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  Wound from the Mouth of a Wound...

  torrin a. greathouse

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  A Minnesota Book Award Finalist in Poetry 
  A CLMP Firecracker Award Finalist in Poetry 
  A Bustle Best Book of 2020 
  A Refinery29 Best New Book of Fall 2020 
  “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. 
  These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” 
  Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw. 
  Additional recognition:  
  A New York Times Book Review “New & Noteworthy Poetry Collection” 
  An NBC Out “Best LGBTQ Book to Gift This Holiday Season” 
  A Book Marks “Most Anticipated Poetry Collection of Fall/Winter 2020” 
  A Lambda “Most Anticipated LGBTQ Book of December 2020” 
  A Chicago Review of Books “Must-Read Book of December 2020”

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  The Iliad

  Homer Homer

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  The Iliad is an epic Greek poem written by philosopher Homer, and is considered one of the oldest pieces of western literature still in existence. The story takes place during the last weeks of the ten year Trojan War, with a focus on the quarrels between King Agamemnon and the legendary warrior Achilles. However, this tale's most famous scene is when the Greek's give a gift to the Trojans of a large wooden horse, but one that is filled with soldiers, that allows the Greeks to infiltrate the high walls of the city of Troy. Many Scholars believe the Iliad was originally composed in an oral tradition, intended to be heard, not read, making this epic classic a must have for audiobook listeners!

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  Say Not the Struggle Naught...

  Arthur Hugh Clough

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  Arthur Hugh Clough (kluf) was an English poet, an educationalist, and the devoted assistant to ground-breaking nurse Florence Nightingale. He was the brother of suffragist Anne Clough, who became principal of Newnham College, Cambridge. - Summary by Wikipedia

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  Jean Valjean; or The Shadow of...

  Harry Clifford Fulton

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  A late 19th-century stage adaptation of Victor Hugo's Les Miserables in English, The Shadow of the Law dramatizes the struggles of Hugo's legendary characters: Jean Valjean, the former convict; his relentless pursuer, Javert; Fantine, the tragic mother; her daughter Cosette; the greedy Thenardiers; the doomed revolutionaries. (Summary by Elizabeth Barr)CastNarrator/Prouvaire: Elizabeth KlettJean Valjean: Max KorlingeJavert: drakaunusThenardier: Algy PugFather Fauchelevent/Grandfather Gillenormand: ToddMonseigneur Bienvenu: Rick RodstromMarius Pontmercy: Eden Rea-HedrickEnjolras: Larry WilsonPetit Gervais: Frances BrownGavroche: Ernst PattynamaBabit: Bob NeufeldDoctor/Madame Magloire: Beth ThomasFantine: Amanda FridayCosette: Charlotte Duckett and Emily JonesEponine: Elizabeth BarrMadame Thenardier: Arielle LipshawMlle. Gillenormande/Gendarme: Kristin GjerløwMlle. Baptistine: Lynne ThompsonSimplice: Etel BussNun: Sarah ParshallBoy/Servant: Michele EatonGuardsman: David OlsonInsurgent: RapunzelinaAudio edited by Elizabeth Barr

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  God Had a Body - Poems

  Jennie Malboeuf

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  A debut collection of poetry exploring themes of religion, human behavior, identity, marriage, family, and loss. 
   
  The mind and the body. The heavens and earth. God and animal. The speaker in God had a body considers how the image of a higher power is presented to her, beginning with a Catholic upbringing in Kentucky. Speckled with stars and peopled with creatures, these poems employ a trinity of sequences that address a present, past, and possible future—from a troubled reckoning with belief to loss and promise still ahead. 
   
  In this debut collection from Jennie Malboeuf, we observe undercurrents of violence and power, the dynamics of memory, gender, marriage, and miscarriage. At times, God is brutal. At times, delicate. Through true stories of animal savagery, God had a body unravels human behavior and undoes the opaque and cryptic mysteries of faith. 
   
  “There is a fierce spirituality and mordant wit in God had a body, Jennie Malboeuf’s first book of poems. Here is a poet with a transformative vision of divine and earthly enterprise as well as a sharp eye for the repercussions of physical detail.  Malboeuf’s use of enactments and embodiments—actions and images—startle and awaken the reader to a powerful new voice in American poetry. What a glorious debut collection.” —Stuart Dischell 
   
  “Salient and provoking, sensuous and cerebral, Jennie Malboeuf’s poems locate holiness in the living, dead, partial and whole creations of this planet. . . . I relish these poems and will return to them for their stories, their humor, and the ways they intertwine language and life.” —Lisa Williams

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  Love's Labour's Lost

  William Shakespeare

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  This new edition of Shakespeare's Love's Labour's Lost presents a highly readable text of the play based on the first quarto of 1598. A thorough but concise critical commentary and a comprehensive introduction illuminate the significant elements of the play, its remarkable use of language, and its performance history.

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