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  Consider Your Ways

  Kimani Lauren

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  South Sanford only has one point of entry and one point of exit... 
  Trapped inside of South Sanford are poverty, corruption, media lies, and a human trafficking ring the city who live there are blamed for yet victims of. Nevertheless, ebony bombshell Shatima Thomas feels she's been led there by her spiritual guides to unite with the family she was separated from after her father was murdered by the police. In five years, all she's been met with are the desires of men and crooked cops who want to use her to get them locked up. Men are the last thing on her mind. She's too busy trying to protect her son from the abusive ex who got her pregnant and has been stalking her since. As he steps out of the shadows, she fears he has connections to her city's dark circumstances that she may not be able to shield her son from alone. 
  For Rahshaan Bailey, life is just something to do until he dies. Known on the streets as "Banger," his only goals are to find the son who was taken from him, and to get the pretty girl in his building to give him a chance. When he finds out he has a connection to her that goes beyond the lust he feels for the ebony bombshell, he makes it his life's mission to protect her and her son from whatever she's up against. If only she'll tell him what it is...

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  Statues

  Azan Ahmed

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  'He grew up to be a man whose sighs and slumps replaced sentences. Is that gonna be me?'
  Days after his father's passing, Yusuf discovers a dusty mixtape that changes everything he knew about a man who barely spoke. Turns out, his dad spent the '90s rapping about pretty girls and Kilburn life, plotting dreams of superstardom with his best friend Omar. How did this passionate wordsmith become a silent statue?
  Yusuf's mourning becomes a journey into the past, soundtracked by Omar's thumping beats and his father's bars, as he begins to uncover secrets that turn his world upside-down.
  Witty, honest and deeply moving, Azan Ahmed's play Statues is a lyrical love letter to the original code-switchers, exploring the impact of loss, and what you can gain from it. It premiered at the Bush Theatre, London, in 2024, with a cast featuring the playwright himself.

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  Otherland

  Chris Bush

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  'Jo and Harry are changing.
  Harry is changing more than most, undeniably.
  And change is beautiful. Necessary. Terrifying.'
  Break-ups aren't just about who gets the CD collection. As Jo and Harry begin to untangle themselves from each other, new worlds start to open up – worlds filled with new partners, new identities, new possibilities…
  What kind of women do they want to be, and do they have the courage, or the permission, to get there?
  Chris Bush's play Otherland is a bold and beautiful exploration of what it means to be true to yourself in the face of unstoppable change. It premiered at the Almeida Theatre, London, in 2025, directed by Ann Yee.
  Otherland was a finalist for the 2025 Susan Smith Blackburn Prize.
  'A writer of great wit and empathy'The Times
  'One of our most prolific and arresting writers'Evening Standard

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  Sukun - New and Selected Poems

  Kazim Ali

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  Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.

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  Mother Goose for Grown-Ups

  Guy Wetmore Carryl

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  "Mother Goose for Grown-Ups" is a delightful reinvention of classic nursery rhymes tailored for a more mature audience. In this witty and irreverent collection, Carryl puts a humorous spin on beloved childhood favorites such as "Humpty Dumpty," "Jack and Jill," and "Mary Had a Little Lamb," with each rhyme being transformed into a clever and comical tale. If nostalgia is calling your name, but the intellectual side of your brain won't let you be whimsical, throw this on your headphones and let Guy Wetmore Carryl appeal to both sides of your fancy with "Mother Goose for Grown-Ups!"

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  Poets & Their Trades – Doctors -...

  William Carlos s, Robert Seymour...

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  The life and career of a Poet is often thought of as musing at a desk, or lying in a meadow, or on long journeys to find inspiration for their next masterwork.  But more often than not a poet was a part-time profession in subservient submission to their actual, salary-paying job.   
  In this volume we bring together those professionals whose services we require when our health falters.  Their skills and manner guide us through the sometimes difficult journey back to restored vigour.  In their clever use of words and verse they are equally adept.

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