Freeman's: The Future of New Writing
John Freeman
Maison d'édition: Grove Press
Synopsis
Freeman's: The Future of New Writing is a special edition of the already-celebrated anthology from influential editor and critic John Freeman. This fourth issue is focused not on a theme as the previous three issues have been but on a select list of international writers who have yet to become household names but who we believe will have an important impact on literature in the coming years. Freeman's: The Future of New Writing features work from thirty writers, aged 25 to 70, from over a dozen countries, including the US, Japan, Brazil, UK, France, China, Argentina, and Nigeria. Some most readers will never have heard of and others will be more familiar but still have a break-out career ahead of them. John consulted with book editors, critics, translators, and writers around the world to choose the names for this issue, and each piece will have its first English publication in the issue. We are keeping the list of writers secret and will reveal the names at a media party in mid-September, followed by an international launch at the Gothenburg Book Fair (9/28-10/1). Freeman's is one of the most exciting new literary projects of recent years. Featuring fiction, essays, and poetry from the best-known writers around the world, as well as new voices, Freeman's is a cross between a journal and an anthology—essential for any reader of literary fiction. A major profile of John focused on Freeman’s ran in the Los Angeles Times in January 2018. The first three issues, Freeman's: Arrival (fall 2015), Freeman's: Family (spring 2016), and Freeman's: Home (spring 2017), have already started to grow a solid fan-base, especially through the indie bookstores. By the publication of this fourth issue, John will have hosted over 100 events in indie bookstores across North America alone. The New School in New York sponsored sold-out, 500-person events for Arrival and Family and John will again partner with them for The Future of New Writing launch (on 10/10). His around-the-world promotion of Freeman's has taken him from Los Angeles and New Orleans to London, Berlin, Sarajevo, Melbourne, and beyond. We are putting extra resources behind the launch for this special issue and are planning to link a big-name author to each event (including the launch in New York and events in Los Angeles, Seattle, and perhaps elsewhere) to introduce the featured writers. We are also planning to put together a video with clips from the writers around the world. In a climate of hypernationalism, Freeman's: The Future of New Writing celebrates writing beyond all borders and recognizes writers whose own influences go beyond region, genre, and generation. Freeman's has been hailed by a wide variety of media outlets (San Francisco Chronicle, NPR, O Magazine, Chicago Literati, and many more). Julia Felsenthal of Vogue heralded Freeman's: Arrival as an "illustrious" new publication. Multiple critics have praised the international scope and expansive, bold reading experience. Pieces from Freeman's have gone on to be celebrated elsewhere, too. Tahmima Anam's "Garments" (Freeman's: Arrival) was selected for Best American Short Stories 2016, edited by Junot Diaz, and was shortlisted for the BBC Short Story Award; Garnette Cadogan's "Black and Blue" (Freeman's: Arrival) was included in Jesmyn Ward's acclaimed anthology The Fire This Time; and select pieces have been republished on Lit Hub. Contributors to the first three issues included Anne Carson, Haruki Murakami, Lydia Davis, Aleksandar Hemon, David Mitchell, Louise Erdrich, Garnette Cadogan, Viet Thanh Nguyen, Anne Carson, Marlon James, Claire Messud, Rabih Alameddine, Danez Smith, Laura van den Berg, and Tracy K. Smith. Freeman's has a growing platform and name recognition around the globe, too, with partners in seven countries for The Future of New Writing: UK (Grove Press), Australia (Text), Sweden (Bokförlaget Polaris), Italy (Edizioni Black Coffee), Romania (Black Button), and China (Archipel).