D'autres livres qui pourraient vous intéresser

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  Serenity Sounds Of Singing Bowls...

  Cedar Skye

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  Unlock a realm of peace and clarity with our transformative sound journey. Dive into a world where mindfulness meets relaxation and discover the therapeutic power of sound therapy techniques. Perfect for those seeking tranquility, this book offers a unique experience that combines holistic healing practices and spiritual meditation sounds to enhance your well-being. 
  Designed to resonate with your inner self, our carefully curated collection of 8D surround audio immerses you in an unparalleled experience of serenity. Whether you are new to mindfulness or a seasoned practitioner, this book is your gateway to achieving a harmonious state of mind. Explore the art of meditative soundscapes and let the therapeutic vibrations guide you toward inner peace and mental clarity. 
  Ideal for anyone on a journey toward self-discovery, our book provides insights into the ancient art of using sound for holistic wellness. It's not just about listening but feeling, experiencing, and healing. Rediscover balance and harmony in your life with our expertly crafted sounds designed to promote deep relaxation and spiritual growth. 
  Join countless others who have transformed their lives through the power of sound. Whether you're looking to alleviate stress, improve mental clarity, or find a moment of calm, this book is your perfect companion. Embrace the soothing world of sound therapy and let our guide lead you to a place of profound peace and tranquility. 
  Experience the transformative power of sound today—your journey to wellness begins here.

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  A Rare Recording of...

  Zero Mostel

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  Samuel Joel "Zero" Mostel (February 28, 1915 - September 8, 1977) was an American actor, comedian, and singer, best known for his portrayal of Tevye on stage in Fiddler on the Roof, Pseudolus in A Funny Thing Happened on the Way to the Forum, and Max Bialystock in Mel Brooks' 1967 film The Producers. Mostel won three Tony Awards, a Drama Desk Award, as well as nominations for a British Academy Film Award and a Golden Globe Award. He is also a member of the American Theater Hall of Fame, inducted posthumously in 1979. This recording includes a 1949 tv show appearance, a 1961 interview by boxing great Rocky Marciano, and a 1967 television interview.

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  In praise of make-up: from...

  Camille Saint Jacques

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  Pourquoi les femmes se maquillent-elles ? Les réponses des intéressées sont souvent évasives : «Pour se sentir bien...» Pourraient-elles cesser de se farder ? «Non !» L'idée de ne plus se maquiller peut même être perçue comme une atteinte à l'identité.
  
  Dans un style élégant et lumineux, l'auteur nous plonge dans une histoire du maquillage qui démontre l'importance, depuis que l'être humain se civilise, du geste cosmétique. «S'arranger» est un art du compromis, de l'ouverture, un jeu bienveillant plutôt qu'un artifice trompeur. Derrière un rouge à lèvres, un mascara, il y a toute une manière d'être, plus nuancée, plus enchantée, moins violente que celle des hommes.

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  Classic Rock & Rock Radio...

  Various Authors

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  This fascinating audio program includes actual radio commercials from the 1960s for the following bands: Donovan, Joni Mitchell, Monterey Pop Festival, The Beach Boys, Traffic, The Velvet Underground

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  Reel Facts: Unbelievable Stuff...

  Jeff Lenburg

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  This audiobook is narrated by a digital voice. 
  2023 BEST BOOK AWARDS FINALIST - BEST PERFORMING ARTS BOOK 
  ONLY IN HOLLYWOOD CAN THINGS THIS UNBELIEVABLE HAPPEN 
  As any actor, producer, director, or screenwriter can attest, working in the movie business isn't easy. After Jack Nicholson filmed his first screen test for Metro-Goldwyn-Mayer, studio mogul Louis B. Mayer politely told him afterwards: "I don't know what we can use you for, but if we ever do need you, we'll need you real bad." In the late 1960s, Paul, John, George, and Ringo–better known as The Beatles–were set to star in a movie version of J.R.R. Tolkien's epic fantasy novel, The Lord of the Rings, until Tolkien objected over the loudness of their music. Steven Spielberg snubbed Charlton Heston for the lead role in Jaws believing his "save the day" disaster movie performances would overshadow the movie's real star–the killer shark. 
   What does this unbelievable stuff have in common? Scores of these and other tantalizing tidbits and scintillating stories that really happened to famous film stars and in the movies are meticulously detailed in one fun, fact-filled volume, REEL FACTS. This fascinating, full-color copiously illustrated treasury offers an inside the Hollywood grapevine look at it all—classic movie star rejections, remarkable movie ideas that misfired (or the greatest movies never made), amazing extremes actors have undertaken in preparing for film roles, unforeseen calamities that disrupted or delayed movies in production, fantastic film foolery perpetrated in popular movies on audiences, notable casting mishaps, the worst screen kissers, and much more. 
  For avid movie lovers and film buffs alike, this entertaining chronicle shows filmdom's favorite stars and movies in general like you have never seen them before.

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  Time of My Life The: Dirty Dancing

  Andrea Warner

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  An engaging exploration into the enduring popularity of Dirty Dancing and its lasting themes of feminism, activism, and reproductive rights 
   
  When Dirty Dancing was released in 1987, it had already been rejected by producers and distributors several times over, and expectations for the summer romance were low. But then the film, written by former dancer Eleanor Bergstein and starring Jennifer Grey and Patrick Swayze as a couple from two different worlds, exploded. Since then, Dirty Dancing’s popularity has never waned. The truth has always been that Dirty Dancing was never just a teen romance or a dance movie — it also explored abortion rights, class, and political activism, with a smattering of light crime-solving. 
   
  In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes — deeply feminist, sensitively written — that we, over 30 years later, are still holding our breath during that last, exhilarating lift.

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