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  No More Parades

  Ford Madox

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  There are not many English novels which deserve to be called great: Parade's End is one of them. — W. H. Auden  
  No More Parades is the second of four in Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The novel follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Highlighting the tension between traditional values and the new reality of a world marred by war, the novel details Tietjens' turmoils in both his personal life and on the warfront—and what follows when those struggles become one and the same.  
  The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature. The 2012 television adaptation, written by Tom Stoppard and starring Benedict Cumberbatch and Rebecca Hall, was nominated for two Primetime Emmy Awards and seven BAFTA Television Awards.

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  World Set Free The (Unabridged)

  H. G. Wells

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  This chilling, futuristic novel, written in 1913 and first published the following year, was incredibly prophetic on a major scale. Wells was a genius and visionary, as demonstrated by many of his other works, but this book is clearly one of his best. He predicts nuclear warfare years before research began and describes the chain reactions involved and the resulting radiation. He describes a weapon of enormous destructive power, used from the air that would wipe out everything for miles, and actually used the term "atomic bombs." This book may have been at least part of the original inspiration for the development of atomic weapons, as well as presenting many other ideas that would ultimately come to pass. Some ideas may still be coming, including a one-world government referred to as The World Republic, that will attempt to end all wars.

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  The Innocents - A Story for Lovers

  Sinclair Lewis

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  The Innocents: A Story for Lovers is a 1917 novel by Sinclair Lewis.
  This distinctive pulp novel follows a longtime married couple as they vacation away from their home in New York City and contemplate starting a business.

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  Astrophil and Stella

  Sir Philip Sidney

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  ""Astrophil and Stella" is an enchanting English sonnet sequence composed by Sir Philip Sidney in the 1580s. This collection consists of 108 sonnets and 11 songs, each woven with poetic artistry and emotional depth.    The title itself holds a celestial allure:    Astrophil derives from the Greek words "aster" (meaning star) and "phil" (meaning lover).  Stella is the Latin word for star.  In this poetic journey, Astrophil represents the star lover, while Stella embodies the star itself. Their relationship unfolds through the sonnets and songs, capturing the complexities of love, desire, and longing."

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  Missy's Room

  Lucy Maud Montgomery

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  Lucy Maud Montgomery (November 30, 1874 – April 24, 1942), published as L. M. Montgomery, was a Canadian author best known for a series of novels beginning in 1908 with Anne of Green Gables. The book was an immediate success. The title character, orphan Anne Shirley, made Montgomery famous in her lifetime and gave her an international following.
  Missy's Room: Mrs. Falconer and Miss Bailey walked home together through the fine blue summer afternoon from the Ladies' Aid meeting at Mrs. Robinson's. They were talking earnestly; that is to say, Miss Bailey was talking earnestly and volubly, and Mrs. Falconer was listening.

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  Iron Heel The (Unabridged)

  Jack London

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  The story proper begins with Avis Everhard, a daughter of a renowned physicist, John Cunningham, and future wife of socialist Ernest Everhard. At first, Avis Everhard does not agree with Ernest's assertion that the whole contemporary social system is based on exploitation of labour. She proceeds to investigate the conditions the workers live in and those terrible conditions make her change her mind and accept Ernest's worldview. Similarly, Bishop Morehouse does not initially believe in the horrors described by Ernest but then becomes convinced of their truth and is confined to a madhouse because of his new views.

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