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  A Rhyme A Dozen ― Christmas Day...

  Samuel Taylor Coleridge, Sara...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Christmas Day - An Introduction  
  2 - Wondrous Sight For Men and Angels by Ann Griffiths 
  3 - Angels From the Realms of Glory by James Montgomery 
  4 - A Christmas Carol by Aubrey De Vere 
  5 - A Christmas Carol by G K Chesterton 
  6 - Christmas Carol by Sara Teasdale 
  7 - A Carol. I by Mildmay Fane, Earl of Westmorland 
  8 - A Christmas Carol by Samual Taylor Coleridge 
  9 - Carol by Ben Jonson 
  10 - In The Bleak Midwinter by Christina Georgina Rossetti 
  11 - Go, Tell It on the Mountain by John Wesley Work Jr 
  12 - The Darkling Thrush by Thomas Hardy 
  13 - We Three Kings of Orient Are by John Henry Hopkins Jnr

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  The Tragedy of Timon of Athens

  William Shakespeare

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  The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout.
  The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century.
  ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus:
  "Here lies a wretched corpse of wretched soul bereft:
  Seek not my name: a plague consume you wicked caitiffs left!"
  Here lie I, Timon, who alive, all living men did hate,
  Pass by, and curse thy fill, but pass and stay not here thy gait...
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Circumstances Affecting the Heat...

  Amanda Quaid

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  You may not know her name, but Eunice Newton Foote made groundbreaking discoveries about the greenhouse effect in the 1850s. Her experiments showed that different gases, including carbon dioxide, absorb and trap heat, an early milestone in the history of climate science. And even though her findings were published in a leading scientific journal – a rarity in the days of a male-dominated field – her work remained virtually unknown until recently. Now, thanks to playwright Amanda Quaid, we have a dramatized portrait of the scientist’s life at the time she published her pioneering study, which lends its name to the title of the play.
   
  
   
  This play is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.
   
  
   
  Recorded at The Invisible Studios, West Hollywood, in November 2024.
   
  
   
  Directed by Anna Lyse Erikson
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Geoffrey Arend as Elisha Foote
   
  Tara Lynne Barr as Augusta Foote
   
  Scott Brick as the Narrator and Joseph Henry
   
  Jake Green as the Glazier
   
  Monica McSwain as Mary Foote
   
  Emily Swallow as Eunice Newton Foote
   
  
   
  Senior Producer: Anna Lyse Erikson
   
  Prepared for audio by Mark Holden
   
  Recording Engineer and Editor: Neil Wogenson
   
  Mixing Engineer: Charles Carroll
   
  Designed by Mark Holden and Charles Carroll for The Invisible Studios, West Hollywood
   
  Senior Radio Producer: Ronn Lipkin
   
  Foley Artist: Stacey Martinez

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  The Crazy Bunch - Penguin Poets

  Willie Perdomo

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  From a prize-winning poet, a new collection that chronicles a weekend in the life of a group of friends coming of age in East Harlem at the dawn of the hip-hop era 
    
  Willie Perdomo, a native of East Harlem, has won praise as a hip, playful, historically engaged poet whose restlessly lyrical language mixes “city life with a sense of the transcendent” (NPR.org). In his fourth collection, The Crazy Bunch, Perdomo returns to his beloved neighborhood to create a vivid, kaleidoscopic portrait of a “crew” coming of age in East Harlem at the beginning of the 1990s. In poems written in couplets, vignettes, sketches, riffs, and dialogue, Perdomo recreates a weekend where surviving members of the crew recall a series of tragic events: “That was the summer we all tried to fly. All but one of us succeeded." 
    
  “This immersive poetry collection proceeds like a mixtape or a gnostic gospel … Oracular, intoxicating … Perdomo’s vibrant diction refashions the high lyric, drawing on local cant to render the intimacy of home, friendship, and shared loss. Part rhapsody, part elegy, the book memorializes neighborhood legends, and, even as it impishly indulges nostalgic romance, it never forgets, or forgives, the violence that threatens these young lives.”—The New Yorker 

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  The Rose - Poems

  Ariana Reines

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  In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of "romance" as the troubadours knew it and the titular flower's ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: "I have always liked helpless / & terrible men because they break my mind." In these poems, inherited ideologies of gender performance are replaced with bold vulnerability: paradoxes of power and surrender transmute the speaker's understanding of suffering, desire, and the soul. 
   
   
   
  The voice in The Rose is wry and bare, approaching the connection between erotic love and spirituality with humor. Investigating war, maternity, violent sensuality, and the role of language in magical acts, Reines is unafraid to uncover the "secret / & terrible shovelings / Of love," and the result is a bloody and pulsing, sexy and unabashed bloom.

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  After Poems Psalms

  John Robert Lee

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  In his fifth collection with Peepal Tree Press, After Poems, Psalms, John Robert Lee achieves a sense of spirit, insight and empathy with these celebratory and contemplative poems.
  "In the way that we might look to the psalms for strength and solace, After Poems, Psalms should be received as a gift, a balm and a cause for celebration. Here is a companion to assist spirit wrestlers and lovers of poetry in their quest to identify the numinous in both the human and the natural worlds. " Lorna Goodison

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