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  We Are A Haunting - A Novel

  Tyriek White

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  2023 First Novel Prize - Winner 
  "What a beautiful, haunting and hued narrative of American living. I’m in love with this story and the way Tyriek White breathes life into these characters." —Jacqueline Woodson, MacArthur Fellow and author of Another Brooklyn 
   
  A poignant debut for readers of Jesmyn Ward and Jamel Brinkley, We Are a Haunting follows three generations of a working class family and their inherited ghosts: a story of hope and transformation. 
   
  In 1980’s Brooklyn, Key is enchanted with her world, glowing with her dreams. A charming and tender doula serving the Black women of her East New York neighborhood, she lives, like her mother, among the departed and learns to speak to and for them. Her untimely death leaves behind her mother Audrey, who is on the verge of losing the public housing apartment they once shared. Colly, Key’s grieving son, soon learns that he too has inherited this sacred gift and begins to slip into the liminal space between the living and the dead on his journey to self-realization. 
   
  In the present, an expulsion from school forces Colly across town where, feeling increasingly detached and disenchanted with the condition of his community, he begins to realize that he must, ultimately, be accountable to the place he is from. After college, having forged an understanding of friendship, kinship, community, and how to foster love in places where it seems impossible, Colly returns to East New York to work toward addressing structural neglect and the crumbling blocks of New York City public housing he was born to; discovering a collective path forward from the wreckages of the past. A supernatural family saga, a searing social critique, and a lyrical and potent account of displaced lives, We Are a Haunting unravels the threads connecting the past, present, and future, and depicts the palpable, breathing essence of the neglected corridors of a pulsing city with pathos and poise.

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  The Mill on the Floss

  George Eliot, (Mary Ann Evans)

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  "The Mill on the Floss," published in 1860, is a novel by George Eliot (the pen name of Mary Ann Evans). It is a poignant portrayal of Victorian England and captures the complexities of family dynamics, societal expectations, and personal aspirations. The story centers on Maggie Tulliver, a passionate and intelligent woman struggling to satisfy her emotional needs in the rigid provincial community of St. Ogg's. Her relationship with her brother, Tom, and their conflicts with family and society form the crux of the narrative. The novel explores themes of gender norms, education, and the tension between individual desires and social conventions.

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  Molly's Letter

  Jennifer Donnelly

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  New York Times bestselling and award-winning author Jennifer Donnelly returns to the unforgettable world of her beloved first novel, The Tea Rose. 
   
  It’s the summer of 1891, New York City, in the early days of Fiona Finnegan’s marriage to Nicholas Soames. Though their marriage is an unconventional one and the wounds of the past are not fully healed, the two best friends are happy together, consumed with chasing their  
  dreams and building a better life for themselves and their loved ones. 
   
  When Fiona senses a quiet love blossoming between her widowed uncle, Michael Finnegan, and his neighbor, Mary Munro, she’s thrilled and hopes that Michael will soon propose to Mary. 
   
  But one night, at a family supper, a surprise announcement tears these hopes asunder. 
   
  Will Mary be lost to a determined suitor? Or will Fiona and Nick find a way to unite two souls who belong together but are held apart by grief, pride, and too many words left unspoken? 
   
  Molly’s Letter is a love letter to family, friends, and the bonds that outlast loss, pain, and sometimes, even life itself.

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  Saffron Thief The: An...

  T. L. Mogford

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  Not Yet Available

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  The Hidden Life of Aster Kelly

  Katherine A. Sherbrooke

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  After winning a prestigious fashion-design contest in 1948, Aster Kelly flees the world of modeling in New York and arrives in Beverly Hills to claim her prize: a design apprenticeship with Fernando Tivoli. But Fernando has no such job available. He’s busily preparing for the opportunity of a lifetime—proving to Galaxy Studios that he is the perfect couturier for their A-list stars. The moment he meets Aster, though, he knows she’s the missing ingredient he needs and asks her to be his stand-in model for Lauren Bacall, promising to mentor her if he wins the contract. Aster and Fernando quickly become entangled with Hollywood insiders—Aster with the head of Galaxy Studios, Fernando with up-and-coming star Christopher Page—and their friendship becomes essential as they navigate a glamorous and complicated existence where what’s real must often be hidden and no one is quite what they seem. As Aster’s ambitions grow and she faces a crisis and Fernando’s future is threatened by the judgmental Hollywood machine, Aster makes a decision that changes the trajectory of their lives forever. Twenty-five years later, despite knowing little of her mother’s time in Hollywood, Aster’s daughter, Lissy, is poised to become a Broadway star. But when the musical gets off to a rocky start, Lissy makes a rash decision of her own in an attempt to save the show. And when long-buried secrets blindside them both, mother and daughter are forced to question everything they thought they knew.

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  Calamity James

  William W. Johnstone, J. A....

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  The unbelievable, untold story of Jesse James's other brother . . . In this rollicking standalone novel from the bestselling Johnstones, fact and fiction collide in the jaw-dropping story of Jesse James's little-known, disaster-prone brother. They call him Calamity—for a reason. 
   
   
   
  Calvin Amadeus James, aka Calamity, isn't an outlaw like his notorious brothers Jesse and Frank. He's worse—due to the bad luck that follows him everywhere he goes. Every job he takes—from army scout to gambler to cowboy and rail worker—ends in catastrophe. No matter what he does, Calamity James always seems to be on the wrong side of history . . . 
   
   
   
  The Great Chicago Fire of 1871? Calamity placed the lantern next to the cow that kicked it over. The gunfight at OK Corral? Calamity stirred up trouble in Tombstone right before it all went down. The fateful saloon shooting of Wild Bill Hickcock? Blame it on Calamity James. Some folks say he's even responsible for Custer's last stand at Little Big Horn—but Calamity swears it ain't true. He's just a magnet for bad luck who's trying to find his good luck charm—a pretty little dancehall girl known as Clumsy Catherine. But somewhere along the way, he foolishly joins the James-Younger Gang with his outlaw brothers. And that's when Calamity's infamous bad luck gets a whole lot worse . . .

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