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  Green

  Suzannah Evans

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  'My mother was an oak treemy dad a garage mechanicMy father was a field of wheatmy mother the Prime MinisterMy mother was an innkeeperand my father a lonely cactus…'
  Suzannah Evans' new pamphlet introduces us to Green, half human, half angry nature spirit. Green serves as a stunt double for our own rage and complicity in nature's destruction. He shows us nature's delights so we may mourn their loss more deeply.
  'In this delicious mini-biography of the mythic figure, Suzannah Evans has conjured up a Green Man – now modishly monikered 'Green' – who is witness, listener, accountant, cheerleader, of all and every aspect of nature. An inveterate listicle maker, he can't help but nag us until our attention is drawn back inexorably to the wonder of the world; it's nightmares too. Whether he is supervising extinctions, lavender farming, or picking up plastic litter on the beach, Green is unabashedly a fun, wry and playful personality to spend some time with.' Rishi Dastidar
  'Green is a contemporary secular canticle, where matter and living beings are in mischievous, polyphonic dialogue. Channelled through this beyond-human figure, it presents a decentred ecology where "Green isn't rooting for anyone" – but where we must find a way to befriend 'him', without turning him into a 'man'. Earth is lively and re-enchanted, in Green's contemporary and accessible animism. We are invited to accept the majesty of llama memes alongside the 'death drop' of species extinction. Fuck you, Green says to the wasps, stinging him all over, I still love you. A gentle, passionate, good-natured plea, for even the stickiest, ickiest, grossest creatures to be named in Green's – and humanity's – affections.' Caleb Parkin

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  For You I Will Be Master -...

  Julio Miranda

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  I wrote most of these poems while the memories of a woman from my past scraped at my mind. 
  I've learned to accept that life is about overcoming desire and finding peace in not getting what you want, but I'm only human, which means sometimes I enjoy entertaining an erotic, morbid, desperate, and painfully hopeful side of me when the mood strikes. 
  My bottom line is this: if you've ever loved someone too much, or missed someone you couldn't forget, this modest collection of words and ideas might feel familiar.

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  Falsely Accused

  Pamela J

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  Is Spank a cheater? Or is Daphne just an insecure, paranoid wife, who believes her husband is always cheating if she is not right in front of him.  Come alone to find out if Spank is a loving caring husband or if Daphne is right and he is a cheater or is Spank just is Falsely Accused

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  The Top 10 Poets – Born in...

  John Donne, John Keats, William...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  The great city of London is perhaps unrivalled in its scale and effect on humankind down the centuries.  Its sprawl and its teeming throngs have shaped the world and even how we live today.  With the words of these 10 poets and their insightful, knowing verse we can perhaps begin to understand just why that is.

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  Ovarium - Poems

  Joanna Ingham

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  Tender, loving and visceral, Ovarium is a pamphlet of poems about a giant ovarian cyst. The poet charts her journey with the cyst, from diagnosis to surgery to recovery, via a landscape of scanner rooms and hospital wards.
  
  The poems explore the impact of illness, and the body as a site of disgust and shame but also healing and endurance. Ingham's poems are forensic as she looks at the disorientating and sometimes patriarchal language of anatomy and medicine, and the way illness can change the relationship we have with our own bodies.
  I tried to think of you as fruit, growing
  against the sun-warm wall of my gut.
  Melon-headed, you nudged the leafy organs,
  dug out a place for yourself in the plot.
  I never guessed. I was only bloody earth
  to you, a coldframe full of light.
  
  - from 'Cyst'

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  The Sugar Wife

  Elizabeth Kuti

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  'We choose the world we live in. We make it, day by day...'
  Dublin, 1850. The delicate balance at the heart of an affluent couple's marriage and family business is challenged when two visitors – a former enslaved woman and her emancipator – come to Ireland to speak to the public about trade, money and the abolition of slavery.
  Exploring the dark side of global commodities, Elizabeth Kuti's's play The Sugar Wife offers an engrossing examination of sexual politics and political morality.
  The play won the Susan Smith Blackburn Prize in 2006. It was first produced by Rough Magic, and performed at Project Arts Centre, Dublin, in 2005, before transferring to Soho Theatre, London. It was revived, in the version published here, at the Abbey Theatre, Dublin, in 2024, directed by Annabelle Comyn.

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