! In the midst of this terrifying mystery, he tries to understand what is happening, but the truth he will discover in the end may make him wonder: is he in the same world he knows… or is he lost in another parallel world?

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  Slows: Twice

  T. Liem

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  SHORTLISTED FOR THE 2023 A.M. KLEIN PRIZE FOR POETRY 
  LONGLISTED FOR THE 2024 RAYMOND SOUSTER AWARD 
  CBC BOOKS CANADIAN POETRY COLLECTIONS TO WATCH FOR IN SPRING 2023 
  Backward and forward: a double book of mirrored poems about identity in all its forms.This is a book of slow hours, days, and years – how they can collapse into one another, how it can feel like we are living one day repeating itself. From within this collapse, the speaker seeks connection everywhere. They visit their father’s birthplace, Jogjakarta; they listen to a stranger’s phone call at the Motel 6 in Alberta; they linger in the so-called ethnic aisle of the grocery store. From all of these places the speaker is discouraged but tries to imagine a future joyously incomprehensible to the present.Slows: Twice is a collection of revisions and repetitions; every poem in one half of the book has an alternate version, or a mirror poem, in the other half. The poems are tied to themes of work and labour, consumption and waste, family and home, as shapers of identity and relationships. The act of revising and repeating – slowly – is meant to be a resistance to efficiency, a resistance to being an always-productive body under capitalism. 
   
  "The poems of Slows: Twice collect in resonance, contemplate the construction of selves, with modes of repetition, sequencing, and mirroring, the way language assembles an identity or points to itself as it points away.  'The clouds // disappear the sky sometimes; or they become it.' Storied and cubistic, palindromic and cleaved, Liem’s poems reveal relationships to time, noise, and duration, and the possibility of joy given painful pasts." – Hoa Nguyen, author of A Thousand Times You Lose Your Treasure 
  "T. Liem is one of my favorite poets working in Canada. I welcomed this book into my life like sudden sunlight. Slows: Twice is a book about how urgently we need to read differently. I loved its mischievous relation to form and expectation as well as its burning intelligence. I once described T. as an inheritor of the tradition of language poetry, but what Slows: Twice proves is that T. is less an inheritor and more so an innovator, an inventor in their own right. I read it in one frenzied sitting." – Billy-Ray Belcourt, author of A Minor Chorus 
  "It’s breathtaking to watch words drip from a page into a silver river cutting through a canyon of time. T. Liem sculpts poetry with steady, curious fingers, pushing against the filaments we think hold us together that have been quietly collecting cracks, from buried violence and whispered histories to the fragile connections tying us together. Obits. captured my heart; Slows: Twice now affirms it." – Teta, founder of diasporic Indonesian publication Buah zine 
  "'For everything I was, I am now something else.' Revision of self and world are core to this innovative, unruly book that manages somehow to be at once formally wacky and emotionally clear. These poems seem to ask: if language is a box heavy with histories and inadequacies and which we nevertheless must carry, can language also carry us somewhere, elsewhere, strangely? Rarely have I encountered a book so at home in the unresolved, in the tension between a longing for declaration and a commitment to questions. T. Liem’s work conjures the figure of Janus: god of duality and gates, one face facing an end, the other looking through a new door, right in the eye of a dream." – Chen Chen, author of Your Emergency Contact Has Experienced an Emergency 
  "T. Liem's Slows: Twice is a fascinating exercise in revision and remaking, each repetition of its text accomplishing the arduous task of stretching time and geopolitical fixity. 'asking and repeating/ we are made' declares Liem, and that utterance produces the book's essential maxim, 'language is change/ changed by prosody.' In between these cracks of time, language becomes a miracle suture for love and connection where the hard reality of one's circumstances may produce infinite ruptures. This is a book that peers into the fissure, holding these moments of fracture as still and clearly as possible--a future of proximates." – Muriel Leung, author of Imagine Us, the Swarm

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  The Great Poems by African...

  Phillis Wheatley, Frances E. W....

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  African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives. The Harlem Renaissance of the 1920s was a great period of flowering in literature and the arts, influenced both by writers who came North in the Great Migration and those who were immigrants from Jamaica and other Caribbean islands.
   
  Phillis Wheatley
  To the Right Honourable William, Earl of Dartmouth
  On Virtue
  An Hymn To the Morning
  An Hymn To the Evening
   
  Frances E. W. Harper
  Bury Me in a Free Land
  Songs for the People
  My Mother's Kiss
  A Grain of Sand
  Our Hero
  The Sparrow's Fall
   
  James Weldon Johnson
  Sence You Went Away
   
  Paul Laurence Dunbar
  The Lesson
  Sympathy
  We Wear the Mask
   
  Claude McKay
  After the Winter
  If We Must Die
  The Tropics in New York
   
  Countee Cullen
  For Paul Laurence Dunbar
  Incident
  Langston Hughes
  The Weary Blues
  Jazzonia
  Negro Dancers
  The Cat And The Saxophone (2 A. M.)
  Young Singer
  Cabaret
  To Midnight Nan At Leroy'S
  To A Little Lover-Lass, Dead
  Harlem Night Club
  Nude Young Dancer
  Young Prostitute
  To A Black Dancer In "The Little Savoy"
  Song For A Banjo Dance
  Blues Fantasy
  Lenox Avenue: Midnight

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  Collier Laddie

  Rab Wilson

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  Forty years on from the 1984–85 UK Miners' Strike, the largest union-led industrial action in the 20th century, Rab Wilson – a former miner deeply entrenched in the strike – delivers a powerful narrative through his mining poems and strike diary, addressing contemporary social and economic issues in Scotland and the UK then and now.
  Having toiled in Scotland's mining industry for eight years, Rab provides an authentic voice that resonates with the struggles faced during the strike, vividly captured from his involvement between 12 March 1984 and 5 March 1985. This book serves as a testament to the working-class struggle, offering a unique perspective on the historical significance of Scotland's mining industry, skillfully expressed by a poet intimately connected to it. Rab Wilson emerges as an essential chronicler, ensuring the legacy of the miners' challenging strike endures in the pages of this evocative and timely work.
  Collier Laddie is an ode to resilience, solidarity and the enduring legacy of those who fought for justice during a pivotal moment in industrial history.

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