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  The Prophets of Baal

  Philip Brian Hall

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  If you love that old detective genre classic the English country house murder, well here's a new twist for you! Naïve young private investigator Toby Le Tocq is soon all at sea in more ways than one when he takes a casual interest in a two-hundred-year-old case. Locals are strangely divided. Some want to drive him away, whilst two beautiful and aristocratic women compete for his affections. But is it really just blind luck? In the blood of the two rivals flows an ancient power of sorcery. When Toby falls for the younger witch, he is enmeshed in a web of intrigue, crime and revenge. Behind it all is the battle for control of a vast demonic power. If the girl he loves is to be saved from death, Toby faces not just a struggle to understand the occult but an ancient battle for supremacy that somehow he cannot help believing he has fought before. And unknown to Toby, both sides have picked him to play a leading role in the latest round!

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  Classified Dossier The -...

  Christian Klaver

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  Mysterious socialite Dorian Gray is at the centre of Sherlock Holmes’ latest investigation in this astonishing, uncanny mash-up of Victorian mystery and horror 
   
  1903 
   
  Sherlock Holmes and Dr John Watson have tickets to the newly arrived Egyptian Circus. Holmes is puzzled by his brother Mycroft’s cryptic gift but is intrigued enough to attend the next production. 
   
  The performers, dressed as wondrous half-animal, half-human gods from Egyptian mythology, display superhuman agility and stunts. But they speak no Arabic, sequester themselves in the stables after each show and take orders from a mysterious ring master who is yet to be seen. And then one of the performers is murdered. 
   
  Holmes’s enquires lead him to Montebank Manor, the home of the beautiful and secretive socialite Dorian Gray. As Holmes digs deeper, he learns Gray is hiding much more than his involvement in a murder. It’s a darkly fantastical tale of lies, experimentation, hypnosis and wicked ambition.

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  Death Warmed Over - Dan Shamble...

  Kevin J. Anderson

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  Ever since the Big Uneasy unleashed vampires, werewolves, and other undead denizens on the world, it’s been hell being a detective—especially for zombie PI Dan Chambeaux.  
  Taking on the creepiest of cases in the Unnatural Quarter with a human lawyer for a partner and a ghost for a girlfriend, Chambeaux redefines “dead on arrival.” But just because he was murdered doesn’t mean he’d leave his clients in the lurch. Besides, zombies are so good at lurching. 
  Now he’s back from the dead and back in business—with a caseload that’s downright unnatural. A resurrected mummy is suing the museum that put him on display. Two witches, victims of a curse gone terribly wrong, seek restitution from a publisher for not using “spell check” on its magical tomes. And he’s got to figure out a very personal question: who killed him? 
  For Dan Chambeaux, it’s all in a day’s work. (Still, does everybody have to call him “Shamble”?) 
  Funny, fresh, and irresistible, this cadaverous caper puts the PI in RIP … with a vengeance.

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  Was It An Illusion - The...

  Amelia Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
   
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
   
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
   
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
   
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
   
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.  
   
  In this rural story a man is inspecting schools in the district of an old and now fabulously rich university friend.  When they finally meet a dark secret is revealed to both of them.

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  The Other Gwyn Girl - The...

  Nicola Cornick

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  Bestselling author Nicola Cornick is back with a captivating, gripping, unforgettable tale of treachery and treason, love and loyalty, perfect for fans of Barbara Erskine, Philippa Gregory, Elena Collins and Christina Courtenay.The sister forgotten by history who had the fate of her family in her hands... 
  1671 – London 
  The Civil War is over and Charles II, the ‘Merry Monarch’, is revelling in the throne of his murdered father and all the privileges and power that comes with it. Sharing the spoils is his favourite companion, the celebrated beauty, actress Nell Gwyn. Beloved of the English people, Nell has come a long way from selling oranges and a childhood in a brothel, but as her fortunes have turned, her sister Rose has taken a different path. Marriage to a feckless highwayman has left Rose in the grim Marshalsea prison and now she needs her sister’s mercy to help get her out. But Nell needs Rose too. A plot to steal the Crown Jewels has gone tragically wrong, and Nell’s future with her protector King is at risk. If Rose can’t solve the riddle of the jewels both Gwyn sisters will head straight to the Tower. 
  Present Day 
  Librarian and history enthusiast Jess Yates has hit rock bottom. With her ex behind bars for fraud, Jess needs to lay low – easier said than done with a celebrity sister. But Tavy has her uses. Her latest TV project involves renovating Fortune Hall, and she needs a house sitter while she’s jetting around the world. The opportunity is too good to miss, especially when Jess discovers that Fortune Hall has links to the infamous Nell Gwyn. 
  Slowly the house begins to reveal its mysteries, and secrets that have laid buried for centuries can no longer be ignored. Jess hears echoes from a tragic past and as she struggles to understand her sister, Jess feels ever closer to Rose Gwyn, the sister forgotten by history but who had the fate of her family in her hands. 
  Praise for Nicola Cornick: 
  'Wow! I have no other word for this story which has totally blown me away – it is a master-class in timeslip writing and I loved it!' Christina Courtenay 
  'I ended this book with tears in my eyes, so invested was I in the story of Rose Gwyn and her heroic Captain Forster. The 17th century is so alive on the page I could taste and smell it. A really wonderful read.' Jane Dunn 
  ‘What a fascinating story. I enjoyed every moment of it. Intriguing and with a lovely time-slippery twist’ Barbara Erskine on The Last Daughter 
  Readers love Nicola Cornick: 
  ‘Ten stars! I loved this book. A perfect mix of past and present. Best historical/timeslip I have read in a long time.’ 
  ‘This book was one I just wanted to keep reading and not put down. Really great characters drawn, fascinating insights to the historic period and just all round good read.’ 
  ‘I had to stop myself from reading too quickly, meaning its delights would be at an end. Some books really grab you and this was one. Highly recommended if you love history, historical fiction and dual narratives.’ 
  'Absolutely loved this book, it’s very well researched and the story just keeps you wanting to know more. Amazing read would definitely recommend it to others.' 
  'I read everything this author writes as I love, love LOVE her books! This is one of the best I’ve read. Some fascinating history (from a neglected period), fabulous characters on a journey of discovery, a hint of spookiness and a whole carriageful of rollicking romance. Plus two wonderful romantic, swoon worthy heroes.' 
  'Wow! I was expecting a run of the mill historical novel, but have to say that I am finding The Other Gwyn Girl by Nicola Cornick an absolute page turner.'

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  The Masque of the Red Death

  Edgar Allan Poe

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  Title: The Masque of the Red Death 
  Author: Edgar Allan Poe 
  Narrator: Jonathan Dunne 
  Original Publication: 1842 
  Public Domain: Yes 
  Series Placement: Number 24 in the Timeless Terrors series 
  Description: 
  The Masque of the Red Death by Edgar Allan Poe is a chilling, gothic tale of inevitability, mortality, and the inescapable reach of death. Set within the opulent yet isolated halls of Prince Prospero’s abbey, the story follows a decadent masquerade intended to shut out the horrors of a deadly plague. Poe’s vivid imagery and symbolic architecture of the castle build a suffocating atmosphere of dread, culminating in an unforgettable confrontation with the ultimate horror. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures the story’s tense rhythm, eerie symbolism, and grim inevitability, blending gothic atmosphere with psychological terror. While the text is in the public domain, this narration is an original work and copyright © 2025 Jonathan Dunne. 
  This audiobook is part of Timeless Terrors, a series dedicated to resurrecting classic horror — works from masters of the macabre, retold in haunting new performances for a modern audience. 
  Listeners should be prepared to confront the haunting specter of death itself, the oppressive splendor of the masked court, and the stark reminder that no walls, wealth, or revelry can hold back the end.

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