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  Six Characters in Search of an...

  Luigi Pirandello

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  Six Characters in Search of an Author (Sei personaggi in cerca d'autore) is the most famous and celebrated play by the Italian writer Luigi Pirandello.Pirandello, in the preface to the play, says that whenever a reader opens Dante’s Inferno, Francesca will drift down from the dark wind in her circle of Hell and tell the Pilgrim her story; and it will always be for the first time – just as the Mother in Pirandello’s play at one point makes an agonizing cry, always for the first time.Each character sees events and the other characters differently. Their readings of reality do not match up. No one character is more correct than the other. There are as many versions of the story as there are characters in the play. Each character is in fact many characters; each has a sense of who he or she is, but each also is what the others believe he or she is.The play suggests that we are more victims of forces we cannot control than captains of our own fate and demonstrates Pirandello's conception that in place of a continuous ego, self or "I" are states of mind, masks or personae; the temporary result of forces brought to bear on us at that moment. The self becomes an anthology of such roles or masks. Theatricalists thought life was more like theater than vice versa. As in theater, we put on and take off masks, try out various roles, and make up our lives as we go along. (Summary by Wikipedia)CAST:The Narrator: Elizabeth KlettThe Father: Peter YearsleyThe Mother: Ruth GoldingThe Step-Daughter: Miss AvariceThe Son: mbMadame Pace: Diana MajlingerThe Manager: Denny SayersThe Property Man: David LawrenceThe Prompter: om123The Door-Keeper: gobblegobbleThe Machinist: EzwaThe Leading Lady: Piper HaleThe Leading Man: bishL’Ingénue: Bridget TallonJuvenile Lead: LizMourantActors: Miriam Esther Goldman, Availle, Lucy Perry, Sweetlilbirdy, KalyndaAudio edited by Elizabeth Klett

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  Camp of Wallenstein

  Friedrich Schiller

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  This is the first play of Friedrich Schiller's Wallenstein Trilogy. Set in a Bohemian camp during the Thirty Years War, it introduces the major characters of the rest of the trilogy, like Albrecht von Wallenstein and Max Piccolomini, from their subordinates' point of view. (Summary by Libby Gohn) Cast List:Narrator: Libby GohnPeasant, Dragoon, Second Cuirassier: alanmapstonePeasant Boy: Charlotte DuckettSergeant-Major: Larry WilsonTrumpeter: KHandA Hulan: David OlsonA Sharpshooter, Schoolmaster, Recruit: Kristin GjerløwA Croat: BeniaminoMassimoAn Artilleryman: Arnaldo MachadoFirst Yager: ToddHWSecond Yager: balaSoldier-Boy, First Arquebusier: TriciaGSutler-Woman: Julia NiedermaierServant Girl: SavannahCitizen: AvailleCapuchin: Peter TuckerFirst Cuirassier: Algy PugSecond Arquebusier: Rosslyn CarlyleSecond Sharpshooter: Anna SimonEdited by Libby Gohn

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  Faustus: That Damned Woman (NHB...

  Chris Bush

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  'Oh, if you knew the lives we women lead
  You'd understand the Devil is a catch.'
  In this radical reimagining of the classic cautionary tale, Johanna Faustus makes the ultimate sacrifice and sells her soul to wrestle control of her own destiny. She travels through time and changes the course of human history, but can she escape eternal damnation?
  Chris Bush's devilishly provocative new play is inspired by the works of Marlowe, Goethe and other versions of the Faust myth – and explores what women must sacrifice to achieve greatness, and the legacies that are left behind.
  Faustus: That Damned Woman was co-produced by Headlong and Lyric Hammersmith Theatre, in association with the Birmingham Repertory Theatre, and first performed at the Lyric Hammersmith Theatre in 2020 before touring the UK.
  'One of the UK's most exciting young playwrights' The Stage
  'A writer of great wit and empathy' The Times

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  Selected Early Poems of William...

  William Carlos s

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  Williams was born in Rutherford, New Jersey, a community near the city of Paterson. His father was an English immigrant, and his mother was born in Puerto Rico. He attended public school in Rutherford until 1897, then was sent to study at Château de Lancy near Geneva, Switzerland, the Lycée Condorcet in Paris, France, for two years and Horace Mann School in New York City. Then, in 1902, he entered the University of Pennsylvania Medical School. During his time at Penn, Williams befriended Ezra Pound, Hilda Doolittle (best known as H.D.) and the painter Charles Demuth. These friendships supported his growing passion for poetry. He received his M.D. in 1906 and spent the next four years in internships in New York City and in travel and postgraduate studies abroad (e.g., at the University of Leipzig where he studied pediatrics). He returned to Rutherford in 1910 and began his medical practice, which lasted until 1951. Ironically, most of his patients knew little if anything of his writings; instead they viewed him as a doctor who helped deliver over 2,000 of their children into the world.  
  (From Wikipedia)

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  Drive

  Elaine Sexton

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  Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work--with the care and wisdom of one who knows these roads.'Silently / pulling for itself, / the will wants the body to // give it what it wants,' Sexton writes in 'Between the Car and the Sea,' at once a description of a carís body propelling her onward, and of the poet herself, the one behind the wheel of this masterful fourth collection. In an extraordinary act of volition, the author does not stop at the trope of ambition, but powers instead toward the urgent concerns of the will, and intention.

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  Poetry of World War I The -...

  Amy Lowell, Sara Teasdale,...

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  War may be rationalized as ‘diplomacy by other means’ but the reality is that when tribes, Nations and peoples bring themselves into armed conflict with one another mayhem, terror and slaughter are the result. 
  In the First World War, The Great War, The War to End all Wars any idealistic aims that it was a ‘just cause’ and would be all over in a few months were shattered against the vast scale of millions dead or wounded all for the often temporary gains of a few miles of shell-pocked mud.  Human bodies were of little more value than the bullets and shells which mowed them down. 
  In this series of poetry volumes we look at the first world war from several viewpoints.  From poets who died, often in battle, during its torturous years, to the women who write of war and its consequences as well as an anthology of those poets, some still of fame, and some now forgotten with only their words to bear witness for what they have experienced. Each has an individual point of view that bears its own truth. 
  Whilst in modern times women fight and serve in many armed forces a century ago their work was needed to tend and comfort the sick and wounded from battle and help Nations, depleted of their menfolk, work as best they could. 
  Within this vast landscape of pain and valour these women also put pen to paper to produce words that show us war from another angle.  Their own.  Whether it be jingoistic or patriotic, reflective or overwhelming their verses have an eloquence that is both painful and tender. 
   
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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