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  Born in the USA - Exploring...

  Emily Dickinson, Amy Lowell,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in the tiny Commonwealth of Massachusetts. Its history is scarred with tragedy, much of its own making, and yet its natural beauty and its kaleidoscope of cultures summon the envy of us all when put to verse by the likes of Ralph Waldo Emerson, Amu Lowell, Emily Dickenson, William Cullen Bryant and James Russell Lowell.

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  Sorry You're Not a Winner (NHB...

  Samuel Bailey

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  Liam and Fletch grew up together. Born on the same street. Best mates since primary. Inseparable. The only difference was while Fletch was getting suspended from school, Liam was studying. And now he's going to Oxford. But with Liam gone, who's going to keep Fletch out of trouble?
  Sorry, You're Not a Winner explores aspiration, social mobility and getting caught between classes. It asks: if 'making it' means leaving everything you know and everyone you love behind – what's the point?
  This powerful and striking play by Samuel Bailey was first produced in 2022 by Paines Plough and Theatre Royal Plymouth, in association with the University of Plymouth's School of Society and Culture, before touring nationally.
  'An intricate and moving study of social mobility... gripping and nuanced... Bailey continues his development as one of the most socially engaged writers working in theatre today' - Guardian

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  The Compendium of Erotica -...

  Harry E. Wedeck

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  Explore what sent hearts a flutter through the centuries in this compilation of erotic cultural and literary history.Dictionary of Erotic LiteratureRepresenting cultures around the world and spanning from ancient times to the twentieth century, this A-to-Z guide explores one of the most universal and enduring themes in literature. Entries range from Ovid’s Ars amatoria, second-century Gnosticism, and ninth-century Arabian poets, all the way up to the explicit novels published in Paris in the 1960s.As author Harry E. Wedeck explains in his introduction, a culture’s artistic and literary depictions of eroticism reveal a great deal about their way of life. In Dictionary of Erotic Literature, Wedeck draws on this endlessly vast topic to present an illustrative sampling of authors, written works, and terminology that will be of value to any student of literature or cultural history.Dictionary of AphrodisiacsFrom absinthe, almond soup, and Albertus Magnus to yarrow, yohimbine, and Émile Zola,this authoritative reference volume covers knowledge of aphrodisiacs spanning centuries and drawn from literature, spirituality, and ancient science. Entries include edible substances believed to enhance sexual performance, gemstones thought to possess amorous charms, gods and goddesses of love from various myths, and historic figures who contributed to studies and thought on aphrodisiacs.This dictionary reveals many intriguing ways for partners to enrich their relationships, including recipes to stimulate the gourmet lover using the many ingredients described in the book.Love Potions Through the AgesThis survey explores the evolution of love potion practices in societies over the centuries and across the world. Separate chapters focus on ancient Greece, Rome, India, and the Orient, as well as the Middle Ages and modern times. Wedeck relays the spiritual aspects of these concoctions as well as historical anecdotes about them. Recipes are also included, though Wedeck cautions that they are exclusively for academic purposes and not intended for personal use.

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  Nobuko

  Trisha Ready

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  An innovative hybrid of memoir and fiction, Noboku is kind of like Call Me By Your Name, but the two main characters are women, and it's set in Japan. 
  Nobuko is based on author Trisha Ready's experiences teaching English in the 1980s in Japan, where she fell for a woman who lived in a rustic cabin and made dentures for a living. A twisting maze of subplots involve the yakuza, the Japanese organized crime syndicate -- as well as food, art, adventure, samurai swords, and marriage. 
  At its core, this is a true-life love story in which Ready reflects on what she's learned and what might have been.

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  Changes - Chapter 5

  Open Boundaries

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  Chapter 5 - Changes - The story behind the song: The journey we take through life will lead us to paths that either advance us or cause our decline, but we are the ones who must decide which path to take, which change we make, for these are our choices and our changes that ultimately define who we become.

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  Yellow Rain - Poems

  Mai Der Vang

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  In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties. A Cold War scandal erupted, wrapped in partisan debate around chemical arms development versus control. American scientists argued that yellow rain was the feces of honeybees defecating en masse—still held as the widely accepted explanation. The truth of what happened to the Hmong, to those who experienced and suffered yellow rain, has been ignored and discredited. 
   
   
   
  Integrating archival research and declassified documents, Vang calls out the erasure of a history, the silencing of a people who at the time lacked the capacity and resources to defend and represent themselves. In poems that sing and lament, that contend and question, Vang restores a vital narrative in danger of being lost, and brilliantly explores what it means to have access to the truth and how marginalized groups are often forbidden that access.

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