Weitere Bücher, die Sie mögen werden

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  Verse

  Alexander Herron

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  Vaulted recordings, & monologues.

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  Holy Sparks - Poems

  Diana Woodcock

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  Holy Sparks is a collection of poems grounded in a belief in the kinship between the cosmos and its Creator. Biophilic imagery is used throughout the poems to suggest that reverence for the earth is a natural consequence of reverence for God. The language of poetry is used to interconnect the human, natural and sacred, and to express humanity's moral and ethical responsibility to our nonhuman kin. These poems question what it means for humans to live in right relationship with earth's lifesystems, and they suggest that our very identity is tied to our reverence for the natural world. They offer a space of confession, reparation and praise of what remains. Holy Sparks is a call to partake of Earth's wisdom so that we might participate in the Creator's ongoing work.

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  Bad Hobby - Poems

  Kathy Fagan

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  From Kingsley Tufts Award finalist Kathy Fagan comes Bad Hobby, a perceptive collection focused on memory, class, and might-have-beens.In a working-class family that considers sensitivity a “fatal diagnosis,” how does a child grow up to be a poet? What happens when a body “meant to bend & breed” opts not to, then finds itself performing the labor of care regardless? Why do we think our “common griefs” so singular? Bad Hobby is a hard-earned meditation on questions like these—a dreamscape speckled with swans, ghosts, and weather updates.Fagan writes with a kind of practical empathy, lamenting pain and brutality while knowing, also, their inevitability. A dementing father, a squirrel limp in the talons of a hawk, a “child who won’t ever get born”: with age, Fagan posits, the impact of ordeals like these changes. Loss becomes instructive. Solitude becomes a shared experience. “You think your one life precious—”And Bad Hobby thinks—hard. About lineage, about caregiving. About time. It paces “inside its head, gazing skyward for a noun or phrase to / shatter the glass of our locked cars & save us.” And it does want to save us, or at least lift us, even in the face of immense bleakness, or loneliness, or the body changing, failing. “Don’t worry, baby,” Fagan tells us, the sparrow at her window. “We’re okay.”

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  The Animal in the Room

  Meghan Kemp-Gee

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  LONGLISTED FOR THE GERALD LAMPERT MEMORIAL AWARD 
  Deer with binoculars, wolves with resumes: bioengineered poetry that unsettles truth, fact, and history. 
  Animals are strange testing grounds for thinking about subjectivity, language, the body — really, anything you might want to write a poem about. Together, these poems are an evolutionary chart or a little bestiary – about deer, wolves, evolution, environmental collapse, and extinction. Each one stands alone as a contained organism, but like real animals, they share some genetic material with each other. Considering PTSD and anxiety disorder as a kind of animal experience, a self-protective mechanism, these poems embody the selves we see reflected in the natural world’s creatures. Deer are a way of putting fear and trauma outside yourself, wolves a way to understand the instincts of predators. 
  "Oh the pleasure of inhabiting the mind of an animal like Meghan Kemp-Gee! Her poetry is curious, restless, uneasy, and imaginative; it is also highly disciplined, unfolds in precisely measured lines. Watch for brilliant uses of repetition — the slipperiness of meaning, its ever-doubling character, is on full display, played out in deft linguistic twists. A deadpan delivery amplifies the oddity of what’s encountered: arsenic-drunk wildcats, chlorinated orchids, the 'one painful spot of blue' in a deer’s eye. I can’t say strongly enough how grateful I am to have read this collection; don’t miss it." – Sue Sinclair, author of Almost Beauty: New and Selected Poems

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  The Orchid Folios

  Mok Zining

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  “When you take an orchid out of its pot, you must first loosen the roots’ hold on the soil. Late last evening as I unravelled the braids of the shattered phalaenopsis, I saw how the ends were white and shrivelled from neglect. You have to do it gently—it’s like combing hair. I remember Mum’s fingers running through mine, and mine through hers, until the final months when all of it started to fall.” 
   
   
  A pot shatters. An arrangement falls apart. A florist finds herself amidst the scattered leaves of history. At once a poetry collection and a documentary novella, The Orchid Folios reimagines the orchid as a living, breathing document of history: a history that enmeshes the personal, colonial, linguistic, and biotechnological with the Vanda Miss Joaquim, the symbol of Singapore’s postcolonial hybridity. While the Orchid has shaped the fantastical narratives that govern our multiracial City in a Garden, it continues to shape-shift and bloom on its own terms, challenging us to imagine a decolonised Singapore. This is the organism at the heart of The Orchid Folios—by turns stark and unruly, documenting and challenging the narratives that are the roots of our national consciousness.

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  Dorothy Parker's Men I'm Not...

  Dorothy Parker

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  A collection of observations about the male of the species from one of the 20th century's most celebrated and renowned humorists, "Men I'm Not Married To" is a series of descriptions of nine men, all of whom Parker managed to avoid accompanying down the aisle.  Some longer, some very short, each of these descriptions shows Parker's full range of wit, sardonic humor and wry cynicism.  Dorothy Parker - social commentator, political reformer and legendary wit - has enjoyed a special place in American culture for almost a century and "Men I'm Not Married To" is an early example of Parker's unique and wry observations of the struggle between the sexes. It is presented here in its original and unabridged format.

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