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  Robin Hood

  Paul Creswick

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  The adventures of legendary Robin Hood, a heroic outlaw who chooses to rob from the rich to help the poor. He lives with his band of merry men in Sherwood Forest, in Nottinghamshire. Robin Hood is known for his mastery of archery as well as his talent for disguising himself.

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  James (Giacomo) - English Version

  Italo Svevo

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  Giacomo is a farmer that the narrator meets during a walk in the Friuli countryside and who tells him his story. Every time Giacomo finds a job he protests and ends up launching into propaganda and debates to convince his fellow workers to demand optimal working conditions, always causing big problems for his employers. Not finding any more jobs, he becomes a nomad, in vain search for a well-organized job. Therefore, practically non-existent. Until one day he is called back to his hometown for a particular job...

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  The Terrible Old Man

  H. P. Lovecraft

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  Title: The Terrible Old Man 
  Author: H. P. Lovecraft 
  Narrator: Jonathan Dunne 
  Original Publication: 1921 
  Public Domain: Yes 
  Series Placement: Number 18 in the Timeless Terrors series 
  Description: 
  The Terrible Old Man by H. P. Lovecraft is a chilling short tale first published in 1921. In the coastal town of Kingsport, a reclusive old sailor is whispered about by townsfolk. When three thieves attempt to rob him, they discover that some men—and some houses—harbor powers both strange and deadly. Lovecraft’s story blends uncanny suspense with dark humor, creating a memorable tale of retribution and cosmic dread. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this recording captures the story’s eerie atmosphere, suspense, and Lovecraft’s signature blend of the mundane with the supernatural. While the text is in the public domain, this performance is an original work and copyright © 2025 Jonathan Dunne. 
  This audiobook is part of Timeless Terrors, a dedicated series bringing classic horror back to life — stories from the great masters of the macabre, narrated afresh to haunt a new generation. 
  Listeners should be prepared for a brief but unsettling exploration of greed, mystery, and the hidden powers that dwell in the ordinary world.

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  Exchange is Robbery - From their...

  Richard Marsh

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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  The Food of the Gods and How It...

  H. G. Wells

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  What happens when science tampers with nature? A riveting, cautionary tale with disastrous results reveals the chilling answer.  Hoping to create a new growth agent for food with beneficial uses to mankind, two scientists find that the spread of the material is uncontrollable. Giant chickens, rats, and insects run amok, and children given the food stuffs experience incredible growth--and serious illnesses. Over the years, people who have eaten these specially treated foods find themselves unable to fit into a society where ignorance and hypocrisy rule. These "giants," with their extraordinary mental powers, find themselves shut away from an older, more traditional society. Intolerance and hatred increase as the line of distinction between ordinary people and giants is drawn across communities and families.  One of H. G. Wells' lesser-known works, The Food of the Gods has been retold many times in many forms since it was first published in 1904. The gripping, newly relevant tale combines fast-paced entertainment with social commentary as it considers the ethics involved in genetic engineering.

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  The Piazza Tales

  Herman Melville

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  The Piazza Tales is a collection of six short stories by American writer Herman Melville, published by Dix & Edwards in the United States in May 1856 and in Britain in June. Except for the newly written title story, "The Piazza," all of the stories had appeared in Putnam's Monthly between 1853 and 1855. The collection includes what has long been regarded as three of Melville's most important achievements in the genre of short fiction, "Bartleby, the Scrivener", "Benito Cereno", and "The Encantadas", his sketches of the Galápagos Islands. (Billy Budd, arguably his greatest piece of short fiction, would remain unpublished in his lifetime.)
  Melville had originally intended to entitle the volume Benito Cereno and Other Sketches, but settled on the definitive title after he had written the introductory story. The book received largely favorable reviews, with reviewers especially praising "The Encantadas" but did not sell well enough to get Melville out of his financial straits, probably because short fiction for magazines had little appeal to bookbuyers. From after Melville's rediscovery to the end of the twentieth century, the short works that attracted the most critical attention were "Bartleby," "Benito Cereno" and "The Encantadas," with "The Piazza" a little behind those.

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