Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
On the Subject of Fallen Things - cover

On the Subject of Fallen Things

James Kearns

Maison d'édition: Bad Betty Press

  • 0
  • 0
  • 0

Synopsis

"you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
"On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
"This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine
Disponible depuis: 28/11/2023.
Longueur d'impression: 84 pages.

D'autres livres qui pourraient vous intéresser

  • The Milk Hours - Poems - cover

    The Milk Hours - Poems

    John James

    • 0
    • 0
    • 0
    Winner of the Max Ritvo Poetry Prize, The Milk Hours is an elegant debut that searches widely to ask what it means to exist in a state of loss. 
    “We lived overlooking the walls overlooking the cemetery.” So begins the title poem of this collection, whose recursive temporality is filled with living, grieving things, punctuated by an unseen world of roots, bodies, and concealed histories. Like a cemetery, too, The Milk Hours sets unlikely neighbors alongside each other: Hegel and Murakami, Melville and the Persian astronomer al-Sufi, enacting a transhistorical poetics even as it brims with intimacy. These are poems of frequent swerves and transformations, which never stray far from an engagement with science, geography, art, and aesthetics, nor from the dream logic that motivates their incessant investigations. 
    Indeed, while John James begins with the biographical—the haunting loss of a father in childhood, the exhausted hours of early fatherhood—the questions that emerge from his poetic synthesis are both timely and universal: what is it to be human in an era where nature and culture have fused? To live in a time of political and environmental upheaval, of both personal and public loss? How do we make meaning, and to whom—or what—do we turn, when such boundaries so radically collapse?
    Voir livre
  • All's Well That Ends Well - cover

    All's Well That Ends Well

    William Shakespeare

    • 0
    • 0
    • 0
    Step into the captivating world of William Shakespeare's timeless classic, 'All's Well That Ends Well,' like never before with our digital audiobook. Immerse yourself in the eloquent language, intricate characters, and the enduring themes of love, ambition, and redemption. Let the talented narrators breathe life into Shakespeare's words, transporting you to a world of wit, romance, and clever scheming. Whether you're a Shakespeare enthusiast or a newcomer to his works, this digital audiobook offers a convenient and engaging way to experience the magic of the Bard's storytelling. Dive into this compelling tale today and discover why, in the end, all truly is well.
    Voir livre
  • The Top 50 Poems - Fifty of the finest poems ever written - cover

    The Top 50 Poems - Fifty of the...

    Rudyard Kipling, Wilfred Owen,...

    • 0
    • 0
    • 0
    Sometimes we just want the best.  But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. 
    Even more so with Poetry.  Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats?  And ’If’? Surely Kipling wrote something else? 
    So difficult to decide. This one or that?  Is it easier to choose your fifty favourite poets or your fifty favourite poems? 
    The argument can go on forever, certainly a few days.  However what we can all agree on is that poets have a way with words that almost all of us respect and admire and can’t compete with.  Who hasn’t wanted to quote some favourite lines to make a better point? 
    In this volume we made those choices, judgements and decisions for you.      
    Some you will love. Maybe not today but tomorrow. Others may not initially be your cup of tea.  But they will all make you think and bring you closer to something..…or someone. 
     This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.
    Voir livre
  • National Gallery - cover

    National Gallery

    Jonathan Ball

    • 1
    • 2
    • 0
    A poetic collage of art in the modern world: from Rilkean elegies for an iPhone to a meditation on Melville's classic
    Jonathan Ball's fourth poetry book, the first in seven years, swirls chaos and confession together. At the book's heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville's Moby-Dick that mention "salt." Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.
    Voir livre
  • The Poetry of Anne Bradstreet - America's first ever published female writer - cover

    The Poetry of Anne Bradstreet -...

    Anne Bradstreet

    • 0
    • 0
    • 0
    This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.
    Voir livre
  • Children of the Sun Part 1 - I Runaways - cover

    Children of the Sun Part 1 - I...

    Daniel Nsengimana

    • 0
    • 0
    • 0
    Children of the Sun is the first installment of its self-titled trilogy. This recording is the first portion of the book, and more episodic installments will follow in the near future.  
    In a reimagined precolonial Africa, a powerful king's nephew comes home to find his nation on the brink of war. Unsure of his own next move, he joins his royal warrior cousins on their westward march to stop an invasion. Though he has no plans to fight, other problems find him on the road, pushing him toward an instability of his own. Back in the kingdom, a more distant relative is called upon to keep the peace in a land missing most of its strength. As the overt invasion looms above, she leads the king's defense against an enemy they cannot see, gathering strength right there at home. 
    All the while, old wounds inside the family and out are brought to the surface, threatening to unravel all the players involved. The demons of the past converge with the troubles of the present, giving way to an uncertain future for them all.
    Voir livre