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  Agamemnon

  Aeschylus

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  "Agamemnon" is the first of the three linked tragedies which make up "The Oresteia" trilogy by the ancient Greek playwright Aeschylus. Trilogy as a whole, originally performed at the annual Dionysia festival in Athens in 458 BCE, where it won first prize, is considered to be Aeschylus' last authenticated, and also his greatest, work.
  "Agamemnon" describes the homecoming of Agamemnon, king of Argos, from the Trojan War, and his return to his wife, Clytemnestra, who had been planning his murder (in concert with her lover, Aegisthus) as revenge for Agamemnon's earlier sacrifice of their daughter, Iphigenia.

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  Why I Was Late

  Charlie Petch

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  With kitchen-table candour and empathy, Charlie Petch’s debut collection of poems offers witness to a decades-long trans/personal coming of age, finding heroes in unexpected places.   
  Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humour, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance. No subject—grief, disability, kink, sexuality, gender politics, violence—is off limits.  
  A poet so good at drag they had everyone convinced that they were a woman for the first forty years of their life, Petch has somehow brought the stage and its attendant thrills into the book. Better late than. And better.

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  single window

  Daniel Sluman

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  Daniel Sluman's third collection, single window is a hybrid memoir of poetry and images.
  One an amputee with chronic pain, the other suffering from Crohn's Disease and Fibromyalgia, Daniel Sluman and his wife Emily found the year of 2016 almost untenable. Unable to safely navigate the stairs to bed, they spent 24 hours a day together on their sofa, isolated from society except for a single window, where they watched the world moving around them.
  single window is an incomparable, uncompromising and starkly-realised sequence of poems in the form of a journal, which bear witness to the loneliness and fear experienced by disabled people living in Tory Britain. Through a precise, hyper-confessional fusion of poetry and photography, this book details the realities of disabled lives, exploring intimacy and unconditional love as well as isolation and confinement, and documenting a world that many people otherwise never see.

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  Parallel Movement of the Hands -...

  John Ashbery

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  A stunning collection of work from beloved poet John Ashbery, his first posthumous book  
   
  Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre. 
  Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets. 
  Supplemental enhancement PDF accompanies the audiobook.

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  Konfessions of an Elizabethan...

  bp Nichol

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  Better break out your sledgehammer – it's time for a little concrete! Concrete poetry, that is. Concrete what? Well, it's poetry that's a lot like art – its meaning comes from what it looks like instead of the order of the words, so it's full of great visual puns and word puzzles. And one of its foremost practitioners is bpNichol, one of Canada's best experimental writers.
   
  Konfessions of an Elizabethan Fan Dancer is Nichol's very first book. Originally published in England by Bob Cobbing in 1967, and then in Canada in 1973 by Nelson Ball's Weed/Flower Press, it has been unavailable for a dog's age. This new edition, curated by poet and antiquarian bookseller Nelson Ball, redresses this wrong. One of the few Nichol books that is dedicated entirely to concrete poetry, Konfessions is, like all of Nichol's work, playful, sincere, explorative, intelligent and human.

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  Restoration Comedy: Three Plays...

  William Congreve, Aphra Behn,...

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  'One no more owes one's beauty to a lover, than one's wit to an echo.'
  With the Restoration of the monarchy in 1660, the republican ban on organised theatre was lifted – and plays exploded back onto the public stage with newfound relish. The arrival of actresses for the first time encouraged a great sense of release, which expressed itself in the form of sophisticated comedies exploring the sexual behaviour and moralities of society.
  This volume features three of the most popular Restoration Comedies:
  The Country Wife by William Wycherley - a supremely bawdy comedy in which the aptly named Horner pretends to be a eunuch in order to seduce women under the noses of their husbands.
  The Way of the World by William Congreve - a brilliant comedy of manners, complete with dashing suitor, rich heiress and vengeful aunt.
  The Rover by Aphra Behn - the classic Restoration comedy by one of the earliest and most celebrated female playwrights.
  There is also a full introduction about the plays, playwrights and the period, and a glossary of unfamiliar words.
  The Drama Classic Collections bring together the most popular plays from a single author or a particular period. They offer students, actors and theatregoers a series of uncluttered, accessible editions, accompanied by comprehensive introductions.

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