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  A Middle-Sized Artist - From...

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman was born on 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years education.  However Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilisations. 
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married in 1881. Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged and that Katherine establish a relationship with her father. 
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900. After his death she moved back to California, where Katherine now lived.   
  Her most popular story is ‘The Yellow Wallpaper’ which touched on her own post-partum depression and underlined the need for women to be responsible for their mental and physical well-being, as the narrator is ordered by her husband/doctor to take compete rest in her room where she is isolated and becomes obsessed with the revolting yellow wallpaper.   
  She wrote other notable short stories the best of which we also include.   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
  Charlotte Perkins Gilman took her own life on 17th August 1935, aged 75, in Pasadena, California.

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  Hello (And Goodbye) To All That...

  Jonathan Liebson

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  Raised in suburban Chicago, Jonathan Liebson grew up hearing fabled stories about his father's childhood in New York. The Manhattan and Queens of his father's past, and the Lower East Side of his immigrant grandfather, always shimmered in the background—until one day Jonathan finally moved there himself. This was right on the cusp of the twenty-first century: the dawn of a new millennium. The city raced headlong into an era of cellphones, the internet, and many other unpredictable changes. Over time, New York would be wracked by 9/11, a Great Recession, a great hurricane, and a great pandemic—plus much more. Hello (and Goodbye) to All That is a memoir that recounts the indelible ties Jonathan would forge in his father's city, and his up-close view of profound historical episodes. The memoir plays off Joan Didion's famous essay "Goodbye to All That," where she describes the exciting yet fleeting experience of living in New York. In contrast, Jonathan's memoir provides a narrative about the city's permanence: it tells an intergenerational story of father and son that reveals a mutual connection to a constantly changing, often-troubled, yet still-dynamic city—and to the larger American history it comprises.

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  A Rare Recording of Tennis...

  Dr. Renee Richards

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  Renée Richards, formerly Richard Raskind, (born August 19, 1934) is an American ophthalmologist and former tennis player who played professionally as a woman from 1977 to 1981, when she retired at age 47. Richards became known worldwide, following male-to-female medical transition, when she fought to compete as a woman at the 1976 US Open.
   
  Richards played her first professional event as a female at the U.S. Open the following year, and was ranked as high as 20th in the world in February 1979. Her greatest successes on the court came as a doubles finalist, with Betty Ann Grubb Stuart, at the 1977 US Open, and a semifinalist in mixed doubles, with Ilie Năstase, at the US Open.
   
  In 1979, she defeated Nancy Richey for the 35-and-over singles title at the US Open. Richards posted wins over Hana Mandlíková, Sylvia Hanika, Virginia Ruzici, and Pam Shriver. She later coached Martina Navratilova to two Wimbledon titles. The following arecordings are from interviews in 1976, 1977 and 1980.

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  Cultured Bumpkin Presents The:...

  Edgar Allan Poe

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  A collection of Edgar Allan Poe poems and tales narrated by professional voice actor Jake Phillips, host of The Cultured Bumpkin literature podcast.

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  Master and Man - A Tale of Pride...

  Leo Tolstoy, Tim Zengerink

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  In the coldest moments, the warmest truths are revealed. 
  In Master and Man, Leo Tolstoy tells the unforgettable story of two men from vastly different worlds—a wealthy, prideful master and his faithful, silent servant—forced together by a raging snowstorm. What begins as a business trip becomes a journey of survival, redemption, and awakening. 
  This modern audiobook adaptation sharpens the drama and emotion of Tolstoy’s original tale, using clear, contemporary language that makes the story more accessible while preserving its moral weight. 
  What You’ll Hear in This Modern Translation: 
  •	A gripping winter survival story that pushes both body and spirit to the edge 
  •	The unraveling of pride and the emergence of compassion 
  •	A transformative tale about love, humility, and what it means to truly live 
  Included in This Edition: 
  This audiobook brings new clarity to a classic, making it perfect for modern listeners who want the timeless messages of Tolstoy told in an engaging, heartfelt voice. 
  Listen today—and discover how a frozen night thawed a frozen heart.

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  Cambria - Because Two People...

  Ken La Salle

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  Off the California coast, sits a small town split by the Pacific Coast Highway and in this town actually stood a salmon colored Victorian home where a not so young couple first learned how to trust. 
  This was my second marriage. I was in my forties with a divorce under my belt, a job I hated, and then this woman comes into my life making games of my fears. She came from a world I had never known, one that wasn’t so cruel and dangerous. 
  We married and travelled our little corner of the world together just before the 2008 recession hit, causing a career I thought I had built for myself to crumble just as a dream I had always denied became my only option. 
  And I think the only thing that held us together, that held me together during that difficult time was trust. Trust isn’t something you see too much of anymore. It’s been replaced by confirmation, notarization, and security codes. But, without trust, I would never have even met Vicky, she and I would never have been wed, and we would never have made it to Cambria. 
  Worse still, without trust we never would have lived in that big, pink, Victorian home on the California coast, travelled back to the 1960s, sailed a living room east of the Pacific, made friends with a golden retriever, or spoke with a cow. 
  It was from out of all of this but also for all of this that I recorded my third autobiographical monologue: Cambria. 
  All because two people fell in love.

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