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  The Pearls of Parlay

  Jack London

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  The Pearls of Parlay (1911) Parlay, who has become the ruler of the atoll of Hikihoho after marrying the queen there, summons the leading traders of the South Seas to his atoll for an auction of the whole of his fabulous collection of pearls. But that day is precisely at the peak of the hurricane season and when their ships have gathered in the atoll's lagoon the barometer starts going through the floor, as the mother of all hurricanes is on the verge of destroying not only all the ships but the island as well.

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  The Nightingale and the Rose

  Oscar Wilde

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  A nightingale overhears a student complaining that the professor's daughter will not dance with him, as he is unable to give her a red rose;] a lizard, a butterfly and a daisy laugh at the student for doing so. The nightingale visits all the rose-trees in the garden, and one of the roses tells her there is a way to produce a red rose, but only if the nightingale is prepared to sing the sweetest song for the rose all night with her heart pressing into a thorn, sacrificing her life.

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  Heaven's My Destination - A Novel

  Anonyme

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  “If John Steinbeck’s mighty Grapes of Wrath is the tragic novel of the Great Depression, then Heaven’s My Destination is its comic masterpiece. —J.D. McClatchy 
  A hilarious tale about goodness in a fallen world, Heaven’s My Destination introduces George Marvin Brush, one of Thornton Wilder's most memorable characters. Brush, a traveling textbook salesman, is a fervent religious convert who is determined to lead a good life. With sad and sometimes hilarious consequences, his travels take him through smoking cars, bawdy houses, banks, and campgrounds from Texas to Illinois—and into the soul of Depression-era America itself. 
   
  This special edition includes an afterword by Wilder’s nephew, Tappan Wilder, with illuminating material about the author and book. 
  Copyright (c) 1934 by the Wilder Family L.L.C. Foreword copyright (c) 2003 by J. D. McClatchy. Afterword copyright (c) 2003 by Tappan Wilder.

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  A Christmas Tree

  Charles Dickens

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  Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime, and by the twentieth century critics and scholars had recognised him as a literary genius. His novels and short stories enjoy lasting popularity.
  I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree. The tree was planted in the middle of a great round table, and towered high above their heads. It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects. There were rosy–cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French–polished tables, chairs, bedsteads, wardrobes, eight–day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad–faced little men, much more agreeable in appearance than many real men—and no wonder, for their heads took off, and showed them to be full of sugar–plums; there were fiddles and drums; there were tambourines, books, work–boxes, paint–boxes, sweetmeat–boxes, peep–show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown–up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming–tops, needle–cases, pen–wipers, smelling–bottles, conversation–cards, bouquet–holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, “There was everything, and more.”

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  Oh Money! Money!

  Eleanor H. Porter

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  Oh, Money! Money! is a heartfelt and insightful tale about the challenges and transformations that wealth brings into ordinary lives. When unexpected fortune falls into the hands of people unprepared for its power, it tests their values, relationships, and sense of purpose. With humor, warmth, and sharp observations, the story explores how money can both unite and divide, offering lessons on integrity, generosity, and the true meaning of happiness. This audiobook invites listeners to reflect on their own relationship with success and abundance, encouraging them to seek balance between material comfort and emotional fulfillment. A timeless exploration of human nature, it delivers both entertainment and wisdom for those striving to live with clarity and purpose.

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  Great Gatsby The: Original 1925...

  F. Scott Fitzgerald

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  The Great Jazz Age Novel 
  The 1925 Original Version 
  The Great Gatsby is considered F. Scott Fitzgerald’s magnum opus, exploring themes of decadence, idealism, social stigmas, patriarchal norms, and the deleterious effects of unencumbered wealth in capitalistic society, set against the backdrop of the Jazz Age and the Roaring Twenties. At its heart, it’s a cautionary tale, a revealing look into the darker side to the American Dream. 
  “When I came back from the East last autumn I felt that I wanted the world to be in uniform and at a sort of moral attention forever; I wanted no more riotous excursions with privileged glimpses into the human heart. Only Gatsby, the man who gives his name to this book, was exempt from my reaction—Gatsby who represented everything for which I have an unaffected scorn. If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the “creative temperament”—it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men...”

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