D'autres livres qui pourraient vous intéresser

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  Kaleidoscope

  Mallory Rowse

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  Come  and marvel at how life at large can be encapsulated into a microcosm in  the form of poetic license.  Let this book be your companion when seeking to have some me-time and to chill out in your own chosen surroundings. 
   
  Or,  discuss Mallory’s poems in more depth with others. Poetry can truly dazzle and serves as an equal alternative to the excitement of reading novels. 
   
  The  beauty of poetry is the choice given to read any extract to another appropriate age group that can introduce them into this wonderful genre of literature. Similar  to music, the titles stay with the reader and will, in virtual speak, stamp its date and location to induce its messages across the wide spectrum of what everyone likes to imagine or likes to encounter. 
   
  Poetry is the perfect treat or gift for anyone who would like to travel on a magic carpet away from the madding crowd. Soothe yourself instead - in contrast to an edge of seat thriller novel or film. 
   
  Enjoy!

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  Symphonies - The first Southern...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  Swansdown

  Donald Platt

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  In Swansdown, Donald Platt makes a study of life' s inevitable transitions, from love' s astonishing evolutions, to aging and its attendant losses. With the poem " Cloud Study" Platt brings his own mortality into view. Returning to a painting by Constable, he considers his own perspective, sitting by the Liffey, tending an injured knee. Young mothers, lovers, and runners pass, reminding the poet of who he once was and how quickly life, like weather, shifts. " Two minutes later, // The clouds would have taken on a different cast of light and shape / just like the thunderheads / now piling up above the Liffey."
  
  Platt advises: " To approach old age, one needs a new harsher style." And yet these poems are proof of the softness that may follow life' s harshest reckonings, like the wisps of hair on his beloved brother' s head as he lies dying, " fine / as milkweed silk. / His head a split / dried pod whose seeds / wind will scatter." The poems of Swansdown point us to a " larger landscape," they are the clouds " that scud across the blue escutcheon of sky. . . Sun' s blazon through rain rampant."

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  Wilfred Owen: The Selected Poems

  Wilfred Owen

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  'And you have fixed my life – however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but I shall swing out soon, a dark star in the orbit where you will blaze.'
  
  A deeply powerful poetry collection that lays bare both the horrors and humanity of the First World War, told with unflinching honesty and profound beauty by one of the greatest war poets in history: Wildfred Owen.
  Wilfred Owen: The Selected Poems brings together the most searing and unforgettable works of the poet whose voice has come to define the tragedy of World War I. Writing from the trenches, Owen crafts poems that confront the violence, fear and tragic waste of war while elevating the humanity of those caught within it. His mastery of imagery and sound – whether in the bitter irony of 'Dulce et Decorum Est', the haunting tenderness of 'Anthem for Doomed Youth', or the bleak beauty of 'Exposure' – transforms personal and collective suffering into timeless art. This collection not only preserves the anguish of a generation lost to conflict, but also continues to speak across time about the costs of war, the fragility of life and the enduring strength of the human spirit.
  Wilfred Owen (1893 – 1918) was one of the most famous English poets writing during the First World War. A second lieutenant in the Manchester Regiment, Owen endured several traumatic experiences throughout his time in service, much of which was the inspiration for his writing. Owen was killed in action at just twenty-five years old, but his poetry depicting the horrors of warfare remain widely read to this day.

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  Deceptive Calm

  Patricia Skipper

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  Against the turbulent backdrop of declared martial law in South Carolina, a stunning light-skinned beauty, Vanessa, lives in a Catholic orphanage for Blacks. After a series of racial traumas, Vanessa obtains the birth certificate of a deceased white baby and uses this document to assume the child's identity. She moves to California and enrolls at UC Berkeley under her newly acquired name. 
  Vanessa marries into one of California's wealthiest families. Her charmed life abruptly ends eighteen months after the birth of her first child who is diagnosed with sickle cell trait. Discovering that the woman he married is Black, as is his toddler son, Vanessa's ruthless husband plots his revenge but they both survive. The police investigation that follows seems pretty clear-cut until a curious, young detective uncovers some clues to her private life where nothing is as it appears. The aftermath of the discovery brings down a pillar of San Francisco society.

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  Peanut Butter & Blueberries

  Suhaiymah Manzoor-Khan

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  Hafsah and Bilal aren't looking for love. Hafsah has her faith, her books, her dreams. Bilal's just trying to get through uni. Studying in London, far from their hometowns of Bradford and Birmingham, they find common ground over a peanut butter and blueberry sandwich.
  But just as their connection is growing, the world around them becomes harder to ignore. As competing opportunities, obligations and injustices get in the way, will they be able to choose each other?
  Suhaiymah Manzoor-Khan's play Peanut Butter & Blueberries is a tender and bittersweet love story that explores how to love when the weight of the world is on your shoulders. It was first performed at Kiln Theatre, London, in 2024, directed by Sameena Hussain.

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