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  Rhyme A Dozen A - 12 Poets 12...

  Patrick Branwell Bronte, Charles...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Pain - An Introduction 
  2 - Peaceful Death and Painful Life by Patrick Branwell Bronte 
  3 - If I Have Suffered Pain by Charles Sorley 
  4 - On Pain by Khalil Gibran 
  5 - Pain and Time Strive Not by William Morris 
  6 - Sorrow by Edna St Vincent Millay 
  7 - Pain by Ivor Gurney 
  8 - May 1917 by John Jay Thompson 
  9 - Non Dolet by Edith Wharton 
  10 - Sonnet 132 - Thine Eyes I Love, and They, As Pitying Me by William Shakespeare 
  11 - Love Arm'd by Aphra Behn 
  12 - Annabel Lee by Edgar Allan Poe 
  13 - Ode To A Nightingale by John Keats

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  SWANSEA AUTOMATIC (Second Edition)

  Rhys Trimble

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  "This book has shaped this piece of text [ITSELF] already—by neighbouring it (& in my mind) co-opted it, made it something other than an essay—part of SWANSEA culture—We obey these local rules slavishly—and fail to exploit them—[NOT SURE WHAT I'M ON ABOUT HERE]"Authorial violence: Swansea Automatic was published 10 years ago, around the last year of the snake to 0 acclaim except for by those who read it of course. I even did a little residency, which was more like squatting ina little shop on the High Street, Swansea but as time has passed, I came to consider this one of my few, if not only book that can boast the synthesis of my extreme late modernist tendencies and some attempt to fit into the aesthetic of popular fiction. nonetheless it doesn't pull too many punches, it's comedy, it's poetry, it's deconstructed pros,e even philosophy, textual analysis, cynghanedd, and more.Spinning Around the dirty first person narrative is the self-referential Vonegut and recycled psychogeographic of the Fiery Elephant of Johnson, Brooke-Rose, and Sinclair. An attempt to exercise the Demon of Swansea from my formative years. But actually set in North Wales just as much. Swansea is a dream city that could just as easily be London, Glasgow, Belfast, Lublin or Cairo...A second bite the cherry: a second edition is occurring, along with the audiobook and kindle edition and the album (movie!), hopefully generatinga hammer blow on the collective unconscious of our post-media universe. Swansea Automatic justifies itself to me because 2015 was also the very last gasp of the fin de siècle of the apocalyptic contemporary, where the post beats, post flaneur metanarratives where still just about alive. It's rare for me to look back, but I had an idea this one could be a cult book somehow. Help it become so and consume as such, cultishly. 
    
  RT

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  The Poetry of Art - Creative and...

  Thomas Chatterton

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  Art comes in many shapes and sizes and many different forms.  And one person’s art is often someone else’s object of derision. 
   
  But what we can all agree on is that Art exists, that it’s something perhaps unique to humankind but very definitely evokes a deep reaction whether of ‘wow!’ or ‘what?’   
   
  In this volume we take Art as our subject and have it reviewed and explored by other Artists, by Classic Poets. 
   
  True Art ignites an individual response or a collective awareness.  Our DNA seems to cultivate that.  When we engage with Art the results are at times as surprising as they are interesting. 
   
  In the words of Keats, Shakespeare, Wharton, Chatterton and very many others Art is seen and understood both as that individual reaction and a collective experience.  Art is where it’s at. 
   
  01 - The Poetry of Art - An Introduction 
  02 - The Man With the Blue Guitar by Wallace Stevens 
  03 - Botticlelli’s Madonna in the Louvre by Edith Wharton 
  04 - Before a Painting by James Weldon Johnson 
  05 - Sonnet 20 - A Woman's Face with Nature's Own Hand Painted by William Shakespeare 
  06 - Sonnet 24 - Mine Eye Hath Played the Painter and Hath Steeled by William Shakespeare 
  07 - Sonnet 83 - I Never Saw That You Did Painting Need by William Shakespeare 
  08 - Art and Heart  by Ella Wheeler Wilcox 
  09 - Colors by Stephen Vincent Benet 
  10 - I Have Colours in My Head by Daniel Sheehan 
  11 - I Would Not Paint a Picture by Emily Dickinson 
  12 - To the Painter, To Draw Him a Picture by Robert Herrick 
  13 - On Mr Alcock of Bristol, an Excellent Miniature Painter by Thomas Chatterton 
  14 - On the Portrait of Two Beautiful Young People by Gerard Manley Hopkins 
  15 - Portrait d'une Femme by Ezra Pound 
  16 - To a Beautiful Female Portrait by Henry Alford 
  17 - The Portrait by Ford Madox Ford 
  18 - Her Portrait Immortal by Richard Le Gallienne 
  19 - My Last Duchess by Robert Browning 
  20 - Portrait of My Father As a Young Man by Rainer Maria Rilke 
  21 - On a Portrait of Dante by Giotto by James Russell Lowell 
  22 - Written Under a Portrait of Keats by John Boyle O'Reily 
  23 - On Seeing the Elgin Marbles For the First Time by John Keats 
  24 - Jade by Edith Wharton 
  25 - Ozymandias by Percy Bysshe Shelley 
  26 - An Inscription for Zheng Shujin's Painting by Qiu Jin 
  27 - The New Colossus by Emma Lazarus 
  28 - Rome - Building a New Street in the Ancient Quarter, April 1887 by Thomas Hardy 
  29 - How Many Paltry Foolish Painted Things by Michael Drayton 
  30 - To the Painter of an Ill Drawn Picture of Cleone by Anne Kingsmill-Finch 
  31 - An Art Critic by Ambrose Bierce 
  32 - A Portrait by Richard Brinsley Sheridan

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  ballast

  Quenton Baker

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  A poetic sequence using the 1841 slave revolt aboard the brig Creole as a lens through which to view the vitality of Black lives and the afterlife of slavery.In 1841, the only successful, large-scale revolt of American-born enslaved people erupted on the ship Creole. 135 people escaped chattel slavery that day. The event was recounted in US Senate documents, including letters exchanged between US and British consulates in The Bahamas and depositions from the white crew on the ship. There is no known record or testimony from the 135 people who escaped. Their story has been lost to time and indifference. Quenton Baker’s ballast is an attempt at incomplete redress.With imagination, deep empathy, and skilled and compelling lyricism, Baker took a black marker to those Senate documents and culled a poetic recount of the Creole revolt. Layers of ink connect readers to Baker’s poetic process: (re)phrasing the narrative of the state through a dexterous process of hands-on redactions.ballast is a relentless, wrenching, and gorgeously written book, a defiant reclamation of one of the most important but overlooked events in US history, and an essential contribution to contemporary poetry.

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  The Underlook

  Helen Seymour

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  The Underlook balances precariously between the real and the surreal. Informed by experiences of physical disability, surgery, and medical trauma, this collection articulates a life lived under the bed, at the bottom of a well, in the glances exchanged between doctors. The poems revel in the uncanny and in the power of ignored or repressed spaces, summoning us under to 'listen … crouch down … press [a] hand against the white gloss shuddering'.

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  Disconnect - Chapter 6

  Open Boundaries

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  Chapter 6 - Disconnect - Disconnect is about the psychological action of disconnecting from everything that influences you in a negative manner. To not listen to the thoughts and voices of others who begin to steer your life, but instead, to focus on what you want and what you believe in. In short, it is the disconnection from outside influences, replaced with the connection to what's inside.

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