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  First Time Gay - His Navy Seal...

  Ricky Hard

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  The threat of kidnap leads to the grandson of a billionaire being assigned a bodyguard he doesn’t particularly want. The muscular Navy SEAL gets his attention though, and desires come to the surface that he can’t control. It quickly becomes obvious the military man is interested as well, and it leads to a torrid night neither can resist.

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  Survival

  Rita Potter

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  Forty-eight hours after the Upheaval, reality is beginning to set in at the Whitaker Estate. The world, As We Know It, has ended. 
  Dillon Mitchell and her friends are left to survive, after discovering most of the population, at least in the United States, has mysteriously died. 
  While they struggle to come to terms with their devastating losses, they are faced with the challenge of creating a new society, which is threatened by the divergent factions that may tear the community apart from the inside. 
  Even if the group can unite, external forces are gathering that could destroy their fragile existence. 
  Meanwhile, Dillon’s budding relationship with the elusive Skylar Lange faces obstacles, when Skylar’s hidden past is revealed.

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  Edge Lines

  Ava Marie Salinger

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  The Gods have come to San Francisco . . .Cassius Black and Morgan King's trip to Ivory Peaks to uncover clues about their past takes an unexpected turn when a rift materializes and war demons attack the capital. Having saved one world, they return to Earth, only to find it has been rocked by ominous quakes bearing a close resemblance to the phenomenon that nearly destroyed the Dryad kingdom.After defeating demons that emerge from a crevasse in San Francisco, Cassius and Morgan rescue the Wild God Pan with the help of Victor Sloan and the city's otherwordly. But instead of thanking them, Pan makes a startling demand: rescue his lover and prevent the Spirit Realm from being destroyed, and he will reveal the truth about who Cassius and Morgan are.Help comes from an unexpected source when a pair of Reapers visit the city and Cassius, Morgan, and Victor soon go hunting for a missing deity who may hold the key to saving all the realms. Can they free the immortals from their prisons and find the powerful artifact that can bend the mind and will of even a God? Or will the enemy who has long manipulated them from the shadows destroy everything they have come to care for?Contains mature themes.

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  Silent Interviews - On Language...

  Samuel R. Delaney

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  Collected interviews featuring the Nebula Award–winning author and his thoughts on topics like literary criticism, comic books, race, and sexuality. For nearly three decades, Samuel R. Delany’s science fiction has transported millions of readers to the fringes of time, technology, and outer space. Now Delany surveys the realms of his own experience as a writer, critic, theorist, and gay Black man in this collection of written interviews, a type of guided essay. Because the written interview avoids the “mutual presence positioned at the semantic core” of traditional interview, Delany explains, “a kind of cut remains between the participants—a fissure in which the truths there may be more malleable, less rigid.” Within that fissure Delany pursues the breadth and depth of his ideas on language and theory, the politics of literary composition, the experience of marginality, and the philosophical, commercial, and personal contexts of writing today. Gathered from sources as diverse as Diacritics and The Comics Journal, these interviews reveal the broad range of Delany’s thought and interests.“Delany has a unique place in late twentieth century letters. A lifelong inhabitant of the margins, both social and literary, he has used his marginalized status as a lens to focus his astute observations of American literature and society. From these interviews his voice emerges, provocative, precise, and engaging.” —Kathleen Spencer, University of Nebraska“Samuel R. Delany never shies away from contestable positions or provocative opinions. In his fiction, Delany can write like quicksilver, and in lectures or panel discussions, he is easily SF’s most articulate spokesperson in academia. . . . There is much here that is not covered in Delany’s critical or autobiographical writings, and much that anyone seriously interested in SF—or many of Delany’s other favorite topics—ought to consider.” —Locus“Delany is fascinating whether discussing SF, comics, or his experiences as a Black American, and this collection . . . is as entertaining as it is informative.” —Science Fiction Chronicle“Yevgeny Zamyatin? Stanislaw Lem? Forget it! Delany is both, with a lot of Borges and Bruno Schultz thrown in.” —Village Voice

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  Silver Fox

  Tatum West

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  Nikki: I left for Cali the night of my graduation with nothing but a pink boa, a pair of strappy gold heels, and my silver eyeshadow from Sally Beauty Supply. I sang for pennies on Hollywood Boulevard in my broke and desperate days. Now at twenty-six, I've got more Grammys than Madonna and a growing empire. 
  Fame was everything I expected and nothing that I ever wanted. At the end of the day I'm on my own, with an overbearing manager and security team as my only friends. I made this life, and now I live in it alone. 
  When a stalker starts following me, and the paparazzi ambush me outside of a nightclub, I'm at my breaking point. That's when Fox Lee appears-out of nowhere-tall and gorgeous with salt-and-pepper hair and a wicked smile. 
  Fox: Nikki Rippon is the most fascinating man I've met in years, and I count Robert De Niro as a close friend. I'd like to save Nikki-and savor his cherry pink lips. But I need to keep things cool and professional, even if he's the smartest, funniest, and sexiest man in my contacts list. He's at least a decade too young for me, and he needs legal representation against the hellions taking advantage of him-not a boyfriend. 
  Contains mature themes.

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  Brian in Three Seasons

  Patricia Grossman

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  The year is 1995. Thirty-nine-year-old Brian Moss lives alone in New York City’s Chelsea neighborhood, his survival in the city barely rising above the marginal. He’s in danger of becoming a fixture on his block, someone not registered by those around him. Brian hasn’t succeeded in his ambition of becoming an art historian, but neither has he fully forsaken it. He still thinks about his unfinished dissertation, but mostly at odd moments—on his way to the piers at dusk or to late-night clubs after work. Brian cherishes his independence, yet every now and then he recalls, with a shock of recognition, his father’s appellation for him, “Mr. Artiste, Mr. Overgrown Boy.” Over three seasons—autumn through spring—events conspire to show Brian that a richer life is within his grasp. Returning to his childhood home in the Midwest when his father has a stroke, Brian finds the scale of emotion between them weighted first one way, then the other. While there, he uncovers a surprising family secret that gives him a much-altered view of his past. And then, slowly, Brian enters into a relationship with a man who challenges his feelings about romantic love and disrupts his pattern of random late-night encounters. Brian Moss’s inner voice takes hold of the reader from the first page. Grossman’s rendering of his character is a tour de force. She places Brian firmly within his beloved city by balancing the harsher realities of urban life against the great aesthetic pleasures that can be drawn from it. As Brian’s life becomes illuminated within this set passage of time, so does the reader’s understanding of an ordinary, extraordinary man.

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