Verlag: Imaginarium Kim
“Band 1” is a chronological collection of previously published short stories by Ithaka O.- - -List of stories in this collection Moonlight Through the Manhole To Me Who Is Useless Because They Don’t Bleed Red Silver Lining Replaceables Museum of Earth Art
George Robert Gissing was born on November 22nd, 1857 in Wakefield, Yorkshire. He was educated at Back Lane School in Wakefield. Gissing loved school. He was enthusiastic with a thirst for learning and always diligent. By the age of ten he was reading Dickens, a lifelong hero. In 1872 Gissing won a scholarship to Owens College. Whilst there Gissing worked hard but remained solitary. Unfortunately, he had run short of funds and stole from his fellow students. He was arrested, prosecuted, found guilty, expelled and sentenced to a month's hard labour in 1876. On release he decided to start over. In September 1876 he travelled to the United States. Here he wrote short stories for the Chicago Tribune and other newspapers. On his return home he was ready for novels. Gissing self-published his first novel but it failed to sell. His second was acquired but never published. His writing career was static. Something had to change. And it did. By 1884 The Unclassed was published. Now everything he wrote was published. Both Isabel Clarendon and Demos appeared in 1886. He mined the lives of the working class as diligently as any capitalist. In 1889 Gissing used the proceeds from the sale of The Nether World to go to Italy. This trip formed the basis for his 1890 work The Emancipated. Gissing's works began to command higher payments. New Grub Street (1891) brought a fee of £250. Short stories followed and in 1895, three novellas were published; Eve's Ransom, The Paying Guest and Sleeping Fires. Gissing was careful to keep up with the changing attitudes of his audience. Unfortunately, he was also diagnosed as suffering from emphysema. The last years of his life were spent as a semi-invalid in France but he continued to write. 1899; The Crown of Life. Our Friend the Charlatan appeared in 1901, followed two years later by The Private Papers of Henry Ryecroft. George Robert Gissing died aged 46 on December 28th, 1903 after catching a chill on a winter walk.Zum Buch
Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883. It appears Heldman was prone to issuing forged cheques to finance his lifestyle. In April 1884 He was sentenced to 18 months hard labour. In order to be well away from the scandal and damage this had caused to his reputation Heldmann adopted a pseudonym on his release from jail. Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals. The use of his mother’s maiden name as part of it seems both a release and a lifeline. A stroke of very good fortune arrived with his novel The Beetle published in 1897. This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.Zum Buch
Anton Chekhov was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience. Chekhov at first wrote stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them. Here is perhaps his finest collection. A true audiobook treasure!Zum Buch
In "The Ripening Rubies," an ex-convict makes a rookie mistake--trying to sell a stolen ruby necklace back to the craftsman who made it. The jeweler, Bernard Sutton, soon discovers that a string of high-society women are losing their expensive adornments. Shunning the heavy-handed approach of the police, he sets his own trap to catch the thief.Zum Buch
Step into the mind of Anders in Warm by Robert Sheckley—a hauntingly cerebral sci-fi tale that delves into the boundaries of love, perception, and identity. As a mysterious voice invades his thoughts, Anders is forced to question the very fabric of reality during what should be a simple evening with the woman he adores. Set against a backdrop of mid-century science fiction, Sheckley’s story masterfully blurs the line between the known and the unknowable, inviting readers into a surreal journey of existential unraveling. Perfect for fans of psychological science fiction and vintage speculative fiction.Zum Buch
From Oklahoma to California, the heroes of A Calm & Normal Heart are modern-day adventurers—seeking out new places to call their own inside a nation to which they do not entirely belong. A member of the Osage tribe, author Chelsea T. Hicks's stories are compelled by an overlooked diaspora happening inside America itself: that of young Native people. In stories like "Superdrunk," "Tsexope," and "Wets'a," iPhone lifestyles comingle with ancestral connection, strengthening relationships or pushing people apart, while generational trauma haunts individual paths. Broken partnerships and polyamorous desire signal a fraught era of modern love, even as old ways continue to influence how people assess compatibility. And in "By Alcatraz," a Native student finds herself alone on campus over Thanksgiving break, seeking out new friendships during a national holiday she does not recognize. Leaping back in time, "A Fresh Start Ruined" inhabits the life of Florence, an Osage woman attempting to hide her origins while social climbing in mid-century Oklahoma. And in "House of RGB" a young professional settles into a new home, intent on claiming her independence after a breakup, even if her ancestors can't seem to get out of her way.Zum Buch
