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  December in Dacca - The Indian...

  KS Nair, P. Mathai Abraham

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  The 1971 war between India and Pakistan, to help liberate the beleaguered people of Bangladesh, is considered one of the last 'just wars' of the twentieth century. Good triumphed decisively, unequivocally and indisputably. Yet, given the scale of atrocity that was halted in its tracks, it is shocking that the compelling circumstances as well as numerous poignant and heart-warming stories of the war have failed to become iconic representations of military intervention and success in the folklore and popular culture of India, Bangladesh and beyond. 
  December in Dacca seeks to right this wrong. From the dramatic dogfight over Boyra to the cornering of Pakistani naval vessels at Karachi to the Indian helicopter-riding infantry and paratroopers forcing the enemy to retreat, the book retells the many thrilling anecdotes, setting them within their diplomatic, strategic and tactical contexts. 
  It also provides a glimpse into the lives of some of these heroes once the dust had settled. Most importantly, it offers thoughts on why the events of 1971 are not better known, and how a better understanding of those could help India reaffirm her sense of self.

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  Dinner with Churchill -...

  Cita Stelzer

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  A friend once said of Churchill: "He is a man of simple tastes; he is quite easily satisfied with the best of everything." But dinners for Churchill were about more than good food, excellent champagnes, and Havana cigars. "Everything" included the opportunity to use the dinner table both as a stage on which to display his brilliant conversational talents, and an intimate setting in which to glean gossip and diplomatic insights and to argue for the many policies he espoused over a long life. 
  In this riveting, informative, and entertaining book, Stelzer draws on previously untapped material, diaries of guests, and a wide variety of other sources to tell of some of the key dinners at which Churchill presided before, during, and after World War II.

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  Things that just make sense in a...

  Valeria Shashenok, @VALERISSSH

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  The Story behind 50 million TikTok Views"When Russia invaded my country, Ukraine, my parents, my dog and I fled to a bomb shelter that seemed more than bizarre to me. And because there was WiFi and the days were damn long and also boring, I posted videos to introduce my new home – some of them even went around the world. But my story is actually quite different: It's that of a young girl full of big dreams, who wanted to discover the world and thought war was a bad joke. Until the day I realised I was in the middle of the biggest nightmare of my life."
  
  Valeria decided to show the world her hometown Chernihiv and tell the real stories – images and events which none of us could have imagined could have taken place in the 21st century in the middle of Europe.
  And the horror does not end with her escape to Milan. Once there, Putin's bombs catch up with her and hit her right in the heart of her family. This is her story of bombs, evacuation, live, death and things that only make sense if you have to live in a bomb shelter.
  "It is horrible when you hear bombs, but you can't do anything – you are just a toy."

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  The Wise Hours - A Journey into...

  Miriam Darlington

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  Owls have existed for over sixty million years, and in the relatively short time we have shared the planet with these majestic birds they have ignited the human imagination. But even as owls continue to captivate our collective consciousness, celebrated British nature writer Miriam Darlington finds herself struck by all she doesn't know about the true nature of these enigmatic creatures. 
   
   
   
  Darlington begins her fieldwork in the British Isles with her teenage son, Benji. As her avian fascination grows, she travels to France, Serbia, Spain, Finland, and the frosted Lapland borders of the Arctic for rare encounters with the barn owl, tawny owl, long-eared owl, pygmy owl, snowy owl, and more. But when her son develops a mysterious illness, her quest to understand the elusive nature of owls becomes entangled with her search for finding a cure. 
   
   
   
  In The Wise Hours, Darlington watches and listens to the natural world and to the rhythms of her home and family, inviting listeners to discover the wonders of owls alongside her while rewilding our imagination with the mystery, fragility, and magnificence of all creatures.

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  Dubliners

  James Joyce

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  Masterful short stories about life in Dublin at the turn of the century, by James Joyce. (Summary by Hugh McGuire)

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  The Written World - Essays &...

  Kevin Power

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  Art honours the world, and criticism honours art, even – perhaps especially – when the critic sets out to destroy. The bad review is hardly ever written out of mere spite. In most cases, the motivation is disappointed idealism. Critics are people who love art and who hate to see it traduced. Hence the critic's sempiternal cry: You're doing it wrong. What the critic wants is for you to do it better.
  Since 2008, acclaimed novelist Kevin Power has reviewed almost three hundred and fifty books. Power declares, 'Even now, cracking open a brand-new hardback with my pencil in my hand, I feel the same pleasure, and the same hope. That's the great secret: every critic is an optimist at heart.'
  Art that thinks and feels at the same time – 'good art' – requires explication. The writing of criticism in response to such art is an activity that has taken place since Aristotle first sat down to figure out what made tragedy work. It is in the pursuit of this question – what makes good art 'good' – that Kevin Power found his vocation. During a ten-year stint as a regular freelance reviewer for the Sunday Business Post, Power fell in love with the writing of criticism, and with the reading of it, too, particularly by talented novelists who review books on the side. His conclusion is that criticism is absolutely an art. But it is never more so than when practiced by an actual artist.
  These pieces, ranging from reviews of Susan Sontag to the meaning of Greta Thunberg, apocalyptic politics, and literary theory, represent a decade's worth of thinking about books; a record of the author's attempts to honour art, and through art, the world. In The Written World, Power explains how he became a critic and what he thinks criticism is. It begins and ends with a long personal essays, 'The Lost Decade', written especially for this collection, about his mental and writing block after publishing Bad Day in Blackrock and his decade-long journey to White City. The pieces gathered by Power are connected by a theme – this is a book about writing, seen from various positions, and about growth as an artist and a critic.

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