Traducteur Charles Heron Wall
Maison d'édition: Good Press
Monsieur de Pourceaugnac is a three-act comedy play by Molière. It was first presented on 6 October 1669 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. The play tells about the beloved young couple inventing a range of clever deceits to be together.
A collection of spine tingling poetry by the masters of the genre including Edgar Allan Poe, Samuel Taylor Coleridge and Lord Byron.Voir livre
Dear Land of Flowers, forgive me! -- that I tookThese snatches from thy glittering wealth of song, And twisted to the uses of a book Strains that to alien harps can na'er belong. Thy gems shine purer in their native bed Concealed, beyond the pry of vulgar eyes; And there, through labyrinths of language led, The patient student grasps the glowing prize. Yet many, in their race toward other goals, May joy to feel, albeit at second-hand, Some far faint heart-throb of poetic souls Whose breath makes incense in the flowery Land. Introductory poem by H.A.G.Voir livre
Love and compassion are pitted against selfish greed in this heart-wrenching ballad from an award-winning Australian author. A kind-hearted Tasmanian farmer has an incredible secret - sunshine flows through his veins, protecting him from injury and illness. But when the farmer embarks on an overseas mission to save a young girl's life, his secret is revealed to a shameless world. "The market healer scrutinized the farmer - with surprise. His kundalini quivered. He had dollars in his eyes. He straight away put up a sign above his smelly shop; “A heal all tonic! Guaranteed! Just fifty bucks a pop!”Voir livre
William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. ‘Though I am not naturally honest, I am sometimes so by chance.’ Based on Robert Greene’s story Pandosto, The Winter’s Tale play tells the story of Leontes, king of Sicilia, and his childhood friend, Polixenes, king of Bohemia. In a jealous rage, Leontes mistakenly accuses Polixenes and his own his wife, Hermione, of adultery and her newborn daughter as illegitimate, casting her into the wilderness, causing their son to die of grief and Hermione to seemingly follow suit. With his family dead or believed dead, Leontes must face the tragic consequences of his actions. With unbridled honesty and the pain of love, the final act is one of Shakespeare’s most moving reconciliation scenes. All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. The full cast includes: William Squire; Denis McCarthy; Terrence Hardiman; Corin Redgrave; Toby Robertson; Anthony White; George Rylands; John Barton; Michael Bates; Margaretta Scott; Mary Conroy; Joan Hart; Jill Daltry; Janette Richer; Clive Swift; Ian McKellen; Richard Marquand; Donald Beves; Anthony Arlidge. The Winter's Tale, a masterpiece from the best of Shakespeare's less performed plays, has been brought to life by the Marlowe Dramatic Society, a top performing group in the European theatre scene. Their interpretation of the play, steeped in unbridled honesty and the pain of love, has been hailed as one of the finest of their generation. For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).Voir livre
A Minnesota Book Award Finalist in Poetry A CLMP Firecracker Award Finalist in Poetry A Bustle Best Book of 2020 A Refinery29 Best New Book of Fall 2020 “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw. Additional recognition: A New York Times Book Review “New & Noteworthy Poetry Collection” An NBC Out “Best LGBTQ Book to Gift This Holiday Season” A Book Marks “Most Anticipated Poetry Collection of Fall/Winter 2020” A Lambda “Most Anticipated LGBTQ Book of December 2020” A Chicago Review of Books “Must-Read Book of December 2020”Voir livre
Dr. Penelope Douglas is an ex-forensic psychiatrist looking for a fresh start in a styling western boomtown, but on her first day practicing in her boutique suite, a young television writer hangs himself in her subway-tiled bathroom. A dissection of contemporary television drama through the eyes of the dead writer reveals to Penelope an unsettling connection between the forty-four-minute television hour and the disintegration of the human soul. But it isn’t until Penelope’s oil wife friend pronounces Penelope her unborn baby’s spiritual godmother that Dr. Douglas takes the dive into the uncharted waters of her own unconscious to break the spell that has the frontier in its filthy grip. Will Dr. Douglas be able to find heart in this wild new landscape? Will she have to smudge her lipstick to ‘cowboy up’? Drama, the long-awaited new play by the master of edgy dark humour, has all the answers.Voir livre
