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  The Business Man

  Edgar Allan Poe

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  "The Business Man" is a short story by Edgar Allan Poe about a businessman boasting of his accomplishments. It was published in February 1840 in Burton's Gentleman's Magazine. The story questions the concept of a self-made man.
  The narrator of the story is Peter Proffit, a "methodical" businessman by his own admission. He says a nurse swung him around when he was a young boy, and he bumped his head against a bedpost. That single event determined his fate: the resulting bump was in the area dedicated to system and regularity, according to phrenology.

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  The Invisible Man - A Grotesque...

  H. G. Wells

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  What would it be really like to have the power of invisibility? What could be achieved for good or ill by becoming the first unseen human being? H.G Wells plays out these questions in his classic story which begins with a light, comic touch but soon moves towards terror and tragedy. Wells makes it clear that the potential power that invisibility brings has to contend with the weaknesses of human nature.

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  North and South

  Elizabeth Gaskell

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  "North and South" is a social novel by English writer Elizabeth Gaskell, published in 1855. The story is set in the fictional industrial town of Milton in the North of England and contrasts the way of life in the industrial North with that in the rural South. The novel follows Margaret Hale, a young woman from rural southern England, who moves to the northern industrial town and encounters the stark realities of industrialization, class conflict, and social upheaval. The novel explores themes of industrialization, class differences, gender roles, and societal change. Margaret’s evolving relationships, particularly with the mill owner John Thornton, form the crux of the narrative

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  Lord Jim

  Joseph Conrad

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  "He is one of us." — Marlow
  
  Young Jim is a promising officer in the British merchant marine, a dreamer fueled by romantic visions of heroism. But when the pilgrim ship SS Patna strikes an underwater object and begins to sink, Jim commits an act of cowardice that will haunt him forever: he jumps. Abandoning hundreds of passengers to their fate, he survives only to face a court of inquiry and a lifetime of self-loathing. The story follows Jim as he drifts through the ports of the East, shadowed by his secret shame, until the narrator Marlow helps him find a final chance for "greatness" in the remote jungle territory of Patusan. There, among the warring factions of the archipelago, Jim seeks to become the hero he once failed to be.
  
  A Masterpiece of Moral Ambiguity: Conrad's novel is a pioneering work of modernism, using a fractured timeline and multiple viewpoints to ask a difficult question: Can a single moment of weakness define a man's entire soul? Jim's struggle is not with the law, but with his own internal "ideal" of who he should be.
  
  The "One of Us" Philosophy: Through Marlow's eyes, we see Jim as a representative of the human condition—flawed, idealistic, and deeply vulnerable. The novel explores the "misty" nature of truth and the fragility of the codes we live by, whether they be the rules of the sea or the expectations of society.
  
  The Final Stand in Patusan: In the second half of the novel, the scale shifts from a maritime drama to a colonial epic. Jim rises to become "Tuan Jim" (Lord Jim) to the local people, but the arrival of the villainous Gentleman Brown forces a final, tragic reckoning. It is a climax that challenges the possibility of ever truly escaping one's past.
  
  Explore the depths of the human heart. Purchase "Lord Jim" today.

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  The Sentinel

  Arthur C. Clarke

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  Written in 1948 and first published in 1951 as Sentinel of eternity, this is the short story on which the 1968 movie 2001: A Space Odyssey was based, and the beginning of Clarke's Space Odyssey series.The story deals with the discovery during an expedition of an artefact on Earth's Moon that will be a turning point for humanity.

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  The Sleeping Beauty and Other...

  Sir A. T. Quiller-Couch

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  Sir Arthur T. Quiller-Couch here gives us these four fairy tales that have been perennial favorites for centuries. The first three fairy tales are “The Sleeping Beauty,” “Blue Beard,” and “Cinderella,” all three of which were popularized in France by Charles Perrault in 1697 in hisTales of Mother Goose. The last tale in the compilation is “Beauty and the Beast,” this version attributed to Gabrielle de Villeneuve, who published it in 1740 and 1756.Quiller-Couch had this to say regarding his translation of these tales: “I began by translating Perrault’s tales, very nearly word for word…the translations, when finished, did not satisfy me, and so I turned back to the beginning and have rewritten the stories in my own way, which (as you may say with the Irish butler) ‘may not be the best claret, but ‘tis the best we’ve got…’”

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