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  Augmented Realities - Human...

  Zachary Phillips

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  This book celebrates a dark night of the soul. Shines light into the shadow. Offers hope. Augmented Realities melds human poetry with artificial intelligence generated artwork to create something truly unique, taking readers on a journey of triumph over adversity through radical self-acceptance and the embracing of silence and stillness in an increasingly fast paced world.

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  Wilfred Owen: The Selected Poems

  Wilfred Owen

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  'And you have fixed my life – however short. You did not light me: I was always a mad comet; but you have fixed me. I spun round you a satellite for a month, but I shall swing out soon, a dark star in the orbit where you will blaze.'
  
  A deeply powerful poetry collection that lays bare both the horrors and humanity of the First World War, told with unflinching honesty and profound beauty by one of the greatest war poets in history: Wildfred Owen.
  Wilfred Owen: The Selected Poems brings together the most searing and unforgettable works of the poet whose voice has come to define the tragedy of World War I. Writing from the trenches, Owen crafts poems that confront the violence, fear and tragic waste of war while elevating the humanity of those caught within it. His mastery of imagery and sound – whether in the bitter irony of 'Dulce et Decorum Est', the haunting tenderness of 'Anthem for Doomed Youth', or the bleak beauty of 'Exposure' – transforms personal and collective suffering into timeless art. This collection not only preserves the anguish of a generation lost to conflict, but also continues to speak across time about the costs of war, the fragility of life and the enduring strength of the human spirit.
  Wilfred Owen (1893 – 1918) was one of the most famous English poets writing during the First World War. A second lieutenant in the Manchester Regiment, Owen endured several traumatic experiences throughout his time in service, much of which was the inspiration for his writing. Owen was killed in action at just twenty-five years old, but his poetry depicting the horrors of warfare remain widely read to this day.

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  The Poetry of John Gould...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  The Best of Robert Service

  Robert Service, Harriett Shlossberg

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  This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, I just go for a walk and come back with a poem in my pocket.Gaiety, humor, nostalgia, and pathos fill every page, along with the genuine Service ring of virility which has made his verse loved throughout the English reading world.

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  Touch the Earth - Poems on The Way

  Drew Jackson

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  Gather it from memory.
  
  Let it touch the earth.
  In Touch the Earth, Drew Jackson continues the project he began in God Speaks Through Wombs, reflecting on the Gospel of Luke through poetry. Touch the Earth picks up in chapter nine and continues through the end of Luke's Gospel. Part protest poetry, part biblical commentary, Jackson presents the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible."
  From the feeding of the multitude ("The best hosts always provide / take home containers") to the resurrection of Jesus ("the belly of mother Earth / is, indeed, a womb . . . the humus of life is where we become fully human"), this collection helps us hear the hum of deliverance—against all hope—that's been in the gospel all along.

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  Breath for the Bones - Art...

  Luci Shaw

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  “The double question we must always ask is, ‘How does faith inform art?’ and ‘How can art animate faith?’” 
  Imagination, appreciation of beauty, creativity: all of these qualities have been given to us by God. For the Christian artist, the drive to create something wonderful is also a means to glorify and better understand our Lord. Using excerpts from her own works as well as those of writers who have gone before her—Emily Dickinson, Annie Dillard, C.S. Lewis, and others—poet and writer Luci Shaw proves that symbolism and metaphor provide ways for humans to experience God in new and powerful ways. 
  Shaw offers a rich and thought-provoking exploration of art, creativity, and faith. Believing that art emanates from God, she shows how imagination and spirituality “work in tandem, each feeding on and nourishing the other.” Faith informs art and art enhances faith. They both, for each other, are “breath for the bones.” 
  Provocative, enlightening, and above all, inspiring, Breath for the Bones will help readers discover the artist within, and bring them further along the path to God Himself. 
  Discussion questions and exercises are included in the audiobook companion PDF download.

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