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  Raging: Embargo - The War of...

  Deirdre Kinahan

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  Part of Deirdre Kinahan's trilogy of landmark plays commemorating seven years of warfare in Ireland, Embargo focuses on a pivotal moment during the Irish War of Independence.
  It is September 1920. Dockers and railmen are refusing to transport armed troops or handle any weapons arriving from Britain. Three characters are caught up in the whirl of historical events in a poetic, bloody and heroic tale of industrial action and civic resistance.
  Embargo was first staged by Fishamble: The New Play Company, in association with Iarnród Éireann and Dublin Port Company, in October 2020, streamed live online from the Pumphouse in Dublin Port, as part of the Dublin Theatre Festival.
  Deirdre Kinahan's Raging trilogy tells powerful stories drawing on a tumultuous period of conflict in Irish history, from the 1916 Easter Rising to the Civil War which began in 1922. Each of the three plays – Wild Sky, Embargo and Outrage – was first performed a century after the event which it depicts, and they were commissioned and performed by companies including Fishamble: The New Play Company, Meath County Council Arts Office, Dublin Port Company and Iarnród Éireann.
  
  Together, they challenge the historical narrative, mixing true-life testimonies with powerful drama to create a theatrical hurricane of empathy, action and truth.
  'Unashamedly humanistic... impressive layers of nuance' - Irish Times

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  The Rainbow and the Rose

  Edith Nesbit

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  Although Edith Nesbit is best known for her innovative children's books and classic ghost stories, her passion was poetry. She published over 20 volumes of poetry during her lifetime. Her timeless poetry was praised by authors and poets such as Algernon Swinburne, Oscar Wilde, and literary critic, Andrew Lang. 
  Part I: The Things That Matter; The Confession; Work; The Jilted Lover; The Will to Live; and The Beatific Vision. 
  Part II: Mummy Wheat; The Beech Tree; In Absence; Silence; Raison d'être; The Onlookers; The Tree of Knowledge; At Parting; Song; and Renunciation. 
  Part III: The Veil of Maya; Song; To Vera; The Poet to His Love; The Maiden's Prayer; Song; The Magic Flower; La Derniere Rose de Soie; The Least Possible; En Tout Cas; Appeal; St. Valentine's Day; Chagrin d'Amour; Bridal Eve; Love and Life; and From the Italian. 
  Part IV: Out of the Fulness of the Heart; Summer Song; The Lower Room; Song; and May Song. 
  Part V: To Iris; To a Child; Birthday Talk for a Child; To Rosamund; From the Tuscan; and Mother Song, from the Portuguese. 
  Part VI: The Island; Possession; Accession; The Destroyer; The Egoists; The Way of Love; To One Who Pleaded for Candour in Love; The Enchanted Garden; The Poor Man's Guest; In the Shallows; And the Rains Descended and the Floods Came; and The Star. 
  Part VII: The Prodigal Son; Despair; The Temptation; Second Nature; and De Profunis. 
  Part VIII: At the Gate; Via Amores; Retro Sathanas; The Old Dispensation; The New Dispensation; and The Three Kings. 
  Part IX: After Death; Chloe; Invocation; The Last Betrayal; A Prayer for the King's Majesty; True Love and New Love; Death; In Memory of Saretta Deakin; and A Parting. 
  copyright 2022 (P) alenbeebooks 
  AnnaLisa Bodtker is the narrator of the popular audiobook Flame and Shadow by Sara Teasdale and Christmas in the Forest.

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  The Most Charming Creatures - Poems

  Gary Barwin

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  With uncanny wit, inventive beauty, and numinous surprise, The Most Charming Creatures explores the contemporary and its language, considering our wonder, sorrow, bewilderment, anxiety, and tenderness. While these poems energize and connect and “turn the paren- / theses inside out so that / we mean everything,” they are also alive to the alluring complicity of language and its duplicity and deceptions. “This is the way the world ends / Not with a bang but / while we watch.”
  		 
  A follow-up to the award-winning author’s acclaimed selected poems, this new collection continues Barwin’s examination of the possibilities of the poem: a celebration, a story, an investigation, a riff, a word machine, a parable, a transformation. But what are the “most charming creatures” of the title? In 1862, scientific illustrator Ernst Haeckel termed radiolarians (ancient single-celled organisms with mineral skeletons) “the most charming creatures,” but here Barwin turns the microscope around to consider something just as strange and mysterious: language, our culture, and the self. From microorganisms, onion rings, grief, and Gerard Manley Hopkins to beetles, neoliberalism, sandwiches, Martin Luther, and stand-up comedy, he offers: “it’s a miracle that we’ve survived / it’s a miracle that we’ve survived at all.”

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  The Power Of Shadows

  Julius Otusorochukwu Dike

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  When Nduka and Jona find themselves working together far from home, their shared heritage becomes a bridge of friendship in an unfamiliar land. But as success and recognition begin to shift, so does the atmosphere, from trust to tension, from brotherhood to suspicion. 
  Whispers begin. Loyalties shift. And what once felt like family starts to feel like danger. 
  Set against the backdrop of cultural expectations and spiritual beliefs, The Power of Shadows is a compelling tale of ambition, faith, and the hidden forces that can unravel even the strongest bonds. 
  Will truth prevail when doubt takes root? Or will the shadows consume them both? 
  A deeply human story for fans of moral fiction, African narratives, and faith-centered drama.

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  Edgar Allan Poe : The Raven and...

  Edgar Allen Poe

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  "Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore— While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping—rapping at my chamber door. "Tis some visitor," I muttered, "tapping at my chamber door — Only this and nothing more." Those sonorous and somber words of Edgar Allan Poe that begin The Raven are part of most everyone's fond educational memories. Beautiful and haunting to hear and even more fun to read aloud. In this recording I have just attempted to express my enjoyment of the beauty in some favorite Poe poems. Beside The Raven, there are Alone; A Dream Within A Dream; Annabel Lee; City In the Sea; The Bells; A Dream Within a Dream; Annabel Lee; Dreamland; Evening Star; Lenore; Eldorado; A Valentine and "The Happiest Day". Hopefully listeners will enjoy hearing them half as much as I enjoyed the selfish pleasure of recording them. 

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  Laughing Boy - (stage version)

  Stephen Unwin

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  'So much magic. So much love. So much laughter. So much work. So much rage. And so many tears.'
  Connor is, well, Connor. He loves buses, Eddie Stobart and Lego. He also has learning disabilities. When he dies an entirely preventable death in NHS care, his mum, Sara, can't get a straight answer as to how it happened.
  But Sara and her family won't stop asking questions and soon an extraordinary campaign emerges. Demanding the truth, it uncovers a scandal of neglect and indifference that goes beyond Connor's death to thousands of others.
  Sara Ryan's impassioned, frank and surprisingly funny memoir Justice for Laughing Boy is adapted for the stage by Stephen Unwin. It was first performed at Jermyn Street Theatre, London, in 2024, in a co-production with Theatre Royal Bath.

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