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  Van Gogh on Demand - China and...

  Winnie Wong

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  “Unsettles contemporary art’s unspoken hierarchies and topples modernist and postmodernist assumptions about originality, authenticity, and authorship.” —caa Reviews 
   
  In a metropolis in south China lies Dafen, an urban village that houses thousands of workers who paint van Goghs, Da Vincis, Warhols, and other Western masterpieces for the world market, producing an astonishing five million paintings a year. Winnie Wong infiltrated this world, first investigating the work of conceptual artists; then working as a dealer; apprenticing as a painter; surveying wholesalers and retailers in Europe, East Asia and North America; establishing relationships with local leaders; and organizing a conceptual art exhibition for the Shanghai World Expo. The result is Van Gogh on Demand, a fascinating book about a little-known aspect of the global art world—one that sheds surprising light on the workings of art, artists, and individual genius. 
   
  Wong describes an art world in which migrant workers, propaganda makers, dealers, and international artists make up a global supply chain of art. She examines how Berlin-based conceptual artist Christian Jankowski, who collaborated with Dafen’s painters to reimagine the Dafen Art Museum, unwittingly appropriated the work of a Hong Kong-based photographer Michael Wolf. She recounts how Liu Ding, a Beijing-based conceptual artist, asked Dafen “assembly-line” painters to perform at the Guangzhou Triennial, styling himself into a Dafen boss. Through such cases, Wong shows how Dafen’s painters force us to reexamine our preconceptions about the role of Chinese workers in redefining global art. 
   
  “[A] fantastically detailed exploration of a topic which touches the heart of many of the issues surrounding China's economic rise.” —South China Morning Post

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  Bob Dylan and Dylan Thomas - The...

  Jeff Towns, K G Miles

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  There are so many strange and wonderful connections and coincidences; shared passions and associations that tie these two cultural icons – BOB DYLAN and DYLAN THOMAS together.
  This provides a rich tapestry – from the ancient Welsh folk tales of the Mabinogion to the poems of the Beat Generation; from Stravinsky to John Cale; from Johnny Ray to Charlie Chaplain. Rimbaud and Lorca, Sgt Pepper and The Bells of Rhymney, Nelson Algren and Tennessee Williams and much more. And the wonderful connections between authors K G Miles and Jeff Towns makes it the perfect partnership to write this book.
  Fifty-two years ago, author Jeff Towns opened his first bookstore in Swansea – he called it Dylans Bookshop – a youthful homage to the poet Dylan Thomas born and raised in Swansea, an author he admired. Eight years before that, in 1962, (when he had never really heard of Dylan Thomas), he had bought his first ever LP record, Bob Dylan's first ever LP release calledBob Dylanwith a track list; In My Time of Dyin', Fixin' to Die, See That My Grave is Kept Clean and so on; baker's dozen of powerful songs. Jeff read that his new hero had been born Robert Zimmerman but had changed his name to BOB DYLAN, a homage to a Welsh poet named DYLAN THOMAS.
  From that moment on THE TWO DYLANS became a constant part of and backdrop to his life. And the two Dylans kept on giving – they were both on the cover of the Beatles Sgt Pepper album. Peter Blake who fashioned the cover of Pepper, was a huge fan on Dylan Thomas' radio play Under Milk Wood. Jeff went to see Peter, they became friends and still are. Peter gave permission to use his wonderfulTiny Tina the Tattooed Lady©Peter Blake image for the cover of this book.
  London co-author K G Miles has been inspired by BOB DYLAN since being an awestruck child at Bob's Isle of Wight Festival in 1969. He is now the co-curator the of theDylan Room at London's Troubadour Cluband was honoured to address the inaugural conference at the Tulsa Archive in 2019.

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  John Wayne's World -...

  Russell Meeuf

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  This cultural study examines the significance of John Wayne as a global symbol of masculinity in the mid-twentieth century.   In a film career that spanned five decades, John Wayne became a US icon of heroic individualism and rugged masculinity. His widespread popularity, however, was not limited to the United States: he was beloved among moviegoers in Asia, Africa, Latin America, and Europe. In John Wayne’s World, Russell Meeuf considers the actor’s global popularity and makes the case that Wayne’s depictions of masculinity in his most popular films of the 1950s reflected the social disruptions of global capitalism and modernization during that time.  John Wayne’s World places the actor at the center of gender- and nation-based ideologies, opening a dialogue between film history, gender studies, political and economic history, and popular culture. Moving chronologically, Meeuf provides new readings of the films Fort Apache, Red River, Hondo, The Searchers, Rio Bravo, and The Alamo and connects Wayne’s characters with a modern image of masculinity taking shape after World War II.   Considering Wayne’s international productions, such as Legend of the Lost and The Barbarian and the Geisha, Meeuf shows how they resonated with US ideological positions about Africa and Asia. Meeuf concludes that, in his later films, Wayne’s image shifted to one of grandfatherly nostalgia for the past, as his earlier brand of heroic masculinity became incompatible with the changing world of the 1960s and 1970s.

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  Envisioning and Manifesting the...

  Dave Ellis

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  Ellis suggests that if our dreams are big enough, even if we fall short, we'll still be extraordinarily happy. He says, "If you imagine paradise times four and you only get a fourth of it - well, then you end up with paradise." He advises us to keep our eye on what really matters and here he shares his system with us so we can use it too.

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  Anne of Avonlea

  L. M. Montgomery

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  Anne of Avonlea by L. M. Montgomery
  
  libreka classics – These are classics of literary history, reissued and made available to a wide audience. 
  Immerse yourself in well-known and popular titles!

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  The Skin Game

  John Galsworthy

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  A small play in three acts. A kind of comic tragedy. The plot tells the story of the interaction between two very different families in rural England just after the end of the First World War. Squire Hillcrist lives in the manor house where his family has lived for generations. He has a daughter, Jill, who is in her late teens; and a wife, Amy, as well as servants and retainers. He is "old money", although his finances are at a bit of low ebb. The other family is the "nouveau riche" Hornblowers, headed by the single-minded and rich industrialist Hornblower, who throws old retainers the Jackmans out of their home (much to the Squire's disgust), and who plans to surround the Hillcrist's rural estate with factories. (Summary by catrose and Wikipedia)  
   
  Cast:Hillcrist: AnthonyAmy, or Mrs H.: Amanda FridayJill: April GonzalesDawker: Charlotte DuckettHornblower: Delmar H. DolbierCharles: Chuck WilliamsonChloe: CaprishaPageRolf: Chris MarcellusFellows: Aidan BrackAnna; Auctioneer: MJ FranckMr. Jackman: TriciaGMrs. Jackman: Jeannie TiradoFirst Stranger: KristingjSecond Stranger: Elizabeth KlettNarrator: SallyMcEditors: Charlotte Duckett & CaprishaPage

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