Maison d'édition: Blue Rose Publishers
In "Navigating Lean Digital Transformation," Gourav Dudeja offers an approach to prosper in the digital era. Through extensive research and real-world insights, this book reveals why Lean Digital Transformation initiatives often stumble and, more importantly, how to ensure they succeed.
Pieter Brueghel was the first important member of a family of artists who were active for four generations. Firstly a drawer before becoming a painter later, he painted religious themes, such as Babel Tower, with very bright colours. Influenced by Hieronymus Bosch, he painted large, complex scenes of peasant life and scripture or spiritual allegories, often with crowds of subjects performing a variety of acts, yet his scenes are unified with an informal integrity and often with wit. In his work, he brought a new humanising spirit. Befriending the Humanists, Brueghel composed true philosophical landscapes in the heart of which man accepts passively his fate, caught in the track of time.Voir livre
William Shakespeare's The Merchant of Venice was probably written between 1596 and 1598, and was printed with the comedies in the First Folio of 1623. Bassanio, an impoverished gentleman, uses the credit of his friend, the merchant Antonio, to borrow money from a wealthy Jew, Shylock. Antonio pledges to pay Shylock a pound of flesh if he defaults on the loan, which Bassanio will use to woo a rich heiress, Portia. A subplot concerns the elopement of Shylock's daughter Jessica with a Christian, Bassanio's friend Lorenzo. In its focus on love and marriage, the play shares certain concerns with Shakespeare's other comedies. Yet its depiction of the tensions between Jews and Christians in early modern Venice - and its highly dramatic trial scene in Act 4 - create darker currents in the play. (Summary by Elizabeth Klett)Cast:Duke of Venice: Filippo GioachinPrince of Morocco: Mark F. SmithPrince of Arragon: David NicolAntonio: David O'ConnellBassanio: mbSalanio: Rosalind WillsSalarino: Laurie Anne WaldenGratiano: David LeesonLorenzo: Aaron ElliottShylock: etkTubal: Carolyn FrancesLauncelot Gobbo: L. Lambert LawsonOld Gobbo: David LawrenceLeonardo: Laurie Anne WaldenBalthasar: David LawrenceStephano: Lucy PerryPortia: Arielle LipshawNerissa: Megan KunkelJessica: Elizabeth KlettClerk in court: Ernst PattynamaPortia's servant: Joshua B. ChristensenNarrator: Dennis SayersVoir livre
Filmed live in Ulaanbaatar, Mongolia, "Big In Asia" is the first stand-up comedy special from internationally acclaimed comedian Brian Aylward. A Newfoundland native with the gift of gab, Brian shares a huge sack of hilarious stories from his adventures throughout Asia. Brian is also a former Canadian Comedy Award winner for "Best Stand-up Comic." It's all original, brilliantly observational comedy that bridges the cultural gap. Expect the unexpected from one of stand-up comedy's new breakout stars.Voir livre
“An illustrated history of good old-fashioned entertainment from names like Tessie O’Shea, George Formby, and the early days of Bruce Forsyth.” —Yours As one of the richest sources of diversion for the people of Britain between the end of the First World War and the 1960s, the variety theater emerged from the embers of music hall, a vulgar and rambunctious entertainment that had held the working classes in thrall since the 1840s. Music hall bosses decided they would do better business if a man going to theaters on his own could take his wife and children with him, knowing they would see or hear nothing that would scandalize them. So variety, a gentler, less red-blooded entertainment was gradually established. At the top of the profession were Gracie Fields, a peerless singer and comedienne, and Max Miller, a comic who was renowned for being risqué, but who, in fact, never cracked a dirty joke. They were supported by acts that matched the word variety: ventriloquists, drag artists, animal acts, acrobats, jugglers, magicians and many more. But the variety theater was constantly under threat, first from revue, then radio, the cinema, girlie shows, the birth of rock ’n’ roll and finally television. By the end of the 1950s, the variety business seemed to have given up, but the recent and extraordinary popularity of talent shows on television has proved the public appetite is still there. Variety could be about to start all over again. “A priceless record of the people who entertained several generations between the wars and, for a brief time, after WWII . . . thoroughly entertaining.” —Books MonthlyVoir livre
How do the bodies we inhabit affect our relationship with art? How does art affect our relationship to our bodies? T Fleischmann uses Felix Gonzáles-Torres’s artwork—piles of candy, stacks of paper, puzzles—as a path through questions of love and loss, violence and rejuvenation, gender and sexuality. From the back porches of Buffalo to the galleries of New York and L.A. and the farmhouses of rural Tennessee, artwork acts as still points, sites for reflection situated in lived experience. Fleischmann combines serious engagement with warmth and clarity of prose, reveling in the experiences and pleasures of art and the body, identity, and community.Voir livre
On Modern Library's list of 100 Best Non-Fiction books, "Eminent Victorians" marked an epoch in the art of biography; it also helped to crack the old myths of high Victorianism and to usher in a new spirit by which chauvinism, hypocrisy and the stiff upper lip were debunked. In it, Strachey cleverly exposes the self-seeking ambitions of Cardinal Manning and the manipulative, neurotic Florence Nightingale; and in his essays on Dr Arnold and General Gordon, his quarries are not only his subjects but also the public-school system and the whole structure of nineteenth-century liberal values.Voir livre
