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  The Long Weekend

  Rita Ann Higgins

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  From saints' days to Halloween and the many other celebrations on the Irish calendar, this collection of poetry from Rita Ann Higgins sets a tone for all seasons.
  Featuring bank holiday poems as heard on RTÉ Radio, such as 'Lúnasa' and 'Coming Out of Winter', and others like 'My Mother Loved Me in Red', 'The Púca', 'Visiting My Father at Christmas' and 'All Souls' Day', The Long Weekend leaves no question that Rita Ann Higgins is the people's poet.
  'The people's poet. She's magic. She's a one-off.' Brendan O'Connor
  'A haunting, beautiful collection of poems that commands attention and bears witness to life's struggle. This collection confirms Higgins as one of our greatest poets.' Elaine Feeney
  'A work of immense thoughtfulness.'Susannah Dickey

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  Ivy Tiller: Vicar's Daughter...

  Bea Roberts

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  Entrenched in her picturesque Devonshire village, Ivy Tiller is preparing to wage a war.
  Her target: the invasive grey squirrel. Her goal: to oust the invaders and restore the native red squirrels as the 'rightful' inhabitants. Galvanised by her important mission, Ivy's determination swells to uncomfortable heights.
  Bea Roberts' blackly comic play Ivy Tiller: Vicar's Daughter, Squirrel Killer challenges our assumptions about who belongs and who thrives, and exposes the dark side of the rural idyll. It was first performed by the Royal Shakespeare Company at The Other Place, Stratford-upon-Avon, in October 2022.

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  Is My Microphone On?

  Jordan Tannahill

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  'After thousands of years, I have a mouth… So if you don't mind, Mum, Dad, I'm going to speak. I'm going to shout. When I become a human I'm going to use some words. Can you still hear me? Is my microphone on?'
  Young people have inherited a burning world. In Jordan Tannahill's urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make.
  In Is My Microphone On? an ensemble of young performers hold the audience to account, and invite them to experience the world together anew.
  The play was commissioned by the Theater der Welt festival in Germany, premiered in English by Canadian Stage, Toronto, in 2021, and performed by youth theatres across the UK as part of the 2023 National Theatre Connections Festival. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.

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  Poets & Their Inner Demons –...

  John Keats, Percy Bysshe...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together those writers of verse and poetry who sadly died so young that their works may be small in number but glint with such brave, revealing and inventive verse that one can only imagine what heights poetry with their full lives could have been taken to.

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  Octopolis (NHB Modern Plays)

  Marek Horn

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  Professor George Grey is world-renowned for her pioneering research into octopus intelligence. Recently bereaved, her closest relationship these days is with her research subject: Frances, who resides in a large, purpose-built tank in George's campus accommodation.
  But when ambitious anthropologist Harry enters her life, his breathtaking new theory threatens to tear her world apart in more ways than one…
  
  A play for two actors – and one octopus – Octopolis by Marek Horn is a fascinating and funny exploration of love, grief, and what makes us human. It premiered at Hampstead Theatre, London, in September 2023, directed by Ed Madden.
  'A grownup campus romcom, with profound and complex ideas about consciousness and intelligence' - Guardian
  'A tangled, tentacled tale… unabashedly cerebral' - The Times
  'Funny, touching, and surprising… an intimate two-hander that reveals itself to be about vastly expansive ideas… Marek Horn's writing is probing and incisive… manages to express very complex ideas, both academic and interpersonal, with a surprising lucidity, and with moments of unexpected comedy… an intricately intellectual piece of theatre, diving headfirst into questions of sentience, religion, grief, and community from a uniquely smart writer… you could watch or read Octopolis several times over and continue to notice something new… if you go to the theatre to think, to learn something, to do some introspection, it's unmissable' - Broadway World
  'Fascinating… a game of who's-watching-who as a rapid-fire sparring of wits and intellect dive and propel through the murky waters of grief, spirituality, and admiring love' - WhatsOnStage

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  Blackbird Singing at Dusk

  Wendy Pratt

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  Blackbird Singing at Dusk by Wendy Pratt is an illuminating and lyrical exploration of place within nature; of Northern rural working-class lives, the female body, and of the ancestors and history still close to the surface, just beneath where our feet touch the earth. Moving through both landscapes and human lives, these poems weigh the impact of loss and consider the circular, deep nature of time itself; how lifetimes can be measured – whether in jackdaw, beech tree or even glacier time.
  From the silent sentinels of boulders to peels of birdsong "stopping the world", Wendy Pratt's archaeological attention to detail draws us into an intimate elegy, mindful of the connections of earth and people, the living and the dead. The wide horizons of her poems weave the heartbeat of working days and the rich inheritances of love in scribbled notes and domestic prayers – all that remains behind long after, marking us with grief for a lost parent or a baby daughter. These remarkable poems of solace consider what it is to endure and find reassurance in a rural land "quartered by barn owls and kestrels," with its ever-shifting seasons and skies, its permanence of stone and soil.

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