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  The Ballad Of The White Horse -...

  Gilbert Keith Chesterton

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  "The Last Great Epic Poem in the English Language"- Dale Ahlquist"The ending is absurd. The brilliant smash and glitter of the words and phrases (when they come off, and are not mere loud colours) cannot disguise the fact that G. K. C. knew nothing whatever about the 'North', heathen or Christian."- JRR TolkienThe tale of King Alfred, the Christian king who in 878AD battled a Viking invasion that had conquered the rest of England and burnt some cakes. He then became the last holdout of resistance against the invaders and forced the conversion of the Danish king Guthrum to Christianity after the battle of Ethandun. Chesterton says "This ballad needs no historical notes, for the simple reason that it does not profess to be historical. All of it that is not frankly fictitious, as in any prose romance about the past, is meant to emphasize tradition rather than history. That is the use of tradition: it telescopes history."Named after the chalk horses carved into English hills (and partly set at Uffington), it begins with an exhortation to true Christianity in the face of despair and defeat, and ends with a prediction of more barbarian invasions. It focuses on the nature of faith in times of despair, and on the true strength of local kings in the face of empires."... you and all the kind of ChristAre ignorant and brave,And you have wars you hardly winAnd souls you hardly save...."In some far century, sad and slow,I have a vision, and I knowThe heathen shall return...."They shall come mild as monkish clerks,With many a scroll and pen;And backward shall ye turn and gaze,Desiring one of Alfred's days,When pagans still were men."

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  Green

  Suzannah Evans

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  'My mother was an oak treemy dad a garage mechanicMy father was a field of wheatmy mother the Prime MinisterMy mother was an innkeeperand my father a lonely cactus…'
  Suzannah Evans' new pamphlet introduces us to Green, half human, half angry nature spirit. Green serves as a stunt double for our own rage and complicity in nature's destruction. He shows us nature's delights so we may mourn their loss more deeply.
  'In this delicious mini-biography of the mythic figure, Suzannah Evans has conjured up a Green Man – now modishly monikered 'Green' – who is witness, listener, accountant, cheerleader, of all and every aspect of nature. An inveterate listicle maker, he can't help but nag us until our attention is drawn back inexorably to the wonder of the world; it's nightmares too. Whether he is supervising extinctions, lavender farming, or picking up plastic litter on the beach, Green is unabashedly a fun, wry and playful personality to spend some time with.' Rishi Dastidar
  'Green is a contemporary secular canticle, where matter and living beings are in mischievous, polyphonic dialogue. Channelled through this beyond-human figure, it presents a decentred ecology where "Green isn't rooting for anyone" – but where we must find a way to befriend 'him', without turning him into a 'man'. Earth is lively and re-enchanted, in Green's contemporary and accessible animism. We are invited to accept the majesty of llama memes alongside the 'death drop' of species extinction. Fuck you, Green says to the wasps, stinging him all over, I still love you. A gentle, passionate, good-natured plea, for even the stickiest, ickiest, grossest creatures to be named in Green's – and humanity's – affections.' Caleb Parkin

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  The Wife of Cyncoed & Idyll: two...

  Matt Hartley

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  In The Wife of Cyncoed, Jayne is newly retired and disappointed with her life. She's in danger of becoming her daughter's babysitting service, and is desperate to make a change. When she meets a handsome stranger in the park – and an opportunity to do something for herself arises – can Jayne allow herself a second chance at happiness?
  This charming and open-hearted play premiered at Sherman Theatre, Cardiff, in 2024, and provides gloriously entertaining opportunities for a mature solo performer.
  In Idyll, tempers are fraying in the scorching heat as a rural village is overwhelmed by noise, cars and day trippers… Scratch the surface and you'll find danger bubbling away. This captivating short play was first presented as an open-air production by Pentabus Theatre Company in 2021.

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  Yellow Rain - Poems

  Mai Der Vang

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  In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. 
   
   
   
  Integrating archival research and declassified documents, Vang calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

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  Poetics - The Foundations of...

  Aristotle, Tim Zengerink

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  What if you could master the art of storytelling, understand the essence of great drama, and unlock the timeless secrets behind compelling narratives? 
  Poetics brings you Aristotle’s groundbreaking exploration of storytelling, carefully translated and adapted for the modern reader. 
  Written over two thousand years ago, Poetics is the cornerstone of literary theory and dramatic structure. Aristotle examines the elements that make stories resonate—plot, character, conflict, and catharsis—revealing what separates a great story from a forgettable one. His insights continue to influence writers, filmmakers, playwrights, and creators across the world. 
  This is not just an ancient text—it’s a practical guide to understanding the foundations of storytelling and how to create narratives that captivate audiences. Whether you’re a writer, filmmaker, student, or lover of literature, Aristotle’s teachings offer essential tools for mastering your craft and appreciating great works of art. 
  What You’ll Discover in This Modern Translation: 
  - Aristotle’s principles for crafting compelling stories with powerful structure, plot, and themes. 
  - How characters and their struggles create emotional impact and drive engaging narratives. 
  - The emotional power of drama and how stories can move and transform their audience. 
  - Aristotle’s insights in clear, modern language that makes his teachings practical and relevant for today. 
  Imagine having the knowledge to craft engaging stories, understand the mechanics of dramatic tension, and appreciate the art behind great literature and film. This modern translation of Poetics delivers Aristotle’s insights in a practical format, empowering you to master the art of storytelling. 
  Get your copy today and begin your journey toward mastering the foundations of storytelling with Aristotle’s timeless wisdom.

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  Inferno - Dante Alighieri

  Dante Alighieri

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  Inferno (Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem Divine Comedy.  
   
  Track List: 
   
  01	Bk 1, Inferno: Canto I - Canto V 
  02	Bk 1, Inferno: Canto VI - Canto X 
  03	Bk 1, Inferno: Canto XI - Canto XV 
  04	Bk 1, Inferno: Canto XVI - Canto XX 
  05	Bk 1, Inferno: Canto XXI - Canto XXV 
  06	Bk 1, Inferno: Canto XXVI - Canto XXX 
  07	Bk 1, Inferno: Canto XXXI - Canto XXXIV

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